Paula Prentiss

This unforgettable episode is set at Universal Studios, where Jessica (Angela Lansbury) has arrived to supervise the film version of her novel "Messengers of Midnight." It isn't long before Jessica has had a confrontation with the film's abrasive producer Darryl Hayward (Ron Leibman), who seems to revel in making enemies, among them his leading lady Leonora Holt (Paula Prentiss). While paying a visit to the infamous "Bates Hotel" set from Hitchcock's Psycho, Jessica stumbles across Darryl's dead body--in the shower, of course! Henry Gibson appears as an obsessed fan of Leonora's, who just happened to be in the "Psycho House" when the killing occurred. Naturally, the episode is brimming with "inside" movie and pop-culture references, courtesy of scriptwriter (and future Babylon 5 maven) J. Michael Straczynski. ~ Hal Erickson, All Movie Guide

In this serio-comic made-for television adventure, an L.A. family gets more than it bargained for when it abandons the smog and hubbub for the peace of rural Oregon. Unfortunately, instead of finding a violence-free environment, they discover that they are surrounded by ultra-right-wing survivalists. ~ Sandra Brennan, All Movie Guide

In this early '80s send-up of venerable horror clichés, Richard Benjamin and Paula Prentiss star as John and Mary, an ordinary couple who inherit a mysterious house from a deceased uncle. Along with kids Debbie (Kari Michaelsen) and Billy (Kevin Brando), they move into the musty mansion, unaware that vampire Waldemar (Jeffrey Tambor) and his wife are desperately seeking an ancient book housed within its walls. Soon, Billy finds the book and learns that opening it releases an assortment of scary creatures. John and Mary, however, refuse to believe Billy's tall tales, not even after Mary ends up with puncture marks in her neck and an aversion to normal food. Soon, a mer-man is stalking Debbie in the bathtub, relatives are disappearing and monsters have taken over the house. Help arrives in the form of the wise Van Helsing (Severn Darden) -- or does it? Saturday the 14th provided the directorial debut for veteran horror screenwriter Howard R. Cohen, who would return to the same territory with 1988's Saturday the 14th Strikes Back. Benjamin, who is married to Prentiss in real life, also appeared in the horror satire Love at First Bite. ~ Brian J. Dillard, All Movie Guide

This 1980 episode of Saturday Night Live is hosted by Richard Benjamin and Paula Prentiss and features musical guest the Grateful Dead. ~ Skyler Miller, All Movie Guide

Adapted for the screen by novelist Joseph Wambaugh himself, The Black Marble stars Robert Foxworth as a burned-out, hard-drinking cop who is teamed with idealistic lady officer Paula Prentiss. These two polar opposites wade their way through a seamy urban world of corruption and hopelessness. The film is peppered with supporting players, of which include Harry Dean Stanton, James Woods, John Hancock and Barbara Babcock. ~ Hal Erickson, All Movie Guide

Like 1976's "Part One," Having Babies, Part 2 is a multiplotted TV movie about the effect of parenthood on four couples. The first film concentrated on a natural childbirth class. This second film broadens the subject matter with glances at adoptions and unwanted pregnancies. Among the many new parents are Tony Bill (taking time off from his producing career), Carol Lynley, Wayne Rogers, Lee Meriweather and Rhea Perlman. The film closes on some actual footage of twins being born. One year later, a third Having Babies film was telecast, under the imaginative title Having Babies III. Repeating her role from "Part 2" was Susan Sullivan, whose obstetrician character became the basis of the short-lived series Julie Farr, MD. ~ Hal Erickson, All Movie Guide

This graphically violent crime drama follows the relatively brief career of the notorious racketeer Crazy Joe Gallo, who formed an alliance with all of New York City's African-American gangs while serving time in Attica. Once he got out, he used that alliance to try and take over the Mafia, an act that resulted in his brutal murder in a restaurant in Little Italy, 1972. ~ Sandra Brennan, All Movie Guide

Based on a play by Neil Simon, this comedy concerns Barney Cashman (Alan Arkin), the owner of successful seafood restaurant who is stuck in the depths of a mid-life crisis. Barney's marriage is no longer providing him with a sense of romantic adventure, and when he discovers his mother's apartment is empty one day a week, he decides that a series of extra-marital affairs is just what he needs. However, Barney's career as a spoiler of women quickly proves to be laughably unsuccessful; he's able to lure three different women to his make-shift love nest -- Elaine (Sally Kellerman), Bobbi (Paula Prentiss), and Janette (Renee Taylor) -- but try as he might, he can't convince any of them to sleep with him, and in the end, Barney has to settle for seducing his wife. Last of the Red Hot Lovers was the fourth of five Neil Simon adaptations that director Gene Saks would bring to the screen; Saks also directed a number of Simon's successes on Broadway. ~ Mark Deming, All Movie Guide

Born to Win is the grimly ironic title of this jet-black comedy about heroin addicts. George Segal plays Jay Jay, an ex-hairdresser who struggles to support his expensive drug habit. To avoid arrest, Jay Jay turns "narc," informing on his fellow junkies. Eventually Jay Jay's sense of self-hatred threatens to overwhelm him. Also released as Born to Lose and Addict, Born to Win was the first American film for Czech director Ivan Passer. ~ Hal Erickson, All Movie Guide

This humorless comedy finds Hiram Jaffe (Elliott Gould) earning a living as a pornography writer and dog walker to the rich in New York. When he and wife Dolly (Paula Prentiss) decide to move to a new apartment, the problems cause Hiram to blur the line between his fantasy writing and reality. John Larch is the mounted policeman who tickets Hiram repeatedly while remaining oblivious to continual and more serious criminal activity. Music is inflicted by Marvin Hamlisch. ~ Dan Pavlides, All Movie Guide

In Harm's Way, based on James Bassett's novel Harm's Way, has enough plot in it for four movies or a good miniseries (when it was shown on network television in prime time, it was broken into two very full nights). On the morning of December 7, 1941, a heavy cruiser, commanded by Captain Rockwell Torrey (John Wayne), and the destroyer Cassidy, under acting commander Lieutenant (jg) William McConnell (Thomas Tryon), are two of a handful of ships that escape the destruction of the Japanese attack on Pearl Harbor. Under Torrey's command, the tiny fleet of a dozen ships carries out its orders to seek out and engage the enemy fleet. But lack of fuel and a daring maneuver (but tragic miscalculation) by Torrey causes his ship to be seriously damaged. He's relieved of command and assigned to a desk job routing convoys in the shakeup following the attack, and his exec and oldest friend, Commander Paul Eddington (Kirk Douglas), is reassigned after a brawl, the result of his anger after identifying the body of his wife (Barbara Bouchet) who was killed during the attack while cavorting with an Marine Corps officer.

Torrey's shore assignment leads him to reestablish contact on a very hostile level with his estranged son, Ensign Jere Torrey (Brandon de Wilde), from his long-ended marriage; he establishes a romantic relationship with Lt. Maggie Haynes (Patricia Neal), a navy nurse; and he also befriends Commander Egan Powell (Burgess Meredith), a special-intelligence officer. Partly as a result of his contact with Powell, Torrey is chosen by the commander of the Pacific Fleet (Henry Fonda) to salvage an essential operation called Sky Hook, which has become bogged down through the indecisiveness of its area commander, Vice Admiral Broderick (Dana Andrews). Promoted to rear admiral, with Eddington -- who'd been rotting away on a shore assignment, drunk most of the time -- assigned as his chief of staff, Torrey gets Sky Hook rolling and finally finds his purpose in this war, gaining the belated admiration of his son in the process. Eddington is similarly motivated but is still haunted by the violent, ultimately self-destructive demons that blighted his marriage and his life -- he is particularly attracted to a young nurse, Annalee Dohrn (Jill Haworth), not knowing that she is already involved romantically with Jere Torrey. Meanwhile, McConnell survives the sinking of his ship and is ordered to join Torrey's staff. Matters all come to a head when the Japanese begin a counter-offensive to Torrey's planned troop landing. And just at the time Torrey needs his men at their best, Eddington's violence and rage boil to the surface in a way that will destroy him and blight both men's lives. In a final attempt at redemption, Eddington provides Torrey with the information he needs to set up a battle that he has at least a chance of winning, pitting his small task group of destroyers and cruisers against the Japanese task force led by the Yamato, the largest battleship ever built. ~ Bruce Eder, All Movie Guide