Paul Provenza Movies

"A family walks into a talent agent's office..." So begins "The Aristocrats," a joke kept mostly secret by stand-up comedians for decades. An intentionally "bad" joke, the laughs in The Aristocrats aren't in the punch-line (one of the only elements that's the same every time), but in the set-up, made unique by each comedian who tells it in an attempt to fashion the world's dirtiest joke. The cat was finally let out of the bag by Penn Jillette and Paul Provenza, the seasoned funnymen who gathered together a hundred people to tell a hundred different renditions of the bit. Among those presenting their personal take on The Aristocrats in this film of the same name are Jason Alexander, Robin Williams, Gilbert Gottfried, Jon Stewart, Emo Philips, and Chris Rock. The Aristocrats premiered at the 2005 Sundance Film Festival. ~ Matthew Tobey, Rovi

Best friends Delmar (Jorja Fox) and Hortense (Suzanne Mara) have a gift for making food and for making people laugh. Every week they host a dinner party for their eccentric friends, but they both have the dream of one day extending the party to every night of the week by opening their own restaurant. The problem with their plan is a lack of money, but when Hortense's boyfriend offers Delmar the chance to make the money to make her dream come true, it looks like she could accomplish her goal -- but at what price? Things may not work as planned, but they still might just work. ~ Cammila Collar, Rovi

To paraphrase the late, great NBC programming executive Brandon Tartikoff, the television industry is comprised of two different groups of people: The "beggars," those actors, writers, directors, and producers who tirelessly and relentlessly package and pitch ideas, concepts, and premises for new TV series; and the "choosers," those elite network chieftans who make the final decisions as to what will or will not be seen on the air. With this in mind, Beggars and Choosers was the perfect title for a raunchy, ribald cable-TV satirical sitcom, set behind the walls of a major (but not too major) television network. The setting for this weekly, 60-minute series was the headquarters of the LGT network, which, though it ran a distant last to such prestigious webs as ABC, CBS, and NBC, still managed to score a few ratings successes, notably the Seinfeld clone "Peter's Pals" and the ethnic soaper "Puerto Vallarta." Like most contemporary entertainment-manufacturing concerns, LGT was a hotbed of betrayals, double-crosses, backstabbings, dark intrigues, covert conspiracies, and sexual shenanigans. Heading the huge cast of regulars and recurring characters was Brian Kerwin as youthful LGT president Brian Kerwin, who manfully kept his wits about him while swimming with sharks at the workplace and dealing with domestic problems engendered by his demanding wife Cecile (Isabella Hoffman) and his troublesome teenaged children Audrey (Keegan Connor Tracy) and Cary (Kaj-Erik Eriksen). Co-starring with Kerwin was Charlotte Ross as Lori Vopone, LGT's barracuda-like vice president of development, who would stop at literally nothing to get bigger ratings and advance her own career. Others in the cast included Tuc Watkins as the network's closeted homosexual casting executive Malcolm Laffley, who spent most of the first season trying to work up the courage to "out" himself; William McNamara as supercilious talent agent Brad Advail, who was convinced that his success hinged upon which pair of socks he wore on any given day; Christopher Kennedy as Marty Hertz, LGT's bean-counting head of business affairs; and Sheila Moore as the network's hypersensitive vice president of standards and practices. Initially, LGT was owned by the senile, semi-comatose E. L. Ludden (Bill Morey) and his scheming trophy wife Lydia (Carol Kane). During a bitter power struggle between Mr. and Mrs. Ludden, control of the network was seized by flaky dot.com billionaire Dan Falco (Beau Bridges), who shortly thereafter turned the business over to his nitwit brother Freddie (James Belushi). The gloriously uninhibited and diabolically clever Beggars and Choosers debuted over cable's Showtime network on June 19, 1999, remaining in first-run for the next two seasons. ~ Hal Erickson, Rovi

Gregory Ruzzin directs this romantic comedy about 30-somethings looking for love. Divorcee Delmar and her roommate Hortense prepare for one of their usual dinner parties for their sundry friends and associates. Hortense is anxiously waiting for her boyfriend Stanley (Paul Provenza) to propose, but instead he proposes an unusual request to Delmar: Would she being to bear a child for his boss and barren wife? Delmar agrees. Meanwhile, shy Moses (Bill Nunn) who lives in an old Cadillac, is being sought after by Delmar's brother Jethro and his buddy Marlon. Melodramatic twists and turns ensue before the ultimately upbeat ending. ~ Jonathan Crow, Rovi

This low-budget satire takes a shot a Hollywood as it follows two desperate, unsuccessful actors, Dern Reel and Patrick St. Patrick, who steal 10 recently shot rolls of film from Tinseltown's newest darling, the director David Egoman, and hold them for ransom. ~ Sandra Brennan, Rovi

In this lively comedy, an African American yuppie rethinks life on the corporate fast-track after he falls in love with an ultra hip club promoter. Knowing that she finds him a total square, he seeks the advice of a swinging young mail boy. ~ Sandra Brennan, Rovi

Under the Influence is a TV movie about an alcoholic, scripted by recovered alcoholic Joyce Rebeta-Burdett. Andy Griffith plays the head of an outwardly respectable New England family. Griffith drinks heavily, but the rest of the family sweeps his addiction under the rug. When Griffith lands in the hospital, he must come to grips with his illness--and the rest of the family must stop lying to each other and to themselves. Under the Influence is remarkable not only for the intelligent, unsensational handling of its subject, must also for Andy Griffith's convincing portrayal of a New Englander. ~ Hal Erickson, Rovi