Judson Pratt Movies

This effective gangster film on the notorious New York mobster Jack "Legs" Diamond is interspersed with moments of comic relief and was released just a few months after The Purple Gang shot their way across the silver screens in the U.S. Ironically, that gang and Diamond met their ends in the same year, 1931, and their rise was largely due to Prohibition. "Legsie" (Ray Danton) gets his name because he was a dancer, but he gets his reputation because he double-crosses anyone. He is a psychopath who works his way up the body count to the top of his own network of rackets. Along the way he meets and marries his wife Alice Schiffer (Karen Steele) and survives three attempts on his life that send him to the hospital each time. His reputation for "invulnerability," the inability of the police to touch him, gangsters who kill each other off, the racketeering with union bosses, and the hijacking of liquor shipments are all elements found in this film and The Purple Gang as well. Watch for a young Dyan Cannon in a bit part as Dixie, back when her first name was spelled like everyone else spells Diane. ~ Eleanor Mannikka, All Movie Guide

In the third episode of Walt Disney's 17-part miniseries Tales of Texas John Slaughter, Slaughter (Tom Tryon) and another Texas ranger are sent to a bank to pick up the ranger's payroll. Unfortunately, the bank is held up by the vicious Barko gang, who kill Slaughter's comrade and leave him beaten and unconscious. Upon recovering, Slaughter takes it upon himself to bring in the leader of the gang -- Mrs. Barko (Beverly Garland), a sadistic murderer who holds her husband and his henchmen in thrall. Originally telecast as part of the Walt Disney Presents anthology, "Killers From Kansas" and the subsequent episode "Showdown at Sandoval" were edited together in 1961 and released overseas as the "feature film" Gunfight at Sandoval. ~ Hal Erickson, All Movie Guide

In the town of San Sebastian, Paladin (Richard Boone) is hired by wealthy Scotsman Ian Crown (Judson Pratt) to track down Sancho Fernandez (Simon Oakland), a bandit who has been terrorizing the countryside. It soon becomes obvious that there is more to this situation than a simple manhunt: at the center of the intrigue is a valuable religious relic that has allegedly been stolen by Fernandez--and is highly coveted by the tight-fisted Mr. Crown. This is the final episode of Have Gun--Will Travel's first season. ~ Hal Erickson, All Movie Guide

Flood Tide can be described as The Children's Hour gone ballistic. Michel Ray is David Gordon a sweet-faced little boy who dotes on his widowed mother Anne (Cornell Borchers) - but has a nasty, pathological penchant for lying. When a body washes up on the beach and a man is arrested, David tells a few "convenient" lies that get the fellow arrested. The owner of the adjacent beach house, Steve Martin (George Nader) returns from a trip, learns of the situation, and discusses in detail why he thinks the boy is being deceptive; he then spends the rest of the movie romantically pursuing Anne while attempting to earn David's trust and extract a confession from him that will free the unjustly convicted fellow. Flood Tide was directed by Abner Biberman, who as a former movie villain had a good grasp of what makes a sociopath tick--even a ten-year-old one. ~ Hal Erickson, All Movie Guide

In the second episode of Walt Disney's 17-part miniseries Tales of Texas John Slaughter, newly installed Texas ranger Slaughter (Tom Tryon) has succeeded in rounding up the last members of Frank Davis' outlaw gang. Unfortunately, Davis (Robert Middleton) has been released on bail and has fled to Laredo. Together with fellow ranger Ben Jenkins (Harry Carey Jr.), Slaughter tracks Davis down to his new hideout, where he is conferring with five other outlaw bosses in hopes of creating a vast criminal empire. Originally telecast as part of the Walt Disney Presents anthology, "Ambush at Laredo" was in 1960 edited together with the previous episode "Texas John Slaughter", and released theatrically overseas as a "feature film", also titled Texas John Slaughter. ~ Hal Erickson, All Movie Guide

The premiere episode of Have Gun, Will Travel finds cultured gunslinger Paladin (Richard Boone) already headquartered at a fancy hotel in San Francisco, casually thumbing through a pile of newspapers in search of an assignment. Heading to New Mexico, he offers his services to wealthy rancher Jesse Reade (Harry Shannon), accepting his usual thousand-dollar fee to head South of the Border to rescue Reade's daughter Nancy (Janice Rule) from the clutches of bandit Dave Enderby (a pre-Hawaii Five-O Jack Lord). Risking his life to infiltrate the outlaw-controlled town of Perdido, Paladin finds that Nancy is in no mood to be rescued; she is in love with Enderby, and in fact is now the bandit's wife. Now Paladin must figure a way to disillusion Nancy and prove Enderby to be a thorough rat--and to escape safely from Perdido in the process. ~ Hal Erickson, All Movie Guide

Saloon girl Laura Simmons (Gloria McGhee) asks Matt (James Arness) not to reveal her whereabouts to her fiance Philip Locke (Michael Pate), who has just arrived in town. But Philip arms himself with a shotgun and threatens violence if Laura doesn't immediately materialize. Convinced that Laura is not responsible for her current "disgraceful" state and that she wants to be "saved", Philip seems dangerously inclined to kill anyone who tells him otherwise. This episode is based on the Gunsmoke radio broadcast of December 19, 1953. ~ Hal Erickson, All Movie Guide

Four Girls in Town is essentially an excuse by Universal-International to test out several of their newer contractees. The plot is motivated by a worldwide movie talent hunt, which naturally arouses the attentions of a bevy of pretty young aspiring actresses. The four girls of the title are Kathy Sonway (Julie Adams, who'd been appearing in films since 1950), Ina Schiller (Germany's Marianne Cook, nee Koch), Maria Antonelli (Italy's Elsa Martinelli) and Vicki Dauray (Gia Scala, also from Italy but herein portraying a Frenchwoman). Conducting the screen tests is budding director Mike Snowden (George Nader), who predictably falls in love with one of the hopefuls. Some laughs are had at the expense of Universal's rival 20th Century-Fox in the person of Helene Stanton, cast as a Marilyn Monroe clone named "Rita Holloway". ~ Hal Erickson, All Movie Guide

Tom Ewell plays a busy attorney who wishes to be closer to his son. To do this, he becomes manager of the boy's little league team, much to the dismay of his wife (Anne Francis), who can't stand baseball. Ewell finds that he must contend with pushy and ambitious parents who hope to live their own sports fantasies vicariously through their ballplaying children. The single mother of one of the kids (Ann Miller) goes to Ewell to plead for her boy's advancement, but the purpose of the meeting is misinterpreted by Ewell's jealous wife. Fed up with sacrificing sportsmanship to the whims of the parents, Ewell encourages his team to play for the love of the game rather than "winning at any cost." ~ Hal Erickson, All Movie Guide

Once you get past the fact that handsome Paul Newman could never pass for plug-ugly boxer Rocky Graziano in real life, you will be able to accept Somebody Up Their Likes Me as one of the more accomplished movie biopics of the 1950s. Based on Graziano's autobiography (co-written with Rowland Barber), the film accurately depicts the teen-aged Rocky as an unregenerate punk, evidently doomed by his slum environment, and his own lousy attitude, to a life of petty crime. Determining that the only way he'll make a living is with his fists, Rocky becomes a boxer, at first willing to participate in a series of fixed fights. Eventually, Rocky develops a conscience and sense of self-respect, no small thanks to his sweetheart (and later wife) Norma (Pier Angeli). The film ends on an optimistic note after Rocky wins a "clean" bout with Tony Zale (playing himself). Training extensively with Graziano prior to and during production, Newman is quite impressive in his first worthwhile film role (this was only his third film, following the execrable The Silver Chalice and the forgettable outing The Rack). The title song in Somebody Up There Likes Me was written by Bronislau Kaper and Sammy Cahn, and performed by Perry Como. ~ Hal Erickson, All Movie Guide