Guy Prescott Movies

A curious "gimmick" movie in the William Castle tradition (though not itself a Castle project), screenings of this film featured a hokey but creative "Hypno-Magic" process allegedly designed to hypnotize the theater audience. The otherwise mundane psycho-thriller plot features Jacques Bergerac as stage mesmerist "The Great Desmond," whose act includes hypnotizing entire audiences into performing rather dull Simon-says maneuvers and such. The real trick, it turns out, involves Desmond's Svengali-like seduction of his more comely female patrons -- most of which end up horribly disfigured the next morning, the victims of apparent self-mutilation. Thanks to several scenes hinting at the obvious hatred Desmond's wife and assistant, Justine (Allison Hayes), harbors toward her husband's pretty subjects, there's not much of a mystery here. Nevertheless, the police are baffled, leading one victim's best friend to set herself up as bait and trap the guilty party -- whose secret is revealed in the "shocking" climax. The Hypno-Magic gimmick, though certainly ineffective, provides some of the film's more hilarious diversions, and thoroughly disarms any potential for suspense. ~ Cavett Binion, All Movie Guide

In this western, an embittered cavalry sergeant must take over his regiment after their commanding officer is killed during an ambush. To save them, he leads the troop through Apache territory because it is the quickest way to reach the fort. The members of the regiment do not trust their new leader's reasoning. They suspect he is taking them through the restricted territory so that he can get revenge upon the Apaches who killed his wife and kids several years ago. The troop find themselves suffering a series of increasingly deadly attacks. Many die, until the soldiers, believing that the sergeant has lost his mind, rebel and kill him. ~ Sandra Brennan, All Movie Guide

The oft-told tale of controversial Southern-sympathizing outlaw Quantrill is recounted again in this low-budget western. Leo Gordon, possessor of one of the meanest faces in the movies, plays Quantrill, but top billing is bestowed upon Steve Cochran as Westcott, a Confederate officer assigned to collaborate with the vigilante leader in a raid on an ammunition depot in Lawrence, Kansas. Westcott is forced to move on when the ammo supply is moved, but the vengeance-driven Quantrill insists upon remaining in Lawrence, there to indulge in one of the bloodiest and most sadistic raids in Kansas history. Quantrill's Raiders was directed by Edward Bernds, who'd come a long way since his Three Stooges shorts of the early 1950s. ~ Hal Erickson, All Movie Guide

Joel McCrea essays the title role in this moody little western. McCrea is a Union officer wounded in battle, who joins up with a wagon train heading westward. He is ostracized by those passengers who'd fought on the Confederate side, though leading lady Virginia Mayo welcomes his presence. McCrea redeems himself in the eyes of the ex-Confederate homesteaders when he acts as mediator in a range dispute with a land baron (Barry Kelly)--who happens to be McCrea's own half brother. Tall Stranger is based on a novel by the prolific Louis L'Amour. ~ Hal Erickson, All Movie Guide

This unusual western drama stars Ben Cooper as Jeff Blaine ,a twelve-year-old boy growing up sans a mother or a father in the small town of Plainsville. Jeff's mom died during his infancy, and his dad Nate (Dane Clark) left not long after and became an outlaw. With both of the parents absent, Jeff's aunt, Ruth Sewall (Ellen Drew) decided to step in and raise the young boy. As the tale opens, Nate turns up at Ruth's home and reveals his recent involvement in a gunfight. Because the law is on his tail, his time is rapidly running out. Though Nate hopes to make amends with his son, Jeff stringently rejects him, and Ruth backs up the boy's sentiments by politely asking Nate to leave, then returning the meager amount of support money that Nate sent to Jeff. In time, father and son do begin to make amends, but several obstacles threaten to stand in the way of a peaceful long-term relationship between them, including the violence of Nate's past, and the hostility of Ruth, who soon demonstrates that she's willing to do almost anything to make sure that the outlaw father doesn't take permanent custody of his son. ~ All Movie Guide

Tony Dumont (Rory Calhoun) is none too trustworthy at the beginning of Flight to Hong Kong. A dealer in contraband goods, Dumont is the bane of his girlfriend Jean Blake's (Dolores Donlon) existence. She wants him to go straight, but the other woman in his life, novelist Pamela Vincent (Barbara Rush), wants him to remain a crook--the better to provide material for a book she's writing. Dumont has a belated change of heart when he steps on the toes of the Mob once too often. Flight to Hong Kong also includes brief stopovers in San Francisco, Honolulu, Tangiers and Macao. ~ Hal Erickson, All Movie Guide

While John Ford and Howard Hawks received all the critical plaudits, Lesley Selander quietly went about his business directing some of the best westerns of the 1950s. In Selander's Shotgun, deputy sheriff Clay (Sterling Hayden) embarks upon a long, vengeful journey to track down Thompson (Guy Prescott), the man responsible for his boss' murder. Packing a sawed-off, double-barrelled shotgun for this purpose, Clay also carries a rifle and sixgun for such "lesser" threats as marauding Indians. Rescuing half-breed Abby (Yvonne de Carlo) from certain death, Clay takes her along on his manhunt, and later the two travellers are joined by bounty hunter Reb (Zachary Scott), who intends to get to Thompson first to collect the reward on the fugitive's head. Naturally, a bitter romantic triangle arises involving Clay, Abby and Reb, but this is briefly set aside when Thompson is finally cornered. ~ Hal Erickson, All Movie Guide