Dennis Price Movies

Based on a novel by Richard Hughes, this drama takes an unusual look at both seafaring pirates and the true nature of children. The Thorntons, a British family living in Jamaica, decide to pull up stakes and sail back to England after Frederick Thornton (Nigel Davenport) and his wife (Isabel Dean) decide that life in the Caribbean is having a negative effect on her children's sense of order and discipline. While returning home, their ship is attacked by Capt. Chavez (Anthony Quinn), who along with his first mate Zac (James Coburn), begins to loot the ship for valuables. However, in the midst of the confusion of the pirate raid, the Thornton children scurry onto the pirate ship, and it's not until they've left the other ship behind that Chavez and Zac discover that they have new passengers. While most of the pirates are unenthusiastic about having a pack of kids on board, Chavez declares that they must be allowed to stay on board until they can be taken to a safe port. As they get to know each other, Chaven develops a soft spot for the children, especially ten-year-old Emily (Deborah Baxter), but in time, the kids' mischievous playfulness begins to transform itself into something more sinister. The supporting cast includes Dennis Price, Lila Kedrova, and Gert Frobe. ~ Mark Deming, All Movie Guide

Murder Most Foul represented Margaret Rutherford's third appearance as Agatha Christie's spinsterish sleuth Miss Marple. The film opens with Marple serving on a murder-trial jury. She forces a mistrial because she considers the accused to be innocent; to prove her theory, she traces the trail of evidence to a down-at-the-heels repertory company run by Ron Moody. She auditions for the troupe with a stirring rendition of "The Shooting of Dan McGrew," securing the job by flashing a roll of bills in front of the covetous Moody. While snooping about backstage, Miss Marple discovers both murderer and motive-and, as is customary in the "Marple" films, she nearly loses her own life in the process. Based on the Agatha Christie novel Mrs. McGinty's Dead, Murder Most Foul co-stars Margaret Rutherford's real-life husband Stringer Davis as Marple's friend and confidante Mr. Stringer. ~ Hal Erickson, All Movie Guide

They All Died Laughing plays for satire what any other film might have played for suspense. Leo McKern plays a college professor, of the addlepated rather than absentminded variety. McKern has come to the conclusion that certain people are leeching off society, and the world would be well rid of them. He heads for his laboratory to create the means of "purging" these useless people. He comes up with a poison that prompts his victims to laugh hysterically before joining the Choir Invisible. A little more heavy-handed than the British "dark farces" of the 1950s, They All Died Laughing was originally released in England as A Jolly Bad Fellow. ~ Hal Erickson, All Movie Guide

This obscure little science fiction/horror film (a British-American co-production) stars Willard Parker as a heroic astronaut who returns from a test flight to discover that most of England has been utterly destroyed by alien invaders, whose armies of killer robots have transformed nearly all of their victims into zombies. Parker manages to rally together a small resistance army from a few scattered survivors in outlying villages, and they eventually find the earth-based relay point for the transmissions which have enabled the invaders to coordinate the robot attack by remote control. Although entertaining overall, the story lags after a thrilling first half, with the final battle hampered by budget limitations. ~ Cavett Binion, All Movie Guide

A stodgy British patriarch sends his naive daughter to Europe so that her rock & roll singing boyfriend will dump her. Unfortunately, things don't go as planned when she ends up linked with a handsome pop idol and his band. Fortunately, she is a good girl at heart and ends up learning some valuable lessons about live, love and rock & roll. Many popular singers from the early '60s perform in this tuneful outing. ~ Sandra Brennan, All Movie Guide

In this musical, the Gilbert and Sullivan classic is updated and set in post-war Japan. This time, the trouble begins when a soldier, the son of a Yankee judge, falls in love with a Japanese girl. This enrages her Yakuza (Japanese mafia) fiance who kidnaps him. ~ Sandra Brennan, All Movie Guide

Terrence Rattigan, the playwright who brought us the multicharactered, multistoried Separate Tables, again offers us an episodic cross-section of humanity in The V.I.P.'s. When a heavy London fog paralyzes all air traffic, the lives of several people are profoundly affected. As indicated by the title, most of the characters in this portmanteau film are of the social and/or financial elite. Elizabeth Taylor wishes to leave her enormously wealthy husband Richard Burton in favor of playboy Louis Jourdan. Peripatetic European film producer Orson Welles is hoping to escape London with his newest protegee Elsa Martinelli in order to avoid paying his income tax. Australian businessman Rod Taylor, accompanied by his devoted (and adoring) secretary Maggie Smith, is anxious to head to New York to stave off a hostile takeover of his firm. And impoverished aristocrat Margaret Rutherford (who won an Oscar for her performance) would rather not go to Florida to accept a job as a social arbiter, but the wolf must be kept from the door. Before the fog disperses, you can be sure that at least one of the many plotlines will intersect with another. David Frost, in a tiny part as a reporter, was fond of recalling in later years that, while the major stars of The VIPS were introduced in the opening titles with animated limousines, he was consigned a tiny Volkswagen; alas, no such cartoon joke appears in the film, though on occasion the actors-particularly Mr. Welles-behave as though they were cartoons. Mercilessly skewered by the critics, The VIPS was a winner at the box-office, due in great part to the Cleopatra-inspired publicity concerning the top-billed Liz Taylor and Dick Burton. ~ Hal Erickson, All Movie Guide

Terry-Thomas stars in this British comedy as J. Barker-Rynde, a detective assigned to look into some dirty dealings at a health club. The supporting cast includes Lionel Jeffries, Eric Sykes, and Dennis Price. ~ Mark Deming, All Movie Guide

In a different type of comedy-drama based on a play by Mike Watts, director Peter Graham Scott looks at life in a British prison. Rainbow (Paul Massie) has just been sent into the slammer for a year for duking it out in a brutal fight over his girlfriend Wendy (Carole Lesley). He knows he is in for a miserable time of it, so much so that after being assigned kitchen duty he joins up with the rest of his co-workers in wheeling and dealing the food they can snitch for various sundries stolen from other parts of the prison's supply chain. This racket is well-organized, but one day its prime mover is framed and threatened with an extended sentence unless Rainbow can come up with a way to save him. ~ Eleanor Mannikka, All Movie Guide

The original British title for No Place Like Homicide was What a Carve-Up. This level of sophistication was maintained for the film itself, a horror film parody served up by members of the Carry On gang. There's a wisp of plot about an wealthy recluse who apparently dies, then equally apparently comes to life again to bump off his greedy relatives. For the most part, the scripters use the story as an excuse for irreverent and tasteless haunted-house gags. No Place Like Homicide was a remake of the deadly serious 1933 Boris Karloff vehicle The Ghoul, though a cursory comparison of the two films reveals precious little resemblance between them. ~ Hal Erickson, All Movie Guide

Able-bodied seaman Albert Tufnell (John Meillon) plans to marry Shirley Hornett (Vera Day), and the ceremony is about to take place -- when a telegram arrives from an officer aboard his ship, advising that marriage is impossible for Tufnell at that moment. Shirley's battle-ax of a mother (Marjorie Rhodes) doesn't know the facts behind the telegram but assumes the worst, and won't even discuss what to do about the wedding, even as she tries to live down the humiliation of a ceremony stopped midway through. Albert and his best friend, Carnoustie Bligh (Graham Stark), try to sort it all out, but even the arrival of an officer from their ship (Dennis Price) with an explanation only makes matters more complicated. ~ Bruce Eder, All Movie Guide

One in the series of St. Trinian's off-beat, irreverent comedies that began in 1953 and continued strong through the '60s, this farce by Frank Launder features the usual bevy of comely young women who attend the school. This time around, the femmes terribles have just burnt down the school and shock the world by getting acquitted when hauled into the Old Bailey. It seems the judge is keen on Rosalie (Julie Alexander) and besides, an unscrupulous shyster posing as a professor offers to rebuild the school. Instead, he takes the offenders on a bogus tour of Greece and once they are underway, he leads them to his real goal -- forced matrimony to the sons of an Arab sheik. As always, this St. Trinian's comedy is meant for audiences who enjoy its own brand of humor. ~ Eleanor Mannikka, All Movie Guide

Zany British comedian Tony Hancock was briefly a major draw in the 1960s, with several popular TV series, sellout personal appearances, and a string of theatrical films to his credit. In The Rebel (released in the US as Call Me Genius), Hancock plays a middle-class businessman who decides to chuck it all and become a painter. He heads for Paris, there to starve in an attic until fame and fortune comes calling. Like many British comedies of the era, The Rebel has great fun at expense of modern art and bohemian artistes; Hancock takes full advantage of every humorous possibility, with suave George Sanders acting as his dignified foil. Alas, by the end of the 1960s, Tony Hancock was dead by his own hand, a victim of alcohol and acute depression. ~ Hal Erickson, All Movie Guide