Hal Price Movies

From the same folks who brought us My Son is a Criminal comes the near-lookalike property My Son is Guilty. Veteran police patrolman Tim Kelly (Harry Carey) despairs over the antics of his ne'er-do-well son Ritzy (Bruce Cabot), who prefers to live life in the fast lane. Released from prison after getting mixed up with mob activities, Ritzy promises his dad that he'll try to reform, but before long he's back with a bad crowd, compounding his misdeeds by plotting the demise of his own father. Meanwhile, Ritzy's sweetheart Julia Allen (Jacqueline Wells) gives up on the lad entirely, preferring a much safer relationship with young author Barney (Glenn Ford, in one of his first major roles). ~ Hal Erickson, All Movie Guide

An heiress gets a crash course in the simple life when she marries a penniless man in this comedy. Calvin Jordan (Henry O'Neill) is the prosperous owner of a successful steel mill, and the apple of his eye is his daughter Cora (Myrna Loy). Cora stands to inherit Calvin's firm, and he's taken it upon himself to find a good husband for her. However, free-spirited Cora doesn't think much of her father's skills as a matchmaker, and makes it clear she's going to marry whomever she pleases. One day, Cora meets Bill Overton (Robert Taylor), a jobless and homeless man camping out on a park bench. After bumming fifty cents from a cop, Bill offers to take Cora out to dinner; instead, they end up gambling, and turn the four bits into a bankroll. After a few too many celebratory drinks, Bill and Cora decide true love and good fortune are shining upon them, and they get married the same evening. However, the next day the newlyweds realize they are indeed husband and wife, and after defying her father Cora can't count on her dad's help in paying the bills anymore. ~ Mark Deming, All Movie Guide

Having explored the old wheeze about the young man searching for his brother's killer and the one about the cowboy impersonating an outlaw, Robert Emmett Tansey, the producer/writer of Monogram's Jack Randall Westerns, turned to the ever popular "brothers separated during an attack of their wagon train" story. Fortunately, this time around director Spencer Gordon Bennet and his cast traveled to picturesque Lone Pine, CA, and Across the Plains emerged as one of Randall's better vehicles. After a gang of outlaws attack their wagon train, Little Jack (Buddy Cox) is adopted by a roving band of Indians while Little Jimmy (Texi-Ray Cox) is abducted by the outlaws. Years later, the adult Jack (now Jack Randall) and Jimmy (Dennis Moore) meet again but on opposing sides of the law regarding a shipment of gold. Ignorant of the fact that they are brothers, Jack and Jimmy are about to square off when Buckskin (Hal Price), the old wagon master, brings their true relationship to light. Jimmy, now an outlaw known as the Kansas Kid, discovers that a member of his gang, Buff (Robert Card), is the villain who murdered their parents. Mortally wounded in the ensuing battle, Jimmy, alias the Kid, meets his maker with the knowledge that the death of his parents has been avenged at last. Jack, meanwhile, proposes to Mary Masters (Joyce Bryant), the daughter of the stage line owner. ~ Hans J. Wollstein, All Movie Guide

Home on the Prairie finds Texas ranger Gene Autry trying to halt an anthrax epidemic. The villains are cattlemen Walter Miller and Gordon Hart, who've been knowingly transporting diseased cattle across the US-Mexico border. The bad guys try to pin the blame on female rancher June Storey, but Gene doesn't buy this subterfuge. Despite the unpleasantness of its storyline, Home on the Prairie is likeable entertainment, especially when Autry dismounts long enough to sing of couple of songs. Joining in on the tunefests are Gene's sidekick Smiley Burnette and a radio aggregation called the Rodeoliers. ~ Hal Erickson, All Movie Guide

After having terrorized singing cowboy Tex Ritter in 19 consecutive Westerns, veteran Bad Guy Charles King found himself relegated to that of a minor henchman in The Man from Texas. The chief villain this time was the now forgotten Vic Demourelle, Jr., who played Jeff Hall, a nasty rancher plotting to take over his neighbor's spread. Said neighbor, Speed Dennison (Kenne Duncan), hires Ritter to help protect the property from Hall's hired gunslingers. One of them, the Shooting Kid (Charles B. Wood), is a friend of Ritter's and is being blackmailed by Hall. Unless he can get his cattle to the railroad station in time, Speed will forfeit his ranch, but Hall refuses him passage through his land. Aided by Sheriff Happy Martin (Hal Price), Tex and Speed nevertheless manage to get the cattle through Hall's illegal barbed wire fencing but in the ensuing shootout, the Kid is mortally wounded after taking a bullet meant for Tex. After the villainous Hall has been apprehended, Ritter reveals himself to be an agent for the railroad and that Hall was trying to steal the Dennison spread hoping to sell it to the company for a profit. Filmed on the Monogram ranch in Newhall, California, The Man from texas was even cheaper than Ritter's previous efforts and the former radio crooner only got to sing two songs: Prairie Lights and Men Who Wear the Stars, both composed by Frank Harford. On a more positive note, this was the first Ritter Western sans the so-called comedy relief by Snub Pollard and/or Horace Murphy ~ Hans J. Wollstein, All Movie Guide

Robert Emmett Tansey, production supervisor and head writer on Monogram's Jack Randall Westerns, had the gall this time around to outright plagiarize John Ford's newly released Stagecoach (1939). Like John Wayne in Ford's masterpiece, Jack Randall found himself boarding a stagecoach after having his horse shot out from under him. The coach is already occupied by Mary, a saloon belle (Jean Joyce, aka Claire Rochelle), a whiskey salesman (George Cleveland), and Duke (Dennis Moore), an outlaw. By the time Jack and the passengers arrive in town, Tansey mercifully stops imitating Ford long enough to craft a none too spectacular story of Randall attempting to persuade Miss Joyce from working for Polini (Tristram Coffin, sporting the worst "foreign" accent this side of Buck Jones), whom he suspects of heading a counterfeiting ring. As it turns out, both Mary and the whiskey salesman are undercover agents and the greedy Polini is turned over to a gang of Indians, one of whom he once murdered. No one apparently complained about Tansey plagiarizing John Ford (not to mention screenwriter Dudley Nichols) and Overland Mail was dismissed as just another low-budget Western released on the lower half of double bills. ~ Hans J. Wollstein, All Movie Guide

Featuring the husband-and-wife team of Jack Randall and Louise Stanley, this lukewarm Monogram Western eschewed the musical interludes that had been a Randall trademark thus far. Randall (the lesser known brother of B-Western star Robert Livingston) plays Jack Lane, a drifter who comes to the aid of an Eastern girl, Nola Day (Stanley). The girl travels West to meet her new guardian, Uncle Moose Walters (Henry Rocquemore), but Uncle Moose has been murdered by saloon owner Bill Larsen (John Merton) and it is Larsen posing as Moose who greets the young lady upon arrival. Jack senses that "Uncle Moose" may not be all he claims but Nola is blissfully unaware of Larsen's deception and becomes furious over the newcomer's interference. The evil Larsen is caught red-handed, of course, and Lola discovers that she has fallen in love with Jack. Al St. John, in between his Westerns with Fred Scott and Bob Steele, did his usual shtick as Randall's sidekick. Gunsmoke Trail was directed by Sam Newfield, one of the busiest -- and most careless -- B-Western directors of all time. ~ Hans J. Wollstein, All Movie Guide

This Frankie Darro-Kane Richmond vehicle benefits from the brisk direction of onetime serial star Charles Hutchison. Richmond plays Bomber Brown, a pugilist forced to go on the lam after he punches out crooked gambler Smoothy (Jack LaRue). Travelling incognito bomber befriends aspiring boxer Baby Face (Darro) and trains the boy for the Championship. Smoothy tries to sabotage Baby Face's career, but Bomber cleans the villain's clock once and for all. Produced independently by the parsimonious Maurice Conn, Born to Fight is at its best in the boxing scenes, photographed with all the slick efficiency of an "A" production. ~ Hal Erickson, All Movie Guide

Gene Autry stars in this vintage musical Western that pits a group of poor but honest cattle ranchers against two-faced real estate speculators when it's learned that there may be a gold mine on the ranch. Gene sings four original songs, including "Love Burning Love," "I'm Beginning to Care," and "Goodbye, Pinto," while his sidekick Smiley Burnette gets to croon the deathless "She Works Third Tub at the Laundry." ~ Mark Deming, All Movie Guide

Singing cowboy Jack Randall does his usual in Monogram's Danger Valley, Randall's second starring film. When someone discovers gold in them thar hills, several disreputable promoters try to take financial advantage of the ensuing rush. By producing a packet of forged papers, two of these crooks manage not only to fleece the prospectors, but to set up an "outlaw colony" in a rattletrap ghost town. Randall and his pal Lucky (Hal Price) do their best to protect the miners and rout the villains. Though a passable singer, Jack Randall is somewhat stiff as an actor; he was far more natural in a reel of Monogram outtakes, in which he constantly curses himself out after blowing his lines. ~ Hal Erickson, All Movie Guide

The 1937 Bob Steele western Ridin' the Lone Trail was released by the legendary Republic Studios, but it was filmed independently, its production values on a par with Steele's previous poverty-stricken efforts at lesser studios. At one point, the silence of the lone frontier is broken by the sound of an airplane motor. In between the anachronisms is a story involving a stagecoach line plagued by robberies. "Battling Bob" (as he was known in the trade papers) is hired to ride shotgun and to expose the bandits behind the holdups. Ridin' the Lone Trail was one of several Bob Steele westerns produced by the pinchpenny A.W. Hackel. ~ Hal Erickson, All Movie Guide

Though A.W. Hackel's Supreme Pictures went belly-up in 1936, he continued grinding out his popular Bob Steele westerns, shifting distribution to up-and-coming Republic. Steele plays Dan, the headstrong young son of a notorious outlaw. Dan is forced not only to live down his dad's reputation, but also his own, since it's been rumored that he has strayed to the wrong side of the law from time to time. He manages to prove that he's a good guy after all, but in a surprise development he doesn't win the film's official heroine Molly (Lois January), who has jilted him for another. Fortunately, second lead Betty (Joan Barclay) is there to pick up the pieces. ~ Hal Erickson, All Movie Guide