Maudie Prickett Movies

The Belmont Film Company of Hollywood decides to make a feature film about Andy's life and career, titled Sheriff Without a Gun. Accordingly, the studio sends Andy a check for $1000-and before long, everyone has come out of the woodwork to advise Andy how best to spend his sudden windfall. Finally, Andy decides to use the money to visit Hollywood, with Aunt Bee and Opie in tow. The first installment of the three-episode "Hollywood arc," "Off to Hollywood" was written by Bill Idelson and Sam Bobrick, and first aired on October 25, 1965. ~ Hal Erickson, All Movie Guide

Bob Holcomb (Bob Hope) is a widower who worries about his teenage daughter JoJo (Tuesday Weld) in this light romantic comedy. He doesn't care much for JoJo's boyfriend Kenny (Frankie Avalon) because the smooth operator has a motorcycle and some money. Bob manages to get his company to transfer him to Sweden, which effectively separates Kenny and his daughter. JoJo adapts to her new surroundings and starts to date Erik Carlson (Jeremy Slate), an idle playboy and lothario. All of a sudden, Kenny seems all right by Bob, who tries to convince him to come to Sweden and fight for the woman he loves. Bob's new flame Karin (Dina Merrill) is less-than-sympathetic to Bob's babbling about the double standards he sets for his daughter. Maudie Prickett plays a man-hungry spinster, and the musical group The Vulcanes help out with some of the feature's 12 songs. ~ Dan Pavlides, All Movie Guide

The Taylor household is turned on its ear when Aunt Bee's sister Nora (Maudie Prickett), brother-in-law Ollie (James Westerfield) and their obnoxious children arrive for an extended visit. Andy Taylor's patience is sorely tested by Ollie's constant bragging, especially when the big blowhard claims that he'd make a better lawman than Andy. A convenient jailbreak-fabricated by Andy and his pals-has the salutary effect of shutting Ollie up once and for all (or so we hope!) First telecast on October 5, 1964, "Family Visit" was written by Jim Fritzell and Everett Greenbaum. ~ Hal Erickson, All Movie Guide

While having lunch at the Plaza Hotel in New York, advertising executive Roger O. Thornhill (Cary Grant) has the bad luck to call for a messenger just as a page goes out for a "George Kaplan." From that moment, Thornhill finds that he has stepped into a nightmare -- he is quietly abducted by a pair of armed men out of the hotel's famous Oak Room and transported to a Long Island estate; there, he is interrogated by a mysterious man (James Mason) who, believing that Roger is George Kaplan, demands to know what he knows about his business and how he has come to acquire this knowledge. Roger, who knows nothing about who any of these people are, can do nothing but deny that he is Kaplan or that he knows what they're talking about. Finally, his captors force a bottle of bourbon into Roger and put him behind the wheel of a car on a dangerous downhill stretch. Through sheer luck and the intervention of a police patrol car and its driver (John Beradino), Roger survives the ride and evades his captors, and is booked for drunk driving. He's unable to persuade the court, the county detectives, or even his own mother (Jesse Royce Landis) of the truth of his story, however -- Thornhill returns with them to the mansion where he was held, only to find any incriminating evidence cleaned up and to learn that the owner of the house is a diplomat, Lester Townsend (Philip Ober), assigned to the United Nations. He backtracks to the hotel to find the room of the real George Kaplan, only to discover that no one at the hotel has ever actually seen the man. With his kidnappers once again pursuing him, Thornhill decides to confront Townsend at the United Nations, only to discover that he knows nothing of the events on Long Island, or his house being occupied -- but before he can learn more, Townsend gets a knife in his back in full view of 50 witnesses who believe that Roger did it. Now on the run from a murder charge, complete with a photograph of him holding the weapon plastered on the front page of every newspaper in the country, Thornhill tries to escape via train -- there he meets the cooly beautiful Eve Kendall (Eva Marie Saint), who twice hides him from the police, once spontaneously and a second time in a more calculated rendezvous in her compartment that gets the two of them together romantically, at least for the night. By the next day, he's off following a clue to a remote rural highway, where he is attacked by an armed crop-dusting plane, one of the most famous scenes in Hitchcock's entire film output. Thornhill barely survives, but he does manage to learn that his mysterious tormentor/interrogator is named Phillip Vandamm, and that he goes under the cover of being an art dealer and importer/exporter, and that Eve is in bed with him in every sense of the phrase -- or is she? ~ Bruce Eder, All Movie Guide

Amidst a sea of late-1950s psychological westerns, The Phantom Stagecoach is almost refreshingly old-fashioned. The plot is motivated by an ongoing war between two rival stagecoach firms. Stagecoach owner Joe Patterson (Frank Ferguson) is as honest as the day is long, which is more than can be said for his competitor, Martin Maroon (Hugh Sanders). Using an armored stagecoach, Maroon sabotages Patterson's operation, never leaving behind any evidence that can be traced back to him. Operating undercover, Wells Fargo agent Glen Hayden (William Bishop) tries to put an end to Maroon's skullduggery, and along the way he falls in love with the villain's innocent niece Fran (Kathleen Crowley). Some amusing moments are provided by those grand old troupers Percy Helton and Maudie Prickett, while Richard Webb, TV's Captain Midnight, is cast against type as a reluctant baddie. ~ Hal Erickson, All Movie Guide

Beaver (Jerry Mathers) trades a glass doorknob with Larry Mondello (Rusty Stevens) in exchange for a stray chihuahua that Larry has found. Dad Ward (Hugh Beaumont) figures that the dog, whom Beav has named Poncho, belongs to someone, and thus places an ad in the paper. Though Beaver and Wally (Tony Dow) try not to get too attached to Poncho, they're fighting a losing battle -- and thus the boys concoct a scheme to hide the pooch when the owner shows up. This episode marks the final series appearance of Diane Brewster as Beaver's teacher Miss Canfield; also, the woman who accepts Ward's classified ad is played by Joanna Lee, the main villainess from the immortal Z-picture Plan 9 from Outer Space, and later an award-winning writer of made-for-TV movies. ~ Hal Erickson, All Movie Guide

The Man with the Gun in this well-paced western is played by Robert Mitchum. A notorious gunslinger, Mitchum has been hired by a group of concerned citizens to restore law and order to the wide-open town of Sheridan City. Before long, however, Mitchum holds the community in a grip of terror, behaving like a Law Unto Himself. So: Is the star of the film actually the villain of the piece? A last-reel plot twist effectively answers that question. Though Robert Mitchum dominates the proceedings, Man With the Gun also includes some good supporting work by Jan Sterling as Mitchum's saloon-gal wife, Henry Hull as an ageing marshal, John Lupton as an honest young farmer, and Emile Meyer as the town's leading citizen. ~ Hal Erickson, All Movie Guide