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Vincent Price Movies

Lean, effete, and sinister, Vincent Price was among the movies' greatest villains as well as one of the horror genre's most beloved and enduring stars. Born May 27, 1911, in St. Louis, MO, Price graduated from Yale University, and later studied fine arts at the University of London. He made his theatrical debut in the Gate Theatre's 1935 production of Chicago, followed by work on Broadway, in stock and with Orson Welles' famed Mercury Theater. Under contract to Universal, Price traveled to Hollywood, making his screen debut in 1938's Service de Luxe, before returning to Broadway for a revival of Outward Bound. His tenure at Universal was largely unsuccessful, and the studio kept him confined to supporting roles. Upon completing his contract, Price jumped to 20th Century Fox, starring in a pair of 1940 historical tales, Brigham Young -- Frontiersman and Hudson Bay. Still, fame eluded him, and in 1941 he began a long Broadway run (in Angel Street) that kept him out of films for three years.
Price returned to the West Coast to co-star in 1943's The Song of Bernadette and became a prominent supporting player in a series of acclaimed films, including 1944's Wilson and Laura, and 1946's Leave Her to Heaven. His first starring role was in the low-budget Shock!, portraying a murderous psychiatrist. He next played a sadistic husband opposite Gene Tierney in Dragonwyck. Clearly, Price's niche was as a villain -- everything about him suggested malice, with each line reading dripping with condescension and loathing; he relished these roles, and excelled in them. Still, he was not the star Fox wanted; after 1947's The Web, his contract expired and was not renewed. Price spent the next several years freelancing with a variety of studios and by 1952 had grown so disenchanted with Hollywood that he returned to the stage, performing in a San Francisco production of The Cocktail Party before replacing Charles Laughton in the touring company of Don Juan in Hell.
Price then signed on to star in 1953's House of Wax, Warners' 3-D update of their Mystery of the Wax Museum. The picture was one of the year's biggest hits, and one of the most successful horror films ever produced. Price's crazed performance as a vengeful sculptor brought him offers for any number of similar projects, and he next appeared in another 3-D feature, Dangerous Mission. He also made a triumphant return to the stage to appear in Richard III, followed by Black-Eyed Susan. The latter was Price's last theatrical performance for 14 years, however, as he began a very busy and eclectic motion picture schedule. Though he essayed many different types of characters, his forays into horror remained by far his most popular, and in 1958 he co-starred in the hit The Fly as well as William Castle's House on Haunted Hill.
By the 1960s, Price was working almost exclusively in the horror genre. For producer Roger Corman, he starred in a series of cult classic adaptations of Edgar Allen Poe stories including 1960's The Fall of the House of Usher, 1963's The Raven, 1964's The Masque of the Red Death, and 1968's The Conqueror Worm. He also appeared in a number of teen movies like 1963's Beach Party, 1965's Dr. Goldfoot and the Bikini Machine, and the 1969 Elvis Presley vehicle The Trouble With Girls. Price began to cut back on his film activities during the 1970s despite hits like 1971's The Abominable Dr. Phibes and its follow-up Dr. Phibes Rises Again. Instead he frequently lectured on art, and even published several books. For disciple Tim Burton, Price co-starred in the 1990 fantasy Edward Scissorhands; apart from voice-over work, it was his last screen appearance. He died in Los Angeles on October 25, 1993. ~ Jason Ankeny, Rovi
1980  
 
This documentary video looks at the real-life 15th-century Count Dracula and the fictional, blood-sucking Count Dracula of the screen. ~ Rovi

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1985  
 
Hosted by actor Vincent Price this television documentary examines the mythical Dracula and his real-life counterpart, medieval Romanian ruler Vlad Tepes, known as Vlad the Impaler. Presented are historical accounts of the activities of Vlad Tepes, as well as clips from the original Dracula with Bela Lugosi, and other Dracula-themed films. ~ Brian Gusse, Rovi

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1946  
 
Years before he became the leading star in horror movies, Vincent Price starred in this gothic thriller based on the best-selling novel by Anya Seton. Nicholas Van Ryn (Vincent Price) is a wealthy feudal heir of Dutch ancestry living in New York's Hudson Valley in the 1840s. Nicholas has come to hate his wife because she has been unable to give him a son; their only child is a daughter he doesn't care for. Miranda Wells (Gene Tierney), a distant relative of the Van Ryns, comes to live at their estate and work as an au pair girl; Nicholas becomes infatuated with her and eventually poisons his wife so they can marry. However, while Miranda gives birth to a son, the boy is sickly and does not live to adulthood. Nicholas begins to slip into insanity, moving to the attic of his mansion and drowning his sorrows in drugs. A distraught Miranda seeks the counsel of the local physician, Dr. Jeff Turner (Glenn Langan); Dr. Turner falls in love with Miranda, and he eventually discovers that Nicholas killed his first wife to be with her, and that Miranda might be next on the madman's list. Dragonwyck was the directorial debut of screenwriter and producer Joseph L. Mankiewicz. ~ Mark Deming, Rovi

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Starring:
Gene TierneyWalter Huston, (more)
 
1990  
PG13  
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Tim Burton's Edward Scissorhands opens as an eccentric inventor (Vincent Price) lovingly assembles a synthetic youth named Edward (Johnny Depp). Edward has all the essential ingredients for today's standard body, with the exception of a pair of hands. For what is initially thought to be a temporary period, he is fitted with long, scissor-like extremities that, while able to trim a mean hedge, are hardly conducive to day-to-day life. When the kindly inventor dies, however, Edward is left lonely and cursed with some very heavy metal for hands. He is eventually taken in by Peg Boggs (Dianne Weist), an Avon lady who takes pity on him after seeing his bleak existence. Edward, in spite of his inherent ability to slay anyone he comes across, is a gentle soul whose only wish is to be loved. His impromptu family has, at best, a limited understanding of Edward, but he finds himself drawn to Peg's weary but sympathetic daughter, Kim (Winona Ryder), who is dating Jim (Anthony Michael Hall), the neighborhood bully. Meanwhile, Edward finds himself a local celebrity after the town realizes that his talents include creative hedge trimming and an unrivaled ability to cut hair. His so-called friends are proven fair-weather when Edward is accused of a crime, after which his only supporters are Peg and Kim. ~ Tracie Cooper, Rovi

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Starring:
Johnny DeppWinona Ryder, (more)
 
1986  
 
This cut-rate horror anthology is packaged in a TV-series format, lacking even the most rudimentary production values and enhanced only slightly by the brief narrative presence of Vincent Price, who appears in a linking story as a sinister postman who delivers the stories on videocassette to an unwary young couch-potato. The tales involve a fisherman ensnared by his own line, a delivery boy trapped in an endless time-loop in a woodland town, a jogger pursued by mischievous forest monsters, an old scavenger who chances across a crashed alien craft, and a two-bit thief who steals a magical wishing stone. These vignettes run the gamut from tedious to downright silly, bogged down by mealy-mouthed moralizing and childish humor; viewers should be grateful that only five are presented instead of the ten chapters erroneously suggested in the prologue. ~ Cavett Binion, Rovi

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1967  
 
Vincent Price is perfectly cast to type as Count Sforza, a Dracula-like Transylvanian nobleman who has taken up residence in a spooky old mansion near Fort Courage. When Wrangler Jane (Melodie Patterson) suddenly disappears, the troopers are convinced that she's been kidnapped by the sinister Sforza. The climax finds O'Rourke (Forrest Tucker), Agarn (Larry Storch) and Captain Parmenter (Ken Berry) prowling around the shadow-laden mansion in hopes of rescuing Jane--only to make a startling discovery about the supposedly vampiric Count. ~ Hal Erickson, Rovi

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1983  
 
Peter MacNicol stars in this fairy tale as Martin, a boy who has never been afraid. Determined to test his record of fearlessness, he sets off on a journey on which he meets a mysterious king (Christopher Lee) who has a haunted castle for rent. He makes a deal with Martin that if he can survive three nights in the castle, he will be given all the land he could possibly want, and a princess as his bride. Will Martin come out as the winner, or will he finally know all too well what fear is like? ~ Cammila Collar, Rovi

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1983  
 
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The classic tale of a kind-hearted princess stalked by a jealous stepmother is brought to life in this early episode of Faerie Tale Theatre. Elizabeth McGovern is Snow White, the princess whose stepmother, the queen, banishes her because she is jealous of the girl's beauty. She takes up residence with a septet of friendly dwarfs in the woods, but eventually falls victim to a poisoned apple delivered by the queen in disguise. Only a kiss from a prince (Rex Smith) will awaken her. Veteran actress Vanessa Redgrave portrays the insanely wicked queen, and Vincent Price lends his incomparable voice and screen presence to the film as the queen's omnipresent magic mirror. ~ Carrie Downes, Rovi

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1952  
 
A video of two dramas from the early television series: "The House Always Wins" and "The Left Fist of David." ~ Rovi

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1987  
R  
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This horror anthology is hosted by Vincent Price and features a quartet of chilling stories, all of which took place in a single town that seems to inspire people to do horrendous things to each other. The stories contain scenes of graphic violence and considerable gore. The film is also known as From a Whisper to a Scream. ~ Sandra Brennan, Rovi

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Starring:
Vincent PriceClu Gulager, (more)
 
1985  
 
Take this guided tour with Gonzo through his mansion, but be careful! He catches a cannonball and wrestles a brick, blindfolded in this entertaining story. ~ Rovi

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1965  
 
George Hilton is The Black Pirate in this multinational swashbuckler. Wronged by the aristocracy, Hilton seeks vengeance on the high seas. He proves to be as ruthless as he is courageous, though his heart is briefly softened by love. Claude Dantes and Tony Kendall add to the beefcake quotient in the battle sequences. The film was originally released as El Pirata Negro (surprised?) ~ Hal Erickson, Rovi

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1961  
 
Italian swashbucklers have high seas adventures in this pirate outing that tells the tale of a handsome former slave who returns to San Salvador to eradicate anyone who makes money at the expense of another's freedom. Unfortunately, the pirate's schemes go awry and he ends up in prisoner by a treacherous secretary of the nation's governor. Fortunately, a love affair with the governor's daughter sets things to rights, but not without a lot of exciting hijinks in the interim. ~ Sandra Brennan, Rovi

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1991  
 
This Hanna-Barbera animated video tells a version of the Bible story about Esther, whose heroism is commemorated annually by the feast of Purim. Esther, a Jewish orphan girl, is chosen by King Ahasuerus of Persia to be his queen. Meanwhile, the king's counselor schemes to bring about the death of Jews throughout the realm. With the help of God, her courage, and her wits, Queen Esther devises a plan that saves her people. ~ Steve Blackburn, Rovi

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1996  
 
From the highly acclaimed Hanna-Barbera animation studios comes the 10-tape video series Greatest Adventure Stories From the Bible. The episodes in this series are each viewed from the eyes of three young archeologists from the 20th Century who are taken back in time to experience Bible stories first-hand. Travel back with Derek, Mokey and Margot to the first Christmas in The Nativity. The animated version of this poignant Bible tale brings to life the profound love story of Mary and Joseph, their lives and relationship and the night when Jesus was born. Episodes in the series include Noah's Ark, The Creation, Moses, David and Goliath and others. ~ Sally Barber, Rovi

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1940  
 
Angry natives or a beautiful widow -- which poses the greater threat? Keith Brandon (Douglas Fairbanks Jr.) is an archeologist leading a team of researchers -- Richardson (Vincent Price), Loren (Alan Hale), Forrester (George Sanders), and Scott (John Howard) -- who are exploring the jungles of South America in search of Inca artifacts. The scientists discover they are not welcome when Richardson is felled by a poisoned dart, and a difficult situation is made all the more complicated when Stephanie (Joan Bennett), Richardson's wife, appears unannounced to pay her husband a visit. Stephanie must join Brandon's party as they make their way through the wilderness, with angry and armed natives surrounding them on all sides, and in the midst of the tension and danger, both Brandon and Forrester discover they're attracted to to Stephanie, leading to a dangerous rivalry among the crew. Green Hell would turn out to be the last feature film completed by the noted and idiosyncratic horror director James Whale; while he was credited with another film, They Dare Not Love, Whale in fact backed out of the project before shooting was finished. ~ Mark Deming, Rovi

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Starring:
Douglas Fairbanks, Jr.Vincent Price, (more)
 
1945  
 
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A Guest in the House is an involving psychological melodrama, well directed and acted, concerning a young woman's obsessive love. Evelyn (Anne Baxter), an emotionally vulnerable and unstable woman, stays at the home of her doctor Dan Proctor (Scott McKay). There she meets and falls in love with his brother, Douglas (Ralph Bellamy), who is happily married to Ann (Ruth Warrick). Evelyn then sets forth to break up the happy marriage and win the love of Douglas -- with tragic results. A Guest in the House directed by John Brahm, aided by Andre De Toth and Lewis Milestone, who are uncredited, is a sensitive, well-acted melodrama. Baxter gives a fine performance as the unstable young woman, who cannot overcome her obsessions. The fine musical score, composed by Werner Janssen, was nominated for an Academy Award. ~ Linda Rasmussen, Rovi

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Starring:
Anne BaxterRalph Bellamy, (more)
 
1967  
 
Felix Manderville (Vincent Price) is a traveling magician who manages to make young women disappear in this exploitation thriller. The trouble is, Felix drugs the femmes and sells them to white slave traders with the help of his mind-reading assistant Rebecca (Martha Hyer). Marie Armstrong (Anne Smyrner) and her husband Stephen (George Nader) are American tourists who fall into the trap of the felonious flesh pedlars. Price plays the part with his usual suave and sinister manner in this routine production. ~ Dan Pavlides, Rovi

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Starring:
Vincent PriceMartha Hyer, (more)
 
1958  
 
Vincent Price and Morey Amsterdam guest star in this episode, in which Paladin (Richard Boone) arrives in San Diego at the same time as a travelling Shakespearean troupe. The troupe's nervous manager Bellingham (Amsterdam) hires Paladin to protect leading man Charles Matthews (Price) and leading lady Victoria Vestris (Patricia Morison) from a rowdy saloon audience. Making Paladin's task tougher is the presence of a hotheaded gunslinger (Richard Shannon) who harbors a passion for the gorgeous Victoria. ~ Hal Erickson, Rovi

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1971  
 
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Arthur Rankin and Jules Bass have produced such animated holiday classics as Rudolph's Shiny New Year, Frosty the Snowman, and Santa Claus Is Coming to Town. The holiday cheer continues with this video. Screenwriter Romeo Muller has adapted the popular children's song into an exciting Easter tale. Peter Cottontail (voice of Casey Kasem) is challenged by the evil Irontail (voiced by the incomparable Vincent Price) to a contest to see who can deliver the most decorated eggs. The winner receives the title of Easter Bunny. You can guess what will happen to Easter if Irontail -- who blames humans and the holiday for the loss of his fluffy tail -- wins. Narrated by Danny Kaye, the film features great musical numbers and the unique Rankin-Bass style of puppet stop-motion animation. ~ Heather M. Fierst, Rovi

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1951  
 
His Kind of Woman directed by veteran John Farrow, is a convoluted mystery thriller which tries unsuccessfully to combine slapstick comedy with excessive violence, resulting in a film that depends more on stereotypes than on plot development. Nick (Raymond Burr), is a deported gang boss who needs to get back to the United States to run his operation. Dan Miller (Robert Mitchum) is a hard-up guy, who is persuaded, both by a series of beatings and a substantial sum of money, to sell his identity to Nick. Lenore (Jane Russell) a singer, poses as a heiress, trying to marry a millionaire. They all meet up in a resort in Mexico where Nick intends to have plastic surgery to alter his looks. There, a number of double-crosses, shootings, and chases all culminate in an exciting confrontation aboard ship. His Kind of Woman, a Howard Hughes production designed to be a showcase for Jane Russell, is entertaining when viewed as a comedy. As a serious film-noir thriller, it lacks suspense and depth. However, the film has its moments, and Robert Mitchum is in his element as the loner anti-hero. ~ Linda Rasmussen, Rovi

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Starring:
Robert MitchumJane Russell, (more)
 
1953  
 
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This simplified (but lavish) remake of the 1933 melodrama The Mystery of the Wax Museum was the most financially successful 3-D production of the 1950s. In his first full-fledged "horror" role, Vincent Price plays Prof. Henry Jarrod, the owner of a wax museum, whose partner, Matthew Burke (Roy Roberts), intends to burn the place down for the insurance money. When Jarrod tries to prevent Burke from torching the museum, he himself is trapped in the conflagration. Years pass: though now confined to a wheelchair, Jarrod manages to open up a new museum in New York, boasting the most incredibly lifelike wax statues ever seen. At the same time, a masked prowler has been stalking the city, murdering people and then stealing their bodies from the mortuary. One of the victims is Jarrod's old nemesis Burke; another is Cathy Gray (Carolyn Jones), the roommate of art student Sue Allen (Phyllis Kirk). On a visit to the wax museum, Sue can't help but notice that the wax likeness of Joan of Arc is a dead ringer for her deceased friend Cathy -- while the courtly Jarrod declares joyously that Sue is the living image of Marie Antoinette. Guess where this is going to wind up? Frank Lovejoy and Paul Picerni co-star as the nominal heroes, while Charles Bronson -- still billed as Charles Buchinsky -- is a menacing presence as Jarrod's deaf-mute chief sculptor (appropriately named "Igor"). No opportunity to show off the 3-D process is wasted during House of Wax; the most memorable stereoscopic moments are provided by garrulous "paddle-ball man" Reggie Rymal. Ironically, Andre De Toth, the film's director, had only one good eye, and had to constantly ask his cast and crew if the various 3-D effects had come off properly. ~ Hal Erickson, Rovi

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Starring:
Vincent PriceFrank Lovejoy, (more)
 
1982  
 
In this umpteenth remake of the George M. Cohan-Earl Derr Biggers play Seven Keys to Baldpate, Desi Arnaz Jr. plays Kenneth Magee, the young writer who bets that he can bat out a mystery play in one evening. Magee squirrels himself away in a forbidding old mansion where, unbeknownst to him, a bizarre family reunion is scheduled to commence. As the participants begin dropping like flies, Magee finds himself in the middle of a genuine mystery. At least, he thinks he does. At least, the audience thinks he thinks he does. Of historical importance is the fact that House of Long Shadows represents the only co-starring effort of those titans of terror Vincent Price, Peter Cushing, Christopher Lee and John Carradine. The highlight is the cozy tete-a-tete between Price and Cushing during the climactic party scene. ~ Hal Erickson, Rovi

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Starring:
Vincent PriceChristopher Lee, (more)