Vincent Price Movies

Once again Vincent Price stars for director Roger Corman in The Tomb of Ligeia, the last of Corman's eight Edgar Allen Poe adaptations, a film graced by a script by Robert Towne and moody cinematography by Nicolas Roeg. Price has the creepy lead role of Verden Fell. In 1821, when Verden's wife Ligeia (Elizabeth Shepherd) dies, she is buried in a churchyard, despite the parson's objections that she can't be buried there since she isn't a Christian. Before the grave is closed, abetted by the screech of a black cat, Ligeia eyes shoot open, startling Verden, who becomes convinced that she is not dead. Months later, Lady Rowena (also played by Shepherd) is thrown from her horse and lands at the foot of Ligeia's grave. Verden tends to her and soon falls in love with her. They marry and move into Verden's gloomy Gothic abbey, where Rowena begins to have strange dreams involving Ligeia and a black cat. One night she awakens to discover a dead fox in her bed. When Ligeia's grave is exhumed, instead of Ligeia's corpse, a wax figure is discovered. Then Rowena finds, to her horror, Verden in the arms of his dead wife in a hidden room of the abbey. Having hypnotized Verden before she died, Ligeia had Verden convinced she will live forever. Verden, now possessed by the spirit of his dead wife, takes a torch to the abbey, trapping himself and Rowena in the flaming conflagration. But Christopher (John Westbrook), an admirer of Rowena, endeavors to rescue Rowena from the flames. ~ Paul Brenner, Rovi

Walter Hale (Elvis Presley) is the manager of a chautauqua, a traveling show consisting of performances, lectures and entertainment. Along with manager Johnny (Edward Andrews), he helps some young kids break into show business and contends with the union-organizing Charlene (Marilyn Mason). Vincent Price appears as Mr. Morality. John Carradine, Sheree North and Dabney Coleman also appear in this forgettable film which makes Clambake and Girl Happy classics by comparison. Elvis is limited to three tunes as he plays out the string of poorly scripted vehicles that ended with his next feature, the equally awful Change of Habit. By now, the inane screenplays had done permanent damage to a once-promising film career, souring the King of Rock & Roll on everything in movies except live concert performances. ~ Dan Pavlides, Rovi

Bob Regan (Edmond O'Brien) -- a small-time attorney from the wrong side of the tracks who nonetheless has a lot of dedication -- is representing a vegetable pushcart owner (Tito Vuolo) in a damage suit against multi-millionaire Andrew Colby (Vincent Price). It seems Colby's car wrecked the man's cart, and he and his attorneys have been too busy running the world (or Colby's world) to deal with the case, so Regan barges right into the millionaire's office. Professing to be impressed with Regan's tenacity on behalf of his client, Colby offers to hire him, for a lot more money than he is making or ever stood to make, but not as an attorney -- rather, as a bodyguard/troubleshooter. It seems that Colby's been receiving threats lately, and he likes the way Regan looks after his clients. To aid him in his new job, Colby also secures a gun and permit for his new employee. Regan is so surprised at this whole turn of events in his life that he accepts the offer for the chance to finally get in on some the big money he sees around him. He's given entrée to Colby's upper-crust world, including his huge New York townhouse and all that goes with it, never smelling a rat. This is mostly because, apart from the money he's suddenly earning and traveling in the midst of, he's distracted by the presence of Colby's personal secretary, Noel Faraday (Ella Raines) -- about as pretty, intelligent, and seductive a female as Regan has ever seen, and who seems mutually intrigued by his rather earthy and plain-spoken presence in the Colby organization. Regan is a fresh dose of working-class honesty amid the elegance, affectation, and duplicity that oozes out of Colby's world, and on Regan's side of it he can hardly keep his hands off of her.

However, during Regan's first night on the job, a shot rings out from upstairs and he finds Colby in a struggle with an intruder carrying a gun -- and Regan shoots the man dead. The stranger turns out to be Leopold Kroner (Fritz Leiber), Colby's one-time business associate, who just finished a ten-year stretch for embezzlement of a million dollars. The threats seemed to come from Kroner, and there was a gun in his hand when Regan shot him, but that's not good enough for Lieutenant Damico of the NYPD; it's all a little too convenient that Colby's one-time partner gets himself killed that way, at the hands of some lawyer playing detective whose gun permit barely has the ink dry. Damico makes no secret of his doubts to Regan, or of the fact that he would like nothing more than to pull his friend in on a murder rap just for being a prize chump, mostly because he doesn't like murder and can't really see Regan as being as stupid as he seems. It turns out that he is just about that stupid, and is always a step behind Colby in trying to unravel the mystery of what really happened and how Kroner came to be in the house. Even Noel, for all of her intelligence and education, can't keep ahead of her employer's machinations; even as they dig deeper, more and more evidence gets planted implicating them both in a conspiracy, and before they can spring their trap, Damico is there ready to put the cuffs on both of them. But that's when matters get really interesting, as Damico begins to prove that if Regan isn't half as bright as he ought to be, the police lieutenant is a lot smarter than he looks or his job description calls for. ~ Bruce Eder, Rovi

The darkly comic and sometimes quite gory Theatre of Blood is a vehicle tailor-made for its star Vincent Price, brilliantly capitalizing on his reputation as a master of period horror drawn from "literary" sources. Price portrays Shakespearean actor Edward Lionheart, who becomes enraged after losing a prominent acting award and decides to seek revenge on the critics responsible. Fittingly, he using the works of the Bard as a guide, basing his killings on violent scenes from Shakespearean plays. Price takes full advantage of his meaty role, ominously reciting classic Elizabethan monologues while rigging particularly nasty torture devices. This hilarious turn is assisted by a colorful supporting cast, including Robert Morley, Richard Coote, and Michael Hordern as critics and Diana Rigg as Lionheart's devoted daughter and partner in crime. The end result is a wonderfully evil lark that, in its own way, proves surprisingly faithful to the often bloody spirit of Shakespeare; certainly the full implications of Shylock's demand for a "pound of flesh" have rarely been made quite as explicit. ~ Judd Blaise, Rovi

Roger Corman's stripped-down remake of Universal's 1939 period classic elevates that film's supporting player Vincent Price to the starring role, essayed in the original by Basil Rathbone. Price chews scenery as hunchbacked mad monarch Richard III, who ascends the throne through murder (including the Duke of Clarence's wine-vat drowning), torture (lovely Sandra Knight gains a few inches on the rack), and elaborate deception. Bloody events and plot twists notwithstanding, this low-budget outing is painfully threadbare for a period piece, even in comparison to Corman's Edgar Allan Poe films for AIP from the same period. The film's saving grace is found in Price's manic performance, which ranks among the horror legend's most flamboyant. ~ Cavett Binion, Rovi

This three part horror story is taken from the writings of Nathaniel Hawthorne. Vincent Price stars in all three tales starting with Dr. Heidegger's Experiment". Heidegger (Sebastian Cabot) attempts to restore the youth of four elderly friends. In a ghastly and ghoulish scene, a bride in her wedding gown returns to life after being dead for forty years. Although her spirit is alive, her body is ravaged by forty years of grave rot. "Rappaccini's Daughter" finds Price as a demented, overprotective father inoculating his daughter with poison so she may never leave her garden of poisonous plants. Part three, "The House of the Seven Gables" has Beverly Garland, Richard Denning, and Jacqueline de Wit accompanying Price, who retains his horror hero status that alternates between villain and victim. The characters portrayed by Price are a natural continuation of the Edgar Allen Poe stories produced by Roger Cormam. Sidney Sallow directed this feature in which the cinematic apple falls far from the literary tree. ~ Dan Pavlides, Rovi

The Dorothy Fields-Sigmund Romberg Broadway musical Up in Central Park has been retooled as a vehicle for a pleasantly plump Deanna Durbin. Set in New York in the 1870s, the film casts Durbin as hoydenish Irish immigrant Rosie Moore, who becomes the romantic bone of contention between muckraking newspaper reporter John Matthews (Dick Haymes) and corrupt but charming political boss Tweed (Vincent Price, considerably handsomer and slimmer than the real Tweed). With Rosie's help, John manages to expose Tweed's Tammany Hall shenanigans. Though only two songs have been retained from the original Broadway production, both Durbin and Haymes are afforded several opportunities to sing. Featured in the cast as Durbin's father is Albert Sharpe, who'd just completed a run in the smash New York musical Finian's Rainbow and who later played the title role in Disney's Darby O'Gill and the Little People (1959). Best scene: The Currier & Ives ballet, one of the few holdovers from the stage version of Up in Central Park. ~ Hal Erickson, Rovi

This educational video includes a journey to Pompeii, the city that was destroyed in 79 A.D. by Mt. Vesuvius. ~ Rovi

In this comedy drama, an ingenious young woman from the Bronx impersonates a socialite so she can con a confused old man out of his money. ~ Sandra Brennan, Rovi

Producer Darryl F. Zanuck had high hopes that Wilson would immortalize him in the manner that Gone With the Wind did for David O. Selznick. The notion of bringing the life story of Woodrow Wilson, 28th president of the United States, to the big screen was a labor of love for Zanuck, and accordingly the producer lavished all the technical expertise and production values he had at his disposal. Though Alexander Knox seems a bit too robust and overnourished for Wilson, his is a superb performance, evenly matched by those of Ruth Nelson as Wilson's first wife Ellen, Geraldine Fitzgerald as second wife Edith, Thomas Mitchell as Joseph Tumulty, Sir Cedric Hardwycke as Henry Cabot Lodge, Vincent Price as William Gibbs McAdoo, Sidney Blackmer as Josephus Daniels, and the rest of the film's enormous cast. The story begins in 1909, a time when Wilson is best known as the head of Princeton University and the author of several books on the democratic process. Urged into running for Governor of New Jersey by the local political machine, Wilson soon proves that he is his own man, beholden to no one-and that he is dedicated to the truth at any cost. From the governor's office, Wilson is nominated as the Democratic presidential candidate, an office he wins hands-down over the factionalized Republicans. The sweetness of his victory is soured by the death of his wife Ellen, but Wilson ultimately finds lasting happiness with Edith Galt. When World War I breaks out in Europe, Wilson vows to keep America out of the conflict, despite pressure from such political foes as Henry Cabot Lodge (who is depicted as a thoroughly unsympathetic power broker). After being elected for a second term, however, Wilson finds it impossible to remain neutral, especially in the wake of the Lusitania sinking. Reluctantly, he enters the war in April of 1917. Deeply disturbed by the mounting casualties, Wilson decides that, after the Armistice, he will press for a lasting peace by helping to organize a League of Nations. Unfortunately, the isolationist congress, urged on by Lodge and his ilk, refuses to permit America's entry into the League. His health failing, Wilson nonetheless embarks on a whistle-stop tour, imploring the public to support the League of Nations and Wilson's 12-point peace program. During this campaign, he is felled by a stroke, whereupon Mrs. Wilson begins acting as liason between the president and the rest of the country (the commonly held belief that Edith Galt Wilson virtually ran the nation during this crisis is soft-pedalled by Lamar Trotti's script). All hopes for America's joining the League of Nations are dashed when, in the 1920 election, the Republicans gain control of the White House. The film ends as the ailing but courageous Woodrow Wilson bids farewell to his staff and walks through the White House doors for the final time. Idealistically ignoring the negative elements of the Wilson regime (notably his attitudes toward racial relationships), Wilson is not so much a biography as a paean to the late president. Though too long and overproduced, the film survives as one of Hollywood's sturdiest historical films of the 1940s. However, audiences did not respond to Wilson as Zanuck had hoped; the film was a terrific flop at the box office, so much so that it was for many years forbidden to speak of the project in Zanuck's presence. Still, Wilson garnered several Academy Awards: best original screenplay, best color art direction (Wiard Ihnen), best color cinematography (Leon Shamroy), best sound recording (E. H. Hansen), best film editing (Barbara McLean) and best color set decoration (Thomas Little). ~ Hal Erickson, Rovi