Hugh Prosser Movies

Johnny Mack Brown was a bit on the chunky side by the time he starred in Canyon Ambush, though his excess poundage never impedes his performance. This time Brown comes to the rescue of imperiled Phyllis Coates (who'd just spent 26 weeks as Lois Lane on the TV series Superman). The bad guys just plain haven't got a chance against the slow-talking, fast-triggered Mr. Brown from Alabama. Brown's Monogram westerns of the early 1950s were hampered by severe economical limitations, and Canyon Ambush is hardly an exception. The film manages to coast on the sheer star power of its veteran leading man. ~ Hal Erickson, Rovi

Mistaken identity and underhanded dealings set the stage for this adventure story based on Anthony Hope's classic novel. Rudolph Rassendyll (Stewart Granger) is a British tourist visiting the nation of Ruritania in the Balkans. A number of people comment upon Rassendyll's remarkable resemblance to Prince Rudolph, who in a matter of days is to be crowned the nation's new king, and the prince's staff even arranges a meeting between the two men. But Rudolph's devious brother believes it is he who should be the king, and he arranges for Prince Rudolph to be poisoned the night before his coronation. Desperate, Rudolph's minders beg Rassendyll to participate in the ceremony in Rudolph's place so that the usurper cannot take the throne. Rassendyll agrees, and the ceremony goes off without a hitch, but when the brother's men discover this subterfuge, they imprison the real Prince as they threaten to reveal the secret of the new "king." Rassendyll's dilemma is compounded when he finds himself falling in love with Princess Flavia (Deborah Kerr), Rudolph's intended. This was the fourth screen adaptation of The Prisoner of Zenda; a fifth, which focused on the tale's comic possibilities, starred Peter Sellers and was released in 1979. ~ Mark Deming, Rovi

Charles Starrett once more hits the trail as "The Durango Kid" in Columbia's Across the Badlands. By now, the formula was a well-oiled machine: Starrett becomes a lawman, is challenged by the local criminal element, and ultimately goes beyond the law as the masked Durango. Screenwriter Barry Shipman was able to clear space in his scenario for generous chunks of stock footage from earlier Starrett westerns. Smiley Burnette is along for the ride as comedy relief, while Helen Mowery is the forgettable female lead. And yes, that's "The Old Ranger" from the TV series Death Valley Days, aka Stanley Andrews, as Sheriff Crocker. ~ Hal Erickson, Rovi

The legendary Knights of the Round Table came to the screen in 1949 courtesy of penny-pinching serial producer Sam Katzman. A pre-Superman George Reeves starred in the title role, a knight who, in order to join King Arthur (Nelson Leigh) and his famous table, must obtain the missing sword Excalibur whose powers can render a person invisible. Sir Galahad is hindered in his quest by the occupying Saxons in general and by Merlin the magician (William Fawcett) and a mysterious Black Knight (Leonard Penn) in particular. All the legendary characters appear in this serial, including Morgan Le Fay (Pat Barton); Sir Lancelot (Hugh Prosser); Queen Guinevere (Marjorie Stapp); and Sir Gawain (Rick Vallin). Katzman and screenwriters George H. Plympton, Lewis Clay and David Mathews added a rotund sidekick, Bors, played, surprisingly, by veteran B-Western menace Charles King. Unfortunately, producer Katzman's pernicious methods rendered the serial less than first class. ~ Hans J. Wollstein, Rovi

Johnny Mack Brown's first starring western for 1950 is cut from the same cloth as his 1949 releases. Brown's principal antagonist this time is the town boss (Hugh Prosser), an outlaw who has killed the community's leading citizen. The dead man's grown children (Jane Adams and Riley Hill) want to investigate the killing, but the outlaw puts a stop to this by hiring a dance-hall dame (Constance Worth) to pose as the kids' long-lost mother. Johnny isn't fooled by this subterfuge, nor is his comic sidekick (Max Terhune). Once the plot has been established, Western Renegades adheres strictly to formula -- right down to Johnny Mack Brown's relinquishing the film's romantic-lead responsibilities to the younger, thinner Steve Clark. ~ Hal Erickson, Rovi

Daredevils in the Clouds was one of Republic's several attempts to transform former cowboy star Robert Livingston into a non-cowboy leading man. With customers and creditors breathing down his neck, Terry O'Rourke (Livingston), the head of Polar Airways, does his best to bring his planes in on time. Johnny Martin (James Cardwell), top man at Trans-Global Airlines, covets O'Rourke's business, and will do anything-even commit murder-to gobble up Polar's clientele. Mae Clarke, who hadn't had a leading role in years, is quietly effective as Kay Cameron, a grounded aviatrix who carries a torch for her boss O'Rourke. The film is distinguished by the excellent miniature and special-effects work of the Lydecker Brothers. ~ Hal Erickson, Rovi

Based on an adventure feature in Action Comics, this 15 chapter serial starred the erstwhile Dick Tracy, Ralph Byrd, as the title character, a Western movie star going undercover to investigate the disappearance of a string of pearls known as the "100 Tears of Blood." As it turns out, the pearls have been concealed in the hooves of five horses belonging to the secret gang leader X-1 (Lyle Talbot), aka ranch owner George Pierce. With the help of lovely Betty Winslow (Ramsay Ames) and visiting potentate Prince Amil (Robert Barron), "The Vigilante" manages to defeat the evil X-1 in the serial's final chapter, "The Secret of the Skyroom." The Vigilante was produced with his eyes firmly on every dollar spent by legendary cheapskate Sam Katzman. ~ Hans J. Wollstein, Rovi

Cecil B. DeMille's first postwar production, the $5 million Technicolor historical spectacular Unconquered lacks only the kitchen sink. The story begins in England in the 1760s, as Abigail Martha Hale (Paulette Goddard), unjustly accused of a crime against the Crown, is sentenced by the Lord Chief Justice (C. Aubrey Smith) to 14 years' forced servitude in North America. Carted off to the auction block, Abigail is highly coveted by slavemaster Martin Garth (Howard da Silva), but the highest bidder turns out to be Virginia militiaman Captain Christopher Holden (Gary Cooper). Having been jilted by his aristocratic fiancee Diana (Virginia Grey), Holden harbors no romantic feelings for Abigail, but he's determined not to let her fall into Garth's grimy clutches. The patriotic Holden also knows that Garth, who is married to the daughter (Katherine de Mille) of Indian chief Pontiac (Robert Warwick), has been trading firearms to the Ottawas. The treacherous Garth later participates in the "Pontiac Conspiracy," an allegiance of 18 Indian nations forsworn to wipe out every colonist on the East Coast. To put Holden out of the way, Garth arranges for him to be court-martialed and sentenced to death on a trumped-up desertion charge. But Abigail, partly in repayment for her rescue from Seneca chief Guyasuta (Boris Karloff) and partly because she's fallen in love with Holden, helps him escape, just in time to save a nearby military fort from an Indian massacre -- a feat accomplished by a subterfuge straight out of Beau Geste, which also starred Gary Cooper! As historically suspect as any Cecil B. DeMille epic, Unconquered is still marvelous escapist entertainment, especially during the time-honored bathtub scene involving a bare-shouldered Paulette Goddard (who spends most of the film in either a state of dishabille or bondage, or both!) Once again, however, Mr. "Spare No Expense" DeMille cuts corners by filming most of his major exterior scenes within the artificial confines of the Paramount sound stages. ~ Hal Erickson, Rovi

Band singer Freddie Stewart stars in the pure-'40s frivolity Vacation Days. It's a high-school musical romance, with some of the oldest "teenagers" on record. During summer vacation, Freddie and student June Preisser fall for each other. Their relationship is complicated by romantic rivalries carried over from the regular school year. Vacation Days features a spirited musical number by country-western star Spade Cooley, whose ultimate real-life destiny -- he would die in prison after murdering his wife -- retrospectively casts a slight pall on the proceedings. ~ Hal Erickson, Rovi

Monsieur Beaucaire, Booth Tarkington's novel about an 18th-century French barber who poses as a swashbuckling aristocrat, was the surprising source for this Grade-A Bob Hope comedy. While in the original novel the tonsorial hero pretended to be someone he wasn't by choice, in this 1946 film Hope is coerced into posturing as a nobleman on the threat of death. It's "out of the frying pan" time here, since Hope will be a target for execution the moment he weds a Spanish princess in place of genuine noble Patric Knowles. Bob's actions will prevent a war between Spain and France, but it's likely he won't be around to celebrate the Peace. Hiding his cowardice by cracking wise at every opportunity, Hope manages to save both the day and himself; he even rescues Joseph Schildkraut, the film's nominal villain, from the guillotine. The female contingent is represented by Joan Caulfield as Bob's covetous girl friend, Marjorie Reynolds as a princess, and Hillary Brooke as a haughty schemer (who is given her just desserts in an early slapstick set-piece). Woody Allen has long expressed his affection for Monsieur Beaucaire, an affection made doubly obvious in "homage" fashion by Allen's 1975 costume comedy Love and Death. ~ Hal Erickson, Rovi

Adhering to the long tradition of casting non-action leads in their serials, Republic Pictures hired former 20th Century-Fox light leading man Robert Kent to headline no less than two chapterplays in 1946, King of the Royal Mounted and The Phantom Rider. In the latter, the amiable, good-looking Kent played James Sterling, an earnest young medical doctor attempting to establish an Indian police corps on the Big Tree Reservation. Facing continuing sabotage by unknown forces, the young medico takes up the guise of "Phantom Rider," a mysterious avenger righting the territory's many wrongs. Sterling is secretly opposed by Fred Carson (LeRoy Mason), whose outward friendliness hides a sinister desire to dominate the reservation, but finds loyal allies in Indian friend Blue Feather (George J. Lewis), pretty schoolmarm Doris Shannon (Peggy Stewart), and Nugget (Hal Taliaferro), a tough but lovable miner. Kent, who was doubled by ace Republic stunt-man Dale Van Sickel, headed a superior cast of serial stalwarts that also included Roy Barcroft as a marshal, Tom London, as a henchman, and, in a bit part, future cowboy hero Monte Hale. An edited feature version of the serial was released simultaneously as Ghost Riders of the West. ~ Hans J. Wollstein, Rovi

If Republic's skating star Vera Hruba Ralston could go "dramatic", so too could Monogram's skating star Belita. Produced by the enterprising King Brothers, Suspense takes place in an ice-skating emporium owned by Frank Leonard (Albert Dekker). No-good heel Joe Morgan (Barry Sullivan) not only strongarms Leonard into sharing the establishment's profits, but also tries to move in on Leonard's wife Roberta (Belita). The plot thickens when Leonard is apparently killed by Morgan, only to return from the dead! But what really does Morgan in is his own checkered past, as personified by his vengeful ex-sweetheart Ronnie (Bonita Granville, in a truly offbeat characterization). Belita's ice-skating solos (staged by Nick Castle) and Philip Yordan's overly complicated script tend to weigh down the proceedings; still, Suspense deserves to be seen, if for no other reason than its dazzling opening sequence. ~ Hal Erickson, Rovi