Sharrieff Pugh Movies

A haunted New York City detective must delve into his dark past in order to stop a serial killer whose highly artistic modus operandi seems uncannily similar to that of a madman who stalked the city streets five years prior. When reclusive detective Stan Aubray (Willem Dafoe) gunned down the man suspected of being the "Uncle Eddie" murderer, he thought his nightmare had come to an end. But now a new crop of victims has begun to turn up, each bearing the distinctive mark of the maniac whom everyone had presumed to be dead. Much like the unfortunate victims of "Uncle Eddie," the bodies in this latest batch have been carefully arranged in a manner that reflects the artistic style known as anamorphosis -- where hidden meanings can be revealed by viewing the crime scenes from different perspectives. Could this be the work of a copycat killer, or is it possible that Detective Aubray and his men killed the wrong man on that fateful day five years ago? All signs indicate that the latest killings were carried out with Detective Aubray specifically in mind, prompting him to reexamine the painful questions that he had struggled all these years to suppress. On one side, Detective Aubray faces the scrutiny of a bright young detective (Scott Speedman) who has his own unique ideas about the killings, and on the other, a disturbed young woman (Clea Duvall) who proves a dangerous link to Detective Aubray's mystery-shrouded past. Only by confronting the possibility that he fears most will Detective Aubray finally be able to overcome his own stifling sense of guilt and finally uncover the truth about the most gruesome crimes ever committed in New York City. ~ Jason Buchanan, All Movie Guide

It is extremely likely that this episode was inspired by the real-life romance between a prominent rap singer and a famous Hollywood film star. A fatal shooting at an exclusive Manhattan nightclub involves a number of celebrities, including popular hip-hop artist G-Train (Cyrus Farmer). The subsequent investigation is complicated by a distinct lack of cooperation amongst the parties involved. Once the case gets to court, it is clear that G-Train is more concerned with shielding a very special person in his life -- and his carefully cultivated "gangsta" public image -- than in preserving his own freedom. ~ Hal Erickson, All Movie Guide

A Jewish jeweler is murdered and his body is burned. Early evidence suggests that the killing may have been motivated by the anti-Semitism of four black youths. But the detectives and the DA's office uncover proof that the murder was committed for an entirely different, but equally odious, motivation -- and that the murderer was not entirely unknown to the victim. ~ Hal Erickson, All Movie Guide

Action film director John Badham bites the hand that feeds him in this action movie spoof that features ribbing of pretty-boy Hollywood action stars by Michael J. Fox and a parody of colorful, hair-trigger James Woods types by the man himself. Woods plays New York homicide detective John Moss, who is within an inch of closing in on a serial killer who calls himself The Party Crasher (Stephen Lang) because his specialty is shooting his victims in the middle of discos. Chasing The Party Crasher after his latest victim has been dispatched, Moss finds himself hanging onto the door of a speeding truck with The Party Crasher at the wheel. When Moss is thrown off the truck and nearly killed, The Party Crasher escapes, and Moss is taken off the case. Moss is given a new assignment --to tag around with Hollywood action film star Nick Lang (Michael J. Fox), the popular hero of the "Smoking Gun" movies. Lang spotted Moss on a television news show and thinks he would be the ideal cop to study for adding authenticity to an up-coming police action picture. Posing as Moss's rookie partner, Lang follows Moss everywhere, proceeding to spoil his pursuit of The Party Crasher and interfering with Moss's burgeoning affair with his girlfriend Susan (Anabella Sciorra). ~ Paul Brenner, All Movie Guide