Carl Princi Movies

Robert Morse recreated his Tony-winning stage role in this 1967 film version of Frank Loesser's Pulitzer Prize-winning Broadway musical. A humble window washer at the New York offices of World Wide Wickets, J. Pierpont Finch applies the lessons he's learned from a book called How to Succeed in Business Without Really Trying to wangle his way to the top of the executive heap. Though advised by the mailroom supervisor (Sammy Smith) to keep a low profile and play things "The Company Way," Finch follows his own skewed set of rules, endearing himself to bombastic company president J. B. Biggely (Rudy Vallee) by posing as a graduate of Grand Old Ivy, Biggely's alma mater. As he climbs to the top, Finch manages to dispose of an over-amorous rival by arranging a tryst between that rival and curvaceous secretary Hedy LaRue (Maureen Arthur)--who happens to be Biggely's live-in girlfriend. Finch also gets rid of the troublesome Mr. Ovington (Murray Matheson) by exposing the latter as an alumnus of Old Ivy's hated rival university. Graduating to vice-president, Finch feels secure enough to sing the show's one genuine love song "I Believe In You"--to himself! Actually, he's really in love with true-blue secretary Rosemary (Michele Lee), but won't admit to this until he suffers a career setback. Most of Loesser's songs survived the transition from stage to screen, with the exception of "Paris Original," which is heard merely as background music. ~ Hal Erickson, Rovi

This is the third time around for the Rodgers and Hammerstein musical. The action takes place in urban Texas instead of the traditional setting in rural Iowa. This film version contains five extra songs written exclusively by Richard Rodgers. Box office results were adequate at best, and movie going public deemed this version the least interesting of the three. The youth audience was lured by the casting of Ann-Margaret, Pat Boone and Bobby Darin. Alice Faye returned to the big screen after a sixteen year absence as Melissa Frake. Tom Ewell plays her husband, Abel. The plot finds a family traveling to Dallas for the Texas State Fair. Singing commences on the ferris wheel, the merry-go-round and in other locales. The only real action is the anticipation of a drag race between Wayne (Pat Boone) and the carrot topped, malevolent motorhead Red (Edward "Tap" Canutt). ~ Dan Pavlides, Rovi

David O. Selznick had intended to film an adaptation of F. Scott Fitzgerald's Tender is the Night as a vehicle for his wife Jennifer Jones. But financial difficulties compelled Selznick to sell the property (including Ms. Jones' services) to 20th Century-Fox. Jones stars as a wealthy but disturbed woman of the 1920s who marries her psychiatrist (Jason Robards Jr.). They live together at her Riviera estate, where the doctor's analytical skills atrophy. As Jones grows stronger, the doctor becomes totally dependent upon her emotionally and financially. The film's supporting characters are equally self-destructive, notably an alcoholic composer (Tom Ewell) and Jones' avaricious sister (Joan Fontaine). Perhaps if Selznick had produced Tender is the Night, the film wouldn't have wallowed in misery for its own sake; on the other hand, we still would have been stuck with Jennifer Jones, who is woefully miscast. ~ Hal Erickson, Rovi