Jonathan Pryce Movies

Jim Bishop's minute-by-minute account of the events leading up to the Crucifixion was the basis for the three-hour TV movie The Day Christ Died. Chris Sarandon plays the Hebrew "blasphemer" known as Jesus, who is brought before the beleaguered governor Pontius Pilate (Keith Mitchell). To avoid an insurrection, Pilate washes his hands of the matter by offering the Hebrews a pardon either to Jesus or the thief Barabbas during Passover. "Give us Barabbas!" is the answer, sealing Jesus' fate. The screenplay by James Lee Barrett and Edward Anhalt is for the most part objective and dispassionate, though there are some unsubtle parallels between Pilate and such future political "heavies" as Nixon. Also appearing in the cast are Colin Blakely as Caiaphas, Barrie Houghton as Judas, Jonathan Pryce as Herod, Eleanor Bron as Mary, and Hope Lange as Claudia. The Day Christ Died premiered -- not without protest from certain circles -- on March 26, 1980. ~ Hal Erickson, All Movie Guide

This caper film stars Martin Sheen as Stephen Booker, an unemployed American architect in London who needs to jump-start his finances. Enter criminal mastermind Mike Daniels (Albert Finney), who gathers a group of thieves together to rob an impregnable London bank of millions by coming in through the sewers. Needing the money and the chance, Stephen, when offered, willingly joins the gang in their robbery attempt. ~ Paul Brenner, All Movie Guide

In this convoluted crime drama, a conniving nurse conspires to marry and kill a wealthy professor. To do the deed, she, who has already killed the rest of his family, enlists the aide of the professor's assistant. ~ Sandra Brennan, All Movie Guide

After a carnival comes to Green Town, the good citizens are compelled to follow their deepest desires, caught under the spell of the malevolent Dr. Dark (Jonathan Pryce) who can grant those desires on one condition: that the grantees will forever join his freak show. Dr. Dark is after two young boys from the town in particular, while others in the town would certainly be easy marks. The sour-faced, older schoolteacher (Mary Grace Canfield) wants to be a seductive young woman, Ed the bartender (James Stacy) would like to regain his lost left arm and leg, and the librarian (Jason Robards) worries about a wasted life spent only in books. As Dr. Dark works his own brand of voodoo, the citizens and the two boys -- as well as the whole carnival itself -- approach a final reckoning. Something Wicked This Way Comes was based on a Ray Bradbury novel. ~ Eleanor Mannikka, All Movie Guide

This live appearance by Mel Brooks includes songs, skits and jokes. ~ John Bush, All Movie Guide

Brazil constitutes Terry Gilliam's enormously ambitious follow-up to his 1981 Time Bandits. It also represents the second installment in a trilogy of Gilliam films on imagination versus reality, that began with Bandits and ended in 1989 with The Adventures of Baron Munchausen. To create this wild, visually audacious satire, Gilliam combines dystopian elements from Orwell, Huxley and Kafka (plus a central character who mirrors Walter Mitty) with his own trademark, Monty Python-esque, jet black British humor and his gift for extraordinary visual invention. The results are thoroughly unprecedented in the cinema.

Jonathan Pryce stars as Sam Lowry, a civil servant who chooses to blind himself to the decaying, drone-like world around him. It's a world marred by oppressive automatization and towering bureaucracy, and populated by tyrannical guards who strongarm lawbreakers. And Lowry is stuck in the middle of this nightmare. Whenever real life becomes too oppressive, Sam fantasizes (to the tune of Ary Baroso's 1930s hit "Brazil") about sailing through the clouds as a winged superhero, and rescuing beautiful Jill Layton (Kim Greist) from a giant, Samurai warrior. The omnipresent computer that controls everything in the "real" world malfunctions, causing an innocent citizen to be arrested and tortured to death. When Sam routinely investigates the error, he meets - and pursues Jill , literally the girl of his dreams. But in real life, she's a tough-as-nails truck driver who initially wants nothing to do with him. It turns out that she is suspected of underground activities, in connection with a terrorist network wanted for bombing public places. The price Sam pays for his association with her is a close encounter with the man in charge of torturing troublesome citizens (Michael Palin). He is rescued - at the last minute - by maintenance man Harry Tuttle (Robert de Niro) who moonlights as a terrorist, but that only represents the beginning of his plight, for now the "system" is onto him.

Gilliam ran into enormous problems with Brazil. Universal - which produced the picture - originally slated it for release in 1984, but the studio - intimidated by the film's whopping length of 142 minutes - demanded that Gilliam trim the film to bring it in under two hours and alter the pessimistic ending. Gilliam refused; Universal shelved the picture for a year. In response, the director took out a full page ad in Variety asking studio president Sid Sheinberg when the film would be released. Sensing tremendous pressure, Universal bowed to Gilliam's insistence on fewer cuts but still demanded a happy ending. Gilliam trimmed only eleven minutes and altered the conclusion just slightly (instead of cutting to black, it fades into puffy white clouds on a blue sky, with a reprise of the title tune). It was thus released in early 1985 at 131 minutes, and of course became a seminal work; many critics regarded it at the time as the best film of the eighties. ~ Nathan Southern, All Movie Guide

Gene Wilder directed and wrote (along with Terence Marsh) this mild farce which is a pale reminder of Wilder's glory days in Mel Brooks' Young Frankenstein. Wilder plays ham radio actor Larry Abbot, who takes his fiancee Vickie Pearle (Gilda Radner) out to meet his relations on a gloomy country estate before they are married. The creepy clan is lorded over by the bizarre Aunt Kate (Dom DeLuise), who keeps babbling about a local rampaging werewolf. As Larry and Vickie try to spend a quiet weekend in the mansion, they are assaulted with all manners of spooky goings-on -- the kind of routines that were already growing whiskers when Abbott and Costello first dusted them off over fifty years ago. ~ Paul Brenner, All Movie Guide

A British production created by Monty Python alumni, this film concerns an inept chocolate-factory executive (Tyler Butterworth) who accidentally knocks three workers into a vat. The product is an incredible hit with consumers, though one of the workers' widows (Vanessa Redgrave) is considering blackmail. ~ John Bush, All Movie Guide

In this fact-based drama, a British man accused of his wife's murder becomes the target of his friends' and neighbors' wrath. ~ Sandra Brennan, All Movie Guide

A steamer trunk full of the voices of British acting greats (Ben Kingsley, Billie Whitelaw, Michael Hordern, Brian Blessed, and Jonathan Pryce) enliven this absurd pop-cartoon parody of the James Bond films. In a prologue taking place in a faraway time, a widowed magician-king (voice of Michael Hordern) and his son, Prince Freddie (voice of Ben Kingsley) live in their lonely castle. Freddie's mean aunt Messina (voice of Billie Whitelaw), dead-set against Freddie becoming king, kills his father and transforms Freddie into a frog. Freddie escapes the wrath of Messina by jumping into the sea. Several hundred years later, Freddie is now living in modern day Paris -- a six-foot-tall amphibian with the moniker Secret Agent F.R.O.7. Messina, too, is still around causing mischief, joining forces with an arch-villain named El Supremo (voice of Brian Blessed) in a scheme to shrink Big Ben. Freddie, alerted to Messina's nefarious plans, gathers his fellow agents Daffers (voice of Jenny Agutter) and Scottie (voice of John Sessions) together, planning to hide out in Big Ben and surprise the evil doers when they are set to strike at the much-loved British landmark. ~ Paul Brenner, All Movie Guide

Teresa Russell plays dual roles as twins in this made-for-television English thriller. Based on the book of the same name by Dylan Jones, Russell stars as twin sisters Debbie and Jo. When Jo is killed in a car accident, twin Debbie assumes her sister's life and family, making everyone suspicious of Jo's death -- including Jo's husband. ~ Bernadette McCallion, All Movie Guide

In Martin Scorsese's adaptation of Edith Wharton's 1920 novel, romance between an upper-class gentleman and an ostracized lady is doomed by 19th century New York society. Shortly after his engagement to blandly genteel May Welland (Winona Ryder), Newland Archer (Daniel Day-Lewis) is reacquainted with May's scandalous cousin Ellen Olenska (Michelle Pfeiffer). As the head of an esteemed family, Archer initially uses his standing to try to rehabilitate Ellen's reputation, but he finds himself increasingly drawn to her disregard for the codes of New York manners. Bound by ingrained society mores and his peers' insinuations, Newland tries to dodge his growing passion by rushing his marriage to May, but he cannot keep himself from confessing his love to Ellen. Recognizing that Newland could never abandon his sense of honor and be happy, Ellen pushes Newland to May and leaves town. The marriage proceeds as dictated, but when Newland unexpectedly sees Ellen again, he yearns for the affair to come to fruition. However, he underestimates not only what May knows but also her ability to uphold the rules of propriety. Sumptuously shot by Michael Ballhaus, the film offers meticulously designed costumes and settings that evoke a culture as seductively beautiful in its surfaces as it is stifling in its rituals. Unspoken emotions are expressed through such details as yellow roses or a clipped cigar, a fade to red or a single camera move. Using Wharton's original prose to comment on the setting's hypocrisies, Joanne Woodward's voiceover narration suggests how much decisive power is buried beneath dainty femininity. The Age of Innocence received five Oscar nominations, including Best Supporting Actress for Ryder and Best Screenplay for Scorsese and Jay Cocks, and a win for Best Costumes. Although The Age of Innocence seemed like a departure from Scorsese's prior work, Newland is as much at the mercy of his circle's Byzantine structure (and his own conscience) as are Scorsese's more familiar mobsters; Newland's persecutors just wear white tie and tails. ~ Lucia Bozzola, All Movie Guide