Gosta Prnzelius Movies
- 1992
Scripted (but not directed) by Ingmar Bergman, Best Intentions is a multilayered backwards glance at the courtship of Bergman's own parents. Henrik Bergman (Samuel Froler) is a struggling theology student in the year 1909. His intended, Anna Aakerbloom (Pernilla August, who married director Bille August while the film was in progress) is from a well-to-do family. Despite the expected class differences and personality clashes, love-or at least mutual understanding-prevails. But after a harsh, spare few years as the wife of a clergyman, Anna yearns for the more bountiful pleasures of her family home. Bergman writes himself into the proceedings as a mewling infant. The current three-hour theatrical version of Best Intentions (original title: Den Goda Viljan) was simultaneously prepared as a six-hour TV miniseries, which ran in Europe, Scandanavia, and Japan. ~ Hal Erickson, All Movie Guide
- Starring:
- Samuel Fröler, Pernilla August, (more)
Shame demonstrates the futility of escaping the consequences of war. In 1971, the Rosenbergs, Jan (Max von Sydow) and Eva (Liv Ullmann), have retreated to an island off the coast of their unnamed country, which is embroiled in a civil conflict. Trained and employed as classical violinists, they make a modest living raising and selling lingonberries, though they continue to play their instruments. When a plane carrying soldiers crashes on the island, Jan and Eva see their lives changed in an instant as soldiers from both sides of the conflict overrun the island and fighting breaks out. The couple is arrested and charged with collaborating with the rebel forces. Colonel Jacobi (Gunnar Bjornstrand), an old friend of the couple, is in charge of the army defending the island, and he agrees to have the couple released if Eva will have sex with him. Shortly after Jan learns of Eva's betrayal, rebel forces gain the upper hand and order Jan to execute Jacobi, which he readily agrees to do. Not sure which side is safe to throw in with, the couple agree to leave on an early morning boat for another island, which is presumably sheltered from the conflict. ~ Tom Wiener, All Movie Guide
- Starring:
- Liv Ullmann, Max von Sydow, (more)
- 1955
Not even Ingmar Bergman was prone to discuss his obscure 1955 production Dreams. While on vacation, photo agency owner Susanne (Eva Dahlbeck) hopes to rendezvous with her married lover. The man's wife puts the kibosh on this, whereupon Susanne enters into an affair with diplomat Sanderby Gunnar Bjornstrand. This liaison ends unhappily, leaving her sadder and wiser at vacation's end. So annoyingly confusing is Dreams that at times it resembles a Woody Allen parody of Bergman, rather than the genuine article. ~ Hal Erickson, All Movie Guide
- Starring:
- Harriet Andersson, Eva Dahlbeck, (more)
Bergman's comic masterpiece opens with middle-aged lawyer Frederik Egerman (Gunnar Bjornstrand) again failing to consummate his marriage with the much younger Anne (Ulla Jacobsson). While visiting a former lover, actress Desiree Armfeldt (Eva Dahlbeck), he crosses swords with her current lover, Count Malcolm (Jarl Kulle), after both men learn that Frederik is the father of her illegitimate child. At Desiree's behest, her mother invites Egerman, the Count, and their wives along with Egerman's grown son, Henrik (Björn Bjelvenstam) to her manor house for the weekend. Before their departure, divinity student Henrik wards off the eager advances of the housemaid by reading from the Bible aloud, but it seems clear that he and Anne are quite taken with one another. After arriving at the Ryarp estate the guests are served a dinner spiked with a love potion which provokes swift reactions. The bewildered Frederik becomes aware of the increasingly intense bond between Henrik and Anne, and the Countess (Margit Carlquist) makes a public bet with her husband that she can seduce Frederik. Shocked by the dinner-table conversation, the strait-laced Henrik retires to his room to commit suicide. In the course of his bumbling attempt, he has the good fortune to learn why so many prefer sex to death. ~ Michael Costello, All Movie Guide
- Starring:
- Eva Dahlbeck, Ulla Jacobsson, (more)
- 1954
En Lektion i Kärlek constitutes one of Ingmar Bergman's more overtly entertaining films. In this highly engaging comedy, Bergman reunites Gunnar Bjornstrand and Eva Dahlbeck, who had already teamed to great effect in the final, comic episode of Secrets of Women (1952), and he once again casts them as an amusingly antagonistic husband and wife. Bjornstrand's character, David Erneman, is a successful gynecologist who has jeopardized his sixteen-year marriage by entering into an affair with one of his patients. In retaliation, his wife, Marianne, departs for Copenhagen to revive relations with a former fiancé. David initially seems only slightly disturbed by his wife's action, but when his affair ends and he enjoys an afternoon with his inscrutable daughter (Harriet Andersson, in an especially plucky turn), he determines to embark for Copenhagen and win back his wife. But his initial efforts at a reunion hardly bring him success, and only after a barroom altercation with his brutish rival does David seem to rekindle his wife's affection for him. En Lektion i Kärlek is a pivotal film in the Bergman canon, reviving his fortunes after the critics' rejection of Gycklarnas Afton (Sawdust and Tinsel) (1953) and spurring him toward his comic masterpiece, Sommarnattens Leende (Smiles of a Summer Night) (1955). Bergman came to regard En Lektion i Kärlek as a divertissement, but the film is of a greater magnitude than usual comedies of domestic life, and Bergman concludes it with the endearing image of Cupid strolling past the hotel room of the reunited couple. ~ Les Stone, All Movie Guide
- Starring:
- Gunnar Björnstrand, Eva Dahlbeck, (more)
- 1951
An innocent youth finds love and, eventually, heartbreak in this film, which ranks among Ingmar Bergman's simplest and most unaffected. Harry (Lars Ekborg), the unworldly, unhappy hero, suffers at his job and in his personal life. Then he falls in love with the superficial Monika (Harriet Andersson), who shows little capacity for sensitivity but radiates carnality. Defying the repressive, degrading ways of adult society, the couple flees from the city, their responsibilities, and their problems by stealing a boat and retreating to an island, where they live free of inhibitions or social restrictions. But when the glorious summer comes to an end, the young couple is compelled to return to the city, where their relationship soon disintegrates. Monika gives birth to their child but shows little parental inclination, preferring to sleep late and lounge about. Harry, meanwhile, tries to provide support. Bored, Monika eventually finds another lover, whereupon Harry moves his child from their filthy apartment and determines to make a better life. With its agreeable lead actress and its unadorned style, Sommaren med Monika constitutes one of Bergman's most immediate and accessible films. Harriet Andersson, who became a Bergman regular, shows an unabashed sexuality that would serve her well in subsequent films, and she reveals a canny ability to maintain audience interest, if not sympathy, for a character that is ultimately unappealing, even repellant. Bergman allows Andersson's performance to dominate the film. He generally abstains from emphatic lighting or provocative angles, preferring to accommodate his actress with rich close-ups and sunlit portraits. Andersson's compelling performance, together with the film's idyllic island setting and Bergman's unfailing direction, renders Sommaren med Monika an impressive, noteworthy work. ~ Les Stone, All Movie Guide
- Starring:
- Harriet Andersson, Lars Ekborg, (more)
