Robert Prosky Movies

In Thief, James Caan plays Frank, a professional jewel thief who wants to marry Jessie (Tuesday Weld) and settle down into a normal life. In order to achieve his dream of a family, Frank--who is used to working solo--has to align himself with a crime boss named Leo (Robert Prosky), who will help him gain the money he needs to begin his domestic life. Frank plans to retire after the heist, yet he finds himself indebted to Leo and he struggles to break free. Thief is the first feature film from director Michael Mann and it seethes with his stylish, atmospheric direction. Though his cool approach may put off some viewers, it's a distinctive and effective story-telling approach, and Caan's performance ranks among his very best, making Thief a crime movie like few others. ~ Stephen Thomas Erlewine, All Movie Guide

An ambitious priest discovers that honoring the Ten Commandments isn't as easy as he imagined in this drama. Father John Flaherty (Christopher Reeve) is a Catholic priest who was ordained during World War II, and soon found himself forced to fight enemy forces while serving as a chaplain in the Army. As his life and career in the church moves on, Flaherty finds himself frequently torn between his duty and devotion to the church and his ambitions, appetites, and the notion that the ends can justify the means. Flaherty eventually rises through the church hirarchy to win an appointment at the Vatican, where he helps to manage the church's finances. When the Vatican's books reveals a major cash flow crisis, Flaherty suggests a rather unusual plan to Cardinal Santoni (Fernando Rey) -- buy hard-to-find American goods at a discount, and then sell them at a profit to mafia kingpins, who will then sell them on the black market at premium prices. As Flaherty and Santoni debate the ethics of this scheme, Flaherty meets and finds himself becoming attracted to Clara (Genevieve Bujold), a postulant nun. Posing as an American businessman, Flaherty romances and seduces Clara, until she discovers his secret. Monsignor also stars Jason Miller, Robert Prosky, and Joe Patoliano. ~ Mark Deming, All Movie Guide

Gene Wilder stars as Michael Jordon, an architect on the run from false murder charges, who hooks up with Kate Hellman (Gilda Radner), the sister of a recent suicide victim. ~ Jason Ankeny, All Movie Guide

Adapted from a long novel by Pat Conroy, the story is shortened to focus on a harrowing account of institutional racism in the 1960s American South. David Keith stars as Will McLean, a senior student at the fictional Carolina Military Institute. When the school admits its first black student, McLean is confidentially charged with making sure that the newcomer's initiation does not get too violent. Yet that is exactly what happens, and McLean becomes alarmed when it seems like someone is out to kill his new charge. McLean's own investigation of the matter uncovers an elusive group of sadistic students who will go to any length to control their school. ~ Bernadette McCallion, All Movie Guide

The film version of The Natural pulls off the neat trick of conveying the spirit of the Bernard Malamud novel upon which it is based, even while changing both the outcome and the meaning of Malamud's closing chapters. In his first film appearance in four years, Robert Redford plays Roy Hobbs, a farm boy with a hankering to be a great baseball player. With his faithful homemade bat "Wonderboy" in hand, Roy heads to the big city. En route, he arouses the fascination of the mysterious Harriet Bird (Barbara Hershey). Luring the boy to a hotel room, Harriet asks Roy what he wants out of life. Roy brashly responds he wants to be "the best there is," whereupon Harriet whips out a gun and shoots Roy down. Sixteen years later, a humbler Roy Hobbs emerges from the bush leagues to become a 35-year-old "rookie" on the 1939 lineup of the New York Knights. He soon becomes the team's star player, and in so doing once more attracts enigmatic woman Memo Paris (Kim Basinger), the glamorous niece of the Knights' manager Pop Fisher (Wilford Brimley) and the mistress of Rothstein-like gambler Gus Sands (a curiously unbilled Darren McGavin). Roy's fascination with Memo compromises his ability to play, but this time he finds salvation in the form the angelic Iris Gaines (Glenn Close), his childhood sweetheart. From this point forward, the script for The Natural bears very little resemblance to the Malamud original. Without giving anything away, it can be said that Roy Hobbs is given a once-in-a-lifetime opportunity to compensate for the mistakes of his youth, despite the demonic intrusion of inexplicably spiteful sports writer Max Mercy (Robert Duvall). The Natural elevates the art of slow-motion photography to new heights; while this technique would become precious and boring in later baseball films, it works beautifully here, as does the decision by director Barry Levinson and cinematographer Caleb Deschanel to convey the symbolism inherent in the story in purely visual rather than blatantly verbal terms. (If the characters told you that the story was a retelling of the Camelot legend in baseball terms, would you have watched?) Another plus is the pastoral theme music by Randy Newman, which has been well utilized on sports broadcasts and "human interest" TV documentaries ever since. The baseball scenes in The Natural were staged at War Memorial Stadium in Buffalo, New York. ~ Hal Erickson, All Movie Guide

Consumed by grief when his father is felled by a heart attack, 11-year-old Obie (Ricky Busker) runs away from his white, upper-class surroundings. He ends up in a particularly dismal Chicago ghetto neighborhood where, after enduring a beating administered by gang members, he is befriended by streetwise black youth Jeremy "Scam" Henderson (Darius McCrary). The two become partners in crime, leading to a deadly situation involving a pair of professional hit men. Just when it seems things can't get any worse, they do. Robert Prosky co-stars as a slimy pawnbroker. ~ Hal Erickson, All Movie Guide

A terminally ill nun apparently commits suicide--which of course is a mortal sin in the eyes of the Catholic church. In order to prove that the nun did not die by her own hand, the dead woman's Mother Superior (Jane Powell) prevails upon her old friend Jessica Fletcher (Angela Lansbury) to follow the trail of clues--one of which reveals some disturbingly sordid details. This episode is distinguished a particularly stellar cast of veteran actors, including Audrey Totter in her last role before retirement. ~ Hal Erickson, All Movie Guide

Two women with serious differences are forced to look out for each other in this anarchic comedy. Sandy (Bette Midler) and Lauren (Shelley Long) are a pair of struggling actresses who don't get along especially well -- and are even less fond of each other when they discover that they're both dating the same man, Michael (Peter Coyote). However, when Michael suddenly goes missing, they discover that he's actually an espionage agent working with a foreign government, and as they set out to find him, they learn that he has implicated them in his schemes. Now Sandy and Lauren are stuck with each other as they look for Michael while trying to outrun the law. Outrageous Fortune also stars George Carlin as Frank, a burned-out '60s holdover who the women meet along the way. ~ Mark Deming, All Movie Guide

Perhaps it was his collaborator Shel Silverstein who said to screenwriter David Mamet "Lighten up. Do a comedy." Whatever the case, Things Change was a welcome change of pace for Mamet, both as scenarist and director. Don Ameche also goes against his usual grain by playing a downtrodden Chicago shoeshine boy (if one can call an 80-year-old a "boy") who is arrested for a crime he didn't commit. Not having much of a future anyway, Ameche has agreed--for a hefty sum--to take the rap for a gangland rubout. Mob henchman Joe Mantegna is assigned to keep an eye on Ameche over the weekend to make sure he doesn't try to weasel out of his agreement. Mantegna has been ordered to remain in Ameche's Lake Tahoe hotel, but the young guy takes a liking to the old loser. Like Jack Nicholson in The Last Detail, Mantegna takes Ameche on one last fling around Nevada. The location photography is terrific, and Ameche even more so. One would like Things Change to be equally as good, and while it never comes up to its potential, it remains a pleasant means to while away 100 minutes. ~ Hal Erickson, All Movie Guide

In this made-for-HBO thriller, Pierce Brosnan stars as an ex-convict who seeks revenge on the racetrack partner (Tom Skerritt) who framed him. ~ Jason Ankeny, All Movie Guide

In this drama, set in a small town in Georgia, a curmudgeonly, strongly opinionated local editor is upset by the changes wrought by the end of WW II. ~ Sandra Brennan, All Movie Guide

Angela Lansbury stars as an unmarried teacher at a Minnesota Catholic grade school. An ongoing battle with new bishop Robert Prosky, coupled with her friendship with an unwed mother, awakens hera to the possibility that she hasn't lived her life to the fullest. When her grateful school staff bankrolls her vacation to Ireland, Lansbury uses the opportunity to meet the man (Denholm Elliot) with whom she has secretly corresponded for years--and with whom she has fallen in love, sight unseen. Arriving on the Emerald Isle, Lansbury eagerly arranges a meeting with her dream lover. Will she be surprised. Made for television, Love She Sought was filmed under the working titles A Green Journey and Last Chance for Romance. ~ Hal Erickson, All Movie Guide

Where the original Gremlins was a horror film spiked with comedy, Gremlins 2: The New Batch is essentially a black comedy, with a couple of horrifying touches. As the film starts, the fantastical trinket shop in Chinatown, which sold the Mogwai in the first film, is demolished by a crazed multi-media businessman called Daniel Clamp (John Glover). The heroes from the first movie, Billy (Zach Galligan) and Kate (Phoebe Cates), happen to work for Clamp in his huge high-rise. They find the Mogwai within Clamp's building, but not before he has accidentally spawned legions of mischievous, lizard-like Gremlins. Soon, the Gremlins are wreaking havoc throughout the building. In the original film, their misdeeds were violent, but here they're also goofy and satirical. Director Joe Dante has filled the film with quick verbal and visual jokes, which, for many, makes Gremlins 2: The New Batch a satire and inversion of the typical horror film. ~ Stephen Thomas Erlewine, All Movie Guide