Daniel Prévost

A simple cottage in the country becomes an increasingly difficult matter for cash-strapped husband in this French comedy. Charles Boulin (Dany Boon) works for a mortgage company, where he has the unenviable job of overseeing the repossession of homes when owners default on their loans and supervising the renegotiation of financing agreements. Charles's work has taught him to be frugal, and while he shares a comfortable and spacious apartment with his wife Anne (Michele Laroque) and their teenage daughter, their lives are short on luxury. Anne has become increasingly and vocally weary of Charles's reluctance to part with a franc, and he decides to surprise her for their anniversary with an unexpected extravagance -- a vacation home in the country. Charles is able to find a bargain with the help of realtor Jean-Pierre Draquart (Daniel Prevost), but he soon learns Jean-Pierre was far less than honest about the condition of the house, which stretches the boundaries of the phrase "fixer-upper." Charles hires a pair of handymen to get the place in order, but Mouloud Mami (Zinedine Soualem) and Donatello Pirelli (Laurent Gamelon) prove to massively incompetent, and Charles's "bargain" is becoming perilously expensive. Matters go from bad to worse when Charles loses his job and he has to find a way to pay the growing stack of bills on the house, all without spoiling the surprise for Anne. La Maison du Bonheur was the first directorial effort for actor Dany Boon. ~ Mark Deming, All Movie Guide

Actor Guillaume Canet, best known to American audiences for his work in The Beach, makes his directorial debut with the dark comedy, Mon idole. Canet also stars in the film as Bastien, an ambitious young man working as an assistant to Philippe Letzger (Philippe Lefebvre, who co-wrote the script with Canet and Eric Naggar) the overbearing host of a raucous, exploitative Jerry Springer-like game/talk show called It's Tissue Time! in which the goal is to make the contestants cry. Bastien warms up the audience and runs errands for Letzger, in addition to coming up with helpful ideas for the network, which Letzger takes credit for. Bastien puts up with Letzger’s abuse because he wants to work with his idol, the show's impossibly suave producer, Jean-Louis Broustal (François Berléand). To Bastien’s surprise, Broustal stops ignoring him one day, and starts taking an interest in the young man’s ideas. Bastien lives with his girlfriend, Fabienne (Clotilde Courau), who’s tired of hearing about how wonderful Broustal is. And Bastien is torn when he realizes that the pretty blond he’s been admiring around the office is Broustal’s young wife, Clara (Diane Kruger). Things take a strange turn for Bastien when Broustal invites him out for a night on the town that quickly turns into a weekend at the couple’s remote country estate. Clara quickly gets Bastien alone and beds him, and Broustal doesn’t seem to mind. Broustal makes a lot of promises about Bastien’s future in television, but what does the couple want from him? As the weekend progresses, their motives seem increasingly bizarre and even sinister. Mon idole was nominated for César Awards for Best First Film and for Berléand’s performance. It was shown at Lincoln Center in New York as part of their 2003 Rendez-vous with French Cinema. ~ Josh Ralske, All Movie Guide

The Sephardic Jewish characters who headlined the riotous 1997 comedy Would I Lie To You? - all employees in the garment business - return for this laugh-filled 2001 sequel. At the center of the farce are Dov (Gad Elmaleh), Patrick (Gilbert Melki), Serge (Jose Garcia), Yvan (Bruno Solo) and Eddie (Richard Anconina), friends for life and colleagues in the said industry, who spend their days wheeling and dealing and establishing connections but run the socioeconomic gamut from filthy rich to lower working class. A series of misunderstandings commences when blue-collar Serge - employed as a motorcycle messenger and living with his parents - takes the wealthy Patrick's blue Rolls Royce convertible out on an errand and runs headfirst into Chochana (Elisa Tovati), a Jewish girl with whom he feels instantly smitten. She naturally assumes, given the car, that he's wealthy - and he of course does nothing to discourage this. In time, Serge manages to prolong the economic ruse to such a degree that he ends up engaged to the high-maintenance Chocana, and on a headfirst collision course with her furniture kingpin father (Enrico Macias). Meanwhile, the garment industry as a whole in Le Sentier (the chief Parisian neighborhood in which the men do business) suffers from a massive economic downturn, thanks in no small part to escalating labor costs and the flourishing of Internet start-ups; in desperation, Yvan and Eddie turn to EuroDiscount, a massive chain of European department stores, with a feeble attempt to sell their merchandise to that outfit. They fail to count, however, on the ugly reaction of the cunning manager, Vierhouten (Daniel Prevost), which threatens to send them spiraling toward bankruptcy. ~ Nathan Southern, All Movie Guide

Asterix and Obelix, the French comic book heroes created by René Goscinny and Albert Underzo (their adventures have sold 280 million copies to date in Europe), are brought to the big screen in their first live-action adventure. Set in 50 B.C., Asterix (Christian Clavier) and Obelix (Gérard Depardieu) are a pair of comedic heroes living in a small but well-protected village in Gaul, where a magic potion concocted by Druids turns the townsfolk into mighty soldiers. When Roman troops carve a path through Gaul to reach the English Channel, Caesar (Gottfried John) and his aide de camp Detritus (Roberto Benigni) discover the secret elixir and capture the Druid leader who knows its formula, and Asterix and Obelix are sent off to rescue them. Shot in Brittany, Bavaria, and Arpajon, Asterix et Obelix Contre Cesar brings these cartoon characters to life on a grand scale; it was reportedly the most expensive French-language film ever, at a cost of 274 million francs ($48 million). ~ Mark Deming, All Movie Guide

In this saga of the love affair between an actor (Richard Berry) and an actress (Josiane Balasko, also the director) the two have gone from being lovers and working together, to being separated, and now are faced with an additional challenge to their relationship: they are both working in the same play. Berry and Balasko acted their roles in the stage production of Grand Cri D'Amour, which may not have helped here because some critics feel the play is not as effective in its movie incarnation. The story is relatively light-hearted, as these two lovers/actors who know each other so well communicate on several levels. But the danger is that Berry and Balasko also know these two actors so well that some of the excitement in portraying them is gone, and the stimulus of a live audience is naturally missing during the shooting of a film. For these reasons or for the fact that the script is not exceptionally innovative or the storyline unexpected, Grand Cri D'Amour is not a surprise, but it remains good light entertainment. ~ Eleanor Mannikka, All Movie Guide

Pierre Richard directed, co-scripted and stars in this French comedy. Former top film comedian Romain (Richard) is on a downward spiral -- rehearsing a play directed by his sister while also dealing with his wife, mistress, taxes, low self-esteem, demands for attention from his two children, and a private detective attempting to snap incriminating photos. Producer Jean-Louis Levi appears in a cameo as a poverty-stricken bum. ~ Bhob Stewart, All Movie Guide

A genteel teacher finds himself out of his element when his request to be assigned to a Parisian school lands him in an impoverished, multi-cultural ghetto suburb outside of Paris. There Laurent Monier (Gerard Depardieu) finds himself forced to live in a project apartment and teach classes full of underprivileged, tough and troubled youth. His former spouse is also a teacher, but she got a plumb job in an upscale part of Paris while Laurent -- who moved to Paris to be near her -- struggles to keep his car intact and to stay alive on the dangerous streets. Still, he does his best in the schoolroom and eventually earns the respect of his students. Trouble brews however, when school gossip gets out of hand and threatens to destroy his career. ~ Sandra Brennan, All Movie Guide

This comedy was shot in Tahiti. It focuses on the rocky relationship between Cohn, a local con man, and author Jack Baker who wants to profile Paul Gauguin in an upcoming book. Cohn, an obnoxious crook and pathological liar originally from Paris, has been the bane of the local population for years, yet despite his annoyances they will not arrest him. Hearing that Cohn owns an authentic Gauguin, Jack Baker makes his acquaintance. They do not get off to a great start, but eventually become friends after Cohn's secret is discovered. ~ Sandra Brennan, All Movie Guide

In this mystical comedy, Felicien has traveled to Portugal from France soon after the end of the First World War. It seems that his recently deceased father had invested a lot of money in a factory located in a remote village, and he has come to evaluate that investment. He gets some clues to the real situation in the town when the man driving his coach refuses to go any further and leaves him on a section of road which is practically paved with abandoned crutches. After a short trek, he meets up with the local dignitary who is to show him around, and he meets a priest and an artist. The priest gives a further clue to the events taking place in the village when he indicates that he's completely exasperated with the endless miracles that seem to be taking place. From that point onward, amazing coincidences, visions and miracles take place in great numbers. ~ Clarke Fountain, All Movie Guide

This is an often wilted, occasionally flat spoof of the French Revolution by Jean Yanne, France's answer to Mel Brooks. The revolution, used as a foil for politics in the 1980s, has Robespierre Roland Giraud) in love with Charlotte Corday (Mimi Coutellier) who works for Marat (Jean Yanne) and unsuccessfully tries to stab him one day. That only makes him worse, causing him to stoke up the population and establish himself as a dictator, with the assistance of the Caliph of Baghdad (Jean Poirot). It seems the Caliph is in Paris to check out the new guillotine at a trade show of implements of torture and execution. Eventually, Robespierre and Charlotte, along with Louis XVI (Michel Serrault) and Marie Antoinette (Ursula Andress) make their way to Baghdad, where life is less revolutionary. ~ Eleanor Mannikka, All Movie Guide