William Prince Movies

Director Ron Howard's drama follows a beleaguered reporter during a hectic 24 hours at a New York City tabloid. Michael Keaton stars as Henry Hackett, a metro editor for the struggling New York Sun. Hackett is being wooed by the Sentinel, a more upscale paper, but he's addicted to the adrenaline-stimulating, breakneck pace of the Sun's newsroom, much to the consternation of his pregnant wife Martha (Marisa Tomei. Hackett is currently pursuing a story of two minority youths who have been arrested for the murders of two men. He learns that the police think that the killings may be a mob hit. In the court of public opinion, however, the innocent suspects are being judged as guilty, and the police may bow to the pressure. As Hackett and his staff desperately work all the story's angles to find the truth, several other dramas unfold. Top editor Bernie (Robert Duvall) learns that he has prostate cancer, and tough publisher Alicia (Glenn Close) wonders if her lack of popularity is due to her cost-cutting, her personality, or the fact that she's a woman. In their only collaboration, screenwriter David Koepp co-wrote the script with his brother Stephen Koepp, a senior editor at Time magazine. ~ Karl Williams, Rovi

There is no shortage of suspects when a famous Wall Street corporate raider is murdered. Virtually everyone in New York had ample reason to hate the "King of the Takeovers" -- but did that hatred extend to the ailing union leader (Eli Wallach) whose gun was stolen to possibly commit the crime? Worse still, one of the prime suspects is former governor Dwight Corcoran (William Prince), a lifelong friend of District Attorney Adam Schiff (Steven Hill). This episode of Law & Order brought the series' second season to a powerful conclusion. ~ Hal Erickson, Rovi

In this special-effects-laden sci-fi thriller, a classical pianist commits suicide by diving off a building after the five men who gang raped her are released. Fortunately, her brother is a talented scientist who rebuilds her broken body and turns her into a cyborg killer programmed to get revenge in gory and inventive ways. ~ Sandra Brennan, Rovi

Do You Know the Muffin Man? was the first of a brace of TV movies about day-care abuse (see also Unspeakable Acts). Pam Dawber and John Shea play the parents of a preschool child who comes home one day with horrible stories about the staff of his day care center. The owners of the center are two highly respected social pillars, who automatically deny all charges and accuse the parents of fabricating the whole thing. Despite the looming spectres of public ridicule and financial ruin, Dawber and Shea hire lawyers and pursue the case. Once the story switches to the courtroom, the emphasis shifts from the adult litigants to the prosecution's difficulties in coaxing the children to testify without inducing further damage. Do You Know the Muffin Man? is handled with care and discretion, though dramatically it covers more legal and emotional ground than its two-hour length can hold. ~ Hal Erickson, Rovi

Wills, an ex-cop (John Larroquette), and Bobby (Bronson Pinchot), who's a psychic, team up as sleuths in Wills's new "Second Sight Detective Agency." To add a little spice, there's a very pretty nun who catches the eye of the laughable detective. ~ Rovi

A magical jeweled skull makes the wish of 11-year-old Charlie (Fred Savage) come true in this routine but entertaining situation comedy. Charlie wishes he can switch places with his father Marshall (Judge Reinhold), a shallow junior executive of a toy-manufacturing company. Marshall retains his adult form but has the mind of an 11 year old. Charlie still looks 11 but has all the cynical wisdom and experience of his father. The switch provides for many amusing episodes, as father and son try to cope in each other's worlds. Marshall (as Charlie) goes to school while Charlie (as Marshall) tackles the pressures of the corporate boardroom. The performances of Reinhold and Savage are the highlights of this amusing comedy. ~ Dan Pavlides, Rovi

In Assassination, a routine political thriller directed by Peter Hunt, Jay Hillion (Charles Bronson) is a secret service agent assigned to protect First Lady Lara Royce Craig (Jill Ireland). Lara hates Hillion and tries to get away from him but finds she needs him when her life is threatened by a series of assassination attempts which may have originated from the White House. This routine actioner has little to offer that is new or different, but it tells its tale at a good pace and has some nice location photography. Charles Bronson gives his usual steely performance, while Jill Ireland is more sympathetic as the First Lady who likes her independence but must learn to trust a man she detests. This film, while routine and somewhat predictable will be enjoyed by Bronson fans. ~ Linda Rasmussen, Rovi

Writer-director Richard Brooks' final film features a weak script and poor acting but high energy direction in a tale of compulsive gambling in Las Vegas. Ryan O'Neal stars as Taggart, a sports reporter obsessed with gambling. As Taggart gets deeper and deeper into debt, he compounds his problems with assorted loansharks and gambling operators. Taggart has already lost his wife because of his compulsive gambling, but he takes up with big-timer Charley (Giancarlo Giannini), hoping to make a killing and settle the score. ~ Paul Brenner, Rovi

Director John Landis helmed this Cold War farce starring Dan Aykroyd and Chevy Chase as Austin Millbarge and Emmett Fitz-Hume -- two loser misfits who dwell in the lower ranks of the Central Intelligence Agency. Convinced despite much evidence to the contrary that they're prime secret agent material, both men keep taking service exams in an effort to win promotion. Caught cheating on their latest round of tests, Austin and Emmett expect to be fired but are instead made full field agents and ushered into intense training. Little do they know that it's all a ruse and that they're about to be dumped in Pakistan to throw Russian spies off the scent of two real agents with an important clandestine assignment. A spoof of the "road" pictures popularized by Bing Crosby and Bob Hope, the film features a cameo by the latter as his golf-playing self. ~ Karl Williams, Rovi

Two giants of American TV comedy--Dick Van Dyke and Sid Caesar--were teamed for the first (and thus far last) time in Found Money. Forced into early retirement, bank executive Max Shepherd (Van Dyke) befriends bank guard Sam Green (Caesar) who likewise has been given the sack. Since both men have been cheated of their pensions, Max and Sam plot an intricate revenge. They will use their combined "inside" know-how to rob the bank, then cleanse themselves of perfidy by redistributing the wealth to the needy. Originally telecast December 19, 1983, Found Money was directed by former Dick Van Dyke contributor Bill Persky; it was co-written by actor Richard Sanders, of WKRP in Cincinnati fame. ~ Hal Erickson, Rovi

Robert Desiderio stars in this TV movie as a Chinese food delivery man (the food is Chinese, not Desiderio). While on the job, he witnesses a murder. Since the killer was an international terrorist, Desiderio is pressed into duty by the US government. He is forced to moonlight as a spy, taking on seemingly trivial assignments that turn out to be of grave importance. That Moonlight was doomed from the start as the pilot for a series was indicated by the directorial credit given "Alan Smithee"--a pseudonym assumed whenever a director is so displeased by the end product that he (or she) desires to have his (or her) name removed from the credits. In this instance, two directors--Jackie Cooper and Rod Holcomb--preferred to remain anonymous. ~ Hal Erickson, Rovi

Soviets steal a cache of plutonium leaving one rogue super CIA agent to steal it back and save the world. ~ Sandra Brennan, Rovi