Hal Price Movies

The fourth of 12 singing Westerns starring the "Silvery-Voiced Baritone," Fred Scott, Melody of the Plains begins peacefully enough with Scott, as cowboy Steve Condon, warbling Don Swander and June Hershey's "Albuquerque." The story quickly takes a rather grim turn when one of Steve's colleagues, Bud (David Sharpe), is shot and killed after selling out to a gang of rustlers. Mistakenly believing he fired the deadly shot, a dejected Steve, along with sidekick Fuzzy (Al St. John), goes to work for Bud's father (Lafe McKee), a rancher nearly forced into bankruptcy by a crooked land developer (Hal Price). The latter hires Bud's real killer (Charles "Slim" Whitaker) to infiltrate the ranch hands, but Steve and Fuzzy see through the ruse and bring the villains to justice. In addition to "Albuquerque," Fred Scott performs "A Hideaway in Happy Valley," also by Swander and Hershey. ~ Hans J. Wollstein, All Movie Guide

Ken Maynard at least tries to keep his characteristic off-the-wall ad-libs to a minimum in Fugitive Sheriff. Hoping to rid a small western community of its corrupt political machine, Maynard runs for sheriff against the bad guys' candidate and wins the election. Dissatisfied with this, the villains contrive to frame Ken on a murder charge. He breaks out of jail (hence the film's title) and tracks down the genuine culprit, pausing ever so briefly to sing a song or two for the benefit of leading lady Beth Marion. Maynard's singing is definitely an acquired taste, but there's no argument that his riding stunts are astonishing. ~ Hal Erickson, All Movie Guide

Actual footage of the 1936 Rose Bowl game is cleverly (if not seamlessly) integrated into the action of this sports-oriented comedy. Longtime chums Paddy O'Reilly (Tom Brown) and Dutch Schultz (Benny Baker) may be heroes of the high-school gridiron, but they're persona non grata with the girls, thanks to campus lothario Ossie Merrill (Larry "Buster" Crabbe). Managing to get on the college football team in time for the Rose Bowl competition, Paddy and Dutch finally win out over Ossie by scoring the winning touchdown. Of interest in the cast as one of the campus cuties is curvaceous Priscilla Lawson, who'd previously starred as Princess Aura opposite Buster Crabbe in the Universal serial Flash Gordon. Also on hand is William Frawley, as-what else? -- a college football coach. ~ Hal Erickson, All Movie Guide

Kermit Maynard, Ken's less famous brother, plays a Mountie impersonating a killer impersonating a Mountie in this low-budget "Northwestern" produced by independent entrepreneur Maurice Conn from a screenplay "suggested" by the story The Midnight Call by James Oliver Curwood. After apprehending the notorious killer "The Raven" (Yakima Canutt), Royal Canadian Mountie Gale Farrell assumes his identity in order to investigate a feud between fur trapping families. As it turns out, the feud is kept alive by nasty casino owner Henry McClain (John Merton), who answers to supposedly kindly Dr. Martin (Hobart Bosworth). They plan to monopolize the fur trade but Gale sets a trap for the good doctor and the feud comes to an end. Maurice Conn reportedly attempted to cash in on a current vogue by releasing the film as "G-Men of the North" only to learn that Warner Bros. owned the appellation of "G-Man." ~ Hans J. Wollstein, All Movie Guide

In this western, a cowboy finds himself a mine owner and a daddy simultaneously when a friend dies and wills him his mine and his baby. The outlaws eying the mine try to frame the hero for the death. In one of the film's highlights Tarzan the horse takes care of the infant and even saves its life during a mine explosion. ~ Sandra Brennan, All Movie Guide

In his second of an unprecedented 131 Westerns for Columbia Pictures, handsome Charles Starrett donned his trademark white Stetson to portray Ranny Maitland, a Texas Ranger whose father (Lafe Mckee) is feuding with his neighbor, Lockhart (Edward Le Saint. Pretending to be on Lockhart's side in the feud, Ranny goes to investigate. Old man Maitland, meanwhile, is murdered and Lockhart arrested. Evidence found in Maitland's safe points to ranch foremen Brophy (Wheeler Oakman and Gilman (Dick Botiller), foremen of the respective ranches, as the culprits but the documents also incriminates Lockhart's son Lafe (Charles Locher). Believing Lafe to be innocent, Ranny organizes a posse to capture the foremen and the film concludes in a gigantic (for Columbia Pictures) battle at Blockade Canyon. Handsome young Charles Locher, in one of his earliest featured roles, later changed his name to Jon Hall and starred in escapist melodramas at Universal. As she had in Starrett's first Western for Columbia, brunette Joan Perry once again played the heroine, this time the daughter of the opposing rancher. Perry later married her boss, feared (and foul-mouthed) Columbia studio czar Harry Cohn. ~ Hans J. Wollstein, All Movie Guide

Released by A.W. Hackel's Supreme Pictures Corp., this low-budget Western stars Johnny Mack Brown as Jim Blake, a cowpuncher who happens upon Harve Tarlton (John Merton), a wanted killer left for dead in the desert. After making Harve a partner in his prospecting business, Blake begins a romance with Helen Carter (Lucille Browne), the daughter of the hotel proprietor (Horace Murphy) in nearby Patchy Creek. Helen, however, is engaged to Lanning (Charles King), a nasty gambler who has been threatening her father. Using Harve's thieving skills, Lanning enjoys a lucrative business separating the local prospectors from their gold but is eventually driven out of town by Blake. Elected marshal by a grateful citizenry, Blake marries Helen, but refuses to listen when she warns him against Harve and continues to blithely deposit gold nuggets in the Carter safe. While Jim and the townsmen are fighting a gang of outlaws, Harve robs the safe and then asks Helen to run away with him. Hoping to prove Harve's duplicity once and for all, she agrees and they head for the badlands with Jim in hot pursuit. There is a final confrontation and Helen gets in the way of a bullet meant for Jim. Happily, she survives and is soon reunited with Jim, who has been forced to kill Harve in self-defense. ~ Hans J. Wollstein, All Movie Guide

Directed by former film editor S. Roy Luby, this above-average mystery-western starred Johnny Mack Brown as Billy Donovan, a sharpshooter turned ammunitions expert coming to the aid of Jean Haloran (Sheila Mannors aka Sheila Bromley), whose ranch is the target of the "Desert Phantom," a masked killer. During his investigation of several mysterious deaths attributed to the "phantom," Billy comes across a wide range of suspects that includes Salizar (Ted Adams) a Mexican bandit trying to blackmail Jean into marrying him; Tom Jackson (Karl Hackett), Jean's somnambulistic stepfather; and Jim Day (Hal Price), a greedy neighbor. Literally stumbling over a hidden gold mine along the way, Billy manages to unmask the killer and save the girl from the usual fate worse than death. Desert Phantom was one of the last films distributed by A.W. Hackel's low-budget Supreme Pictures. Beginning with Undercover Man (1936), the Hackel/Brown series would be handled by Republic Pictures. ~ Hans J. Wollstein, All Movie Guide

Frank Capra's seminal screwball comedy, which won all five major Academy Awards for 1934, is still as breezy and beguiling today. Claudette Colbert plays Ellie Andrews, a spoiled heiress who has married fortune-hunting aviator King Westley (Jameson Thomas), despite her father (Walter Connolly)'s objections. To keep Ellie from marrying this lothario, her father has been holding her prisoner aboard his yacht. But Ellie bolts from the yacht, swims ashore in her clothes, and eventually slips onto a Greyhound bus bound for New York. Aboard the bus is newspaper reporter Peter Warne (Clark Gable), who has recently been fired for drinking on the job. Peter gets the last seat on the bus -- but when he gets up to argue with the bus driver, Ellie takes his seat. Since it is the last seat on the bus, they have to share it. When Ellie has her purse stolen and she refuses to report it, Peter begins to suspect something. The next morning, they both miss the bus after a leisurely breakfast, and Peter reveals that he knows her identity. She makes a deal with him: if he helps her get to New York, he can write a scoop about her for his paper. Peter thinks she is a spoiled brat, however, and refuses a monetary bribe: "I'm not interested in your money or your problem. You, King Westley, your father -- you're all a lot of hooey to me!" But as they travel northward and engage in a series of misadventures, the gruff newspaperman and the spoiled rich girl, thrown together by circumstances, fall in love with each other. This movie set the pace for the "screwball" comedy, the witty and romantic clash of temperaments between a man and a woman mismatched in both personality and social position, a type of movie often associated with Katherine Hepburn in such classics as Bringing Up Baby (1938), The Philadelphia Story (1940), and, with Spencer Tracy, Adam's Rib (1949), Pat and Mike (1952), and Desk Set (1957), among others. The only other movies to win all five major Academy Awards (Best Picture, Actor, Actress, Director, and Screenplay) were One Flew Over the Cuckoo's Nest (1975) and The Silence of the Lambs (1991). ~ Paul Brenner, All Movie Guide

Cited by film historian William K. Everson as one of the fastest-moving crime melodramas of the 1930s (if not the fastest) Fog Over Frisco still manages to leave viewers breathless. Top-billed Bette Davis plays giddy heiress Arlene Bradford, whose perverse fascination with gangsters gets her mixed up in a stolen-securities scheme. Arlene's more sensible sister Val (Margaret Lindsay) tries to keep her out of trouble, but this proves impossible. Entering into the fray are hotshot society reporter Tony (Donald Woods) and goofy photojournalist Izzy (Hugh Herbert), who like Val get in over their heads when they stumble upon the body of the murdered Arlene. The identity of the killer remains a well-concealed secret until Izzy, of all people, stumbles across a vital clue. Things really begin to accelerate when Val is kidnapped by Arlene's gangster cohorts (who, interestingly enough, are very reluctant to take her prisoner and do so only when there's no other option!), leading to a mile-a-minute rescue and hasty plot wrap-up. Among the many good guys, bad guys and red herrings are Alan Hale as an Irish cop, Robert H. Barrat as a butler who isn't a butler, and Henry O'Neill as a gosh-knows-what who may be the murderer. Though physical action is at a minimum, Fog Over Frisco is kept constantly on the move by director William Dieterle, using every cinematic trick and optical effect (wipe dissolves, iris-outs, swish-pans etc.) at his disposal. The film was less effectively remade as Spy Ship in 1942. ~ Hal Erickson, All Movie Guide

Film historian William K. Everson once observed that the secret to the success of Cecil B. DeMille's 1934 Cleopatra is that DeMille subtly reshaped the known historical events into a contemporary "gold-digger makes good" scenario. Exhibiting the same determination with which Barbara Stanwyck sleeps her way to the top in 1933's Baby Face, Queen Cleopatra (Claudette Colbert) uses her feminine wiles to become sole ruler of Egypt. By turns kittenish and cold-blooded, Cleopatra wraps such otherwise responsible Roman worthies as Julius Caesar (Warren William, who wittily plays his role like one of his standard ruthless business executives) and Marc Antony (Henry Wilcoxon) around her well-manicured little finger. To emphasize the "contemporary" nature of the film, DeMille adds little modernistic touches throughout: The architecture of Egypt and Rome has a distinctly art-deco look; a matron at a social gathering clucks "Poor Calpurnia...well, the wife is always the last to know"; and, after Caesar's funeral, Mark Anthony is chided by an associate for "all that 'Friends, Romans, Countrymen' business!" Cleopatra's barge scene and her suicide from the bite of a snake marked two of the most memorable sequences in DeMille's career. Remarkably, for all the enormous sets and elaborate costumes, Cleopatra came in at a budget of $750,000 -- almost $40 million less than the 1963 Elizabeth Taylor remake. ~ Hal Erickson, All Movie Guide

Bob Steele has trouble sticking to The Ranger's Code in this western. As the sheriff, Steele must bring in a young man who's been consorting with crooks. Trouble is, the suspect is the brother of Steele's sweetheart. Fortunately, our hero is able to prove the boy's innocence by film's end, thereby saving his job and his love life. Ernie Adams, usually cast as a snivelling stool pigeon, delivers the best performance in Ranger's Code -- which, like most Bob Steele vehicles of this period, was directed by Bob's father, Robert N. Bradbury. ~ Hal Erickson, All Movie Guide