Steven Berkoff Movies

Stanley Kubrick dissects the nature of violence in this darkly ironic, near-future satire, adapted from Anthony Burgess's novel, complete with "Nadsat" slang. Classical music-loving proto-punk Alex (Malcolm McDowell) and his "Droogs" spend their nights getting high at the Korova Milkbar before embarking on "a little of the old ultraviolence," such as terrorizing a writer, Mr. Alexander (Patrick Magee), and gang raping his wife (who later dies as a result). After Alex is jailed for bludgeoning the Cat Lady (Miriam Karlin) to death with one of her phallic sculptures, Alex submits to the Ludovico behavior modification technique to earn his freedom; he's conditioned to abhor violence through watching gory movies, and even his adored Beethoven is turned against him. Returned to the world defenseless, Alex becomes the victim of his prior victims, with Mr. Alexander using Beethoven's Ninth to inflict the greatest pain of all. When society sees what the state has done to Alex, however, the politically expedient move is made. Casting a coldly pessimistic view on the then-future of the late '70s-early '80s, Kubrick and production designer John Barry created a world of high-tech cultural decay, mixing old details like bowler hats with bizarrely alienating "new" environments like the Milkbar. Alex's violence is horrific, yet it is an aesthetically calculated fact of his existence; his charisma makes the icily clinical Ludovico treatment seem more negatively abusive than positively therapeutic. Alex may be a sadist, but the state's autocratic control is another violent act, rather than a solution. Released in late 1971 (within weeks of Sam Peckinpah's brutally violent Straw Dogs), the film sparked considerable controversy in the U.S. with its X-rated violence; after copycat crimes in England, Kubrick withdrew the film from British distribution until after his death. Opinion was divided on the meaning of Kubrick's detached view of this shocking future, but, whether the discord drew the curious or Kubrick's scathing diagnosis spoke to the chaotic cultural moment, A Clockwork Orange became a hit. On the heels of New York Film Critics Circle awards as Best Film, Best Director, and Best Screenplay, Kubrick received Oscar nominations in all three categories. ~ Lucia Bozzola, All Movie Guide

The rise of teen culture in 1950s Britain provides the backdrop for Julien Temple's unconventional rock musical Absolute Beginners. The film centers on Colin, an 18-year-old with a talent for photography and a fondness for the neon nightlife of British jazz clubs. He also is in love with Crepe Suzette, an impulsive, ambitious young beauty who abandons him after attracting the attention of a powerful fashion designer. Depressed and aimless, Colin turns for help to a flashy ad executive (David Bowie) who promises to make him a star photographer. The former lovers take parallel paths to success, capitalizing on the youth mania gripping the nation. The film's nostalgic yet gently satirical look at teen culture is tempered by a recognition of the era's social tension, particularly a disturbing rise in racism. Despite these serious undertones, however, the film tells its story with a colorful vibrancy reminiscent of both MTV and old Hollywood musicals, filled with such show-stopping numbers as a memorable sequence in which Bowie dances on a giant typewriter. Critical reception was mixed, with some hailing the film's spectacular cinematography and ambitious scope, while others found the mixture of tones and style too inconsistent. The film also drew lukewarm response at the box office, with the memorable soundtrack receiving more attention than the film itself. ~ Judd Blaise, All Movie Guide

Attila the Hun, fabled leader of a band of nomadic warriors who fearlessly took on the might of the Roman Empire, has his life story brought to the screen in this two-part miniseries. Attila (Gerard Butler) raised an army from the people of Caspia, and in time created a fighting force so strong that they received an annual tribute from the leaders of Rome as an inducement not to attack. Not all Romans were happy with this situation, and in time it was decided that General Aetius (Powers Boothe), a brave yet unscrupulous leader who attempted to usurp the rule of Empress Placidia (Alice Krige), was the only man who could confront Attila on his own terms. Aetius recognized Attila's skills as a leader, and decided the best way to prevent him from invading Rome was to lead him into an alliance, as Rome and the Huns joined forces against a third nation. But despite their mutual respect, it soon became apparent that only one man could be the undisputed leader in a meeting between Rome and the Huns. Attila also features Tim Curry as Theodosius, Simmone Jade MacKinnon as N'Kara, and Reg Rogers as Valentinian. Attila was first aired on the USA Cable Network on January 30 and 31, 2001.
~ Mark Deming, All Movie Guide

With ornate imagery reminiscent of paintings from the story's 18th century period, Stanley Kubrick's adaptation of William Makepeace Thackeray's novel depicts the rise and fall of a sensitive rogue in the British aristocracy. Young Irishman Redmond Barry (Ryan O'Neal) leaves home to seek his fortune after apparently killing an English officer in a duel. Through a series of mishaps and accidents, Barry winds up fighting with the Prussian army in the Seven Years' War under the command of Capt. Potzdorf (Hardy Kruger); at war's end, Potzdorf enlists Barry to spy on a shady Chevalier (Patrick Magee). Instead, Barry joins up with the Irish Chevalier to flee Prussia and live as gamblers among Europe's elite. Wishing to climb even higher, Barry soon meets the beautiful Lady Lyndon (Marisa Berenson), marrying her for her fortune after her older titled husband dies. Her son Lord Bullingdon (Leon Vitali), however, despises the upstart Barry, and, regardless of how his mother may feel, sees to it that the re-named Barry Lyndon will never be able to stake his claim to the entrenched aristocracy. Coming after Kubrick's esteemed hits 2001 (1968) and A Clockwork Orange (1971), Barry Lyndon opened with high expectations and met with decidedly mixed responses to its restrained tone. Even with Oscar nominations for Best Picture and Best Director (and wins for Cinematography, Art Direction, Costumes, and Adapted Score), Barry Lyndon was a box office failure, as mid-'70s audiences increasingly turned away from such narrative challenges as its epic length and muffled emotions. Since then, Barry Lyndon has gained in stature, taking its place among the formidable artistic achievements of Kubrick's career. ~ Lucia Bozzola, All Movie Guide

What's that wisecracking young black guy (Eddie Murphy) in that beat-up Chevy Nova doing in lily-white Beverly Hills? He's Axel Foley, a Detroit detective who's been sent on involuntary vacation because he refuses to drop his intention of avenging his friend's murder. Warned by Beverly Hills police chief Ronny Cox to stay out of trouble, Foley nonetheless dogs the trail of above-the-law Steven Berkoff, the British crime czar who was responsible for the murder of Foley's friend. With the help of sympathetic local cops Judge Reinhold and John Ashton and lady friend Lisa Eilbacher, Foley attempts to corner Berkoff in his mansion, which leads to a wild slapsticky shootout. ~ Hal Erickson, All Movie Guide

British filmmaker Malcolm Needs writes and directs the gangster film Charlie, based on the real-life case of criminal gang boss Charlie Richardson. During the early '60s, brothers Charlie (Luke Goss) and Eddy (Langley Kirkwood) ruled the criminal underworld of South London. As he rises in power, Charlie finds himself connected with wealthy white South African businessman Richard Waldeck (Leslie Grantham). Charlie eventually starts to get involved with political crimes involving the ANC and gets caught. While on trial in 1966, his gang resorts to the horrific torturing of his enemies. The witnesses who testify against him are cruelly and unusually punished by Charlie's terror gang, leading to Judge Lawton (Antony Carrick) sentencing him to 25 years. Steven Berkoff and Anita Dobson appear as Charlie's parents. Charlie premiered in the U.K. in February of 2004. ~ Andrea LeVasseur, All Movie Guide

Coming Out of the Ice stars John Savage as the real-life Victor Herman, an American athlete born to Ukrainian immigrants. In 1931, when Herman was sixteen, he and his family moved to the Soviet Union when his father was transferred there for his job with Ford Motor Company. Four years later, Victor won the world parachute jump competition, but refused to accept an award bestowed by Josef Stalin or to renounce his American citizenship. Presumably as a result, Herman was sentenced to hard labor and then exile in Siberia; he would not be cleared of "counterrevolutionary" charges until 1955. He eventually returned to the United States nearly 45 years after he was first imprisoned. Filmed in Finland, Coming Out the Ice was first telecast on May 23, 1982. ~ Hal Erickson, All Movie Guide

Supermodel and sex symbol Cindy Crawford made her acting debut in this high-decibel thriller. Kate McQuean (Crawford) is a lawyer who -- in the course of a divorce proceeding -- attempts to seize a 157-foot freighter docked off the Florida coast in lieu of unpaid alimony. It turns out that the freighter is the current base of operations of Kazak (Steven Berkoff), a former KGB agent who has become an international money laundering expert and leader of a crack terrorist team. As one might imagine, Kazak is not especially happy about possible eviction, and soon Kate has a hefty price on her head. Kate, however, doesn't know the nature of Kazak's business and isn't sure why someone is trying to kill her. Loose cannon police detective Max Kilpatric (William Baldwin) is assigned to protect Kate, and romance begins to bloom as they dodge a remarkable number of bullets and explosions. Fair Game was originally slated to star Sylvester Stallone alongside Crawford (the film's location was moved to Florida at his request); when he dropped out, Crawford found herself co-starring with Baldwin, another model-turned-thespian. ~ Mark Deming, All Movie Guide

Hypnotic regression prompts a pair of sisters to recognize that they've been abducted by aliens. ~ Jason Ankeny, All Movie Guide

Two patients, one with flashbacks and another who remembers the crash of a UFO, lead a well-known Los Angeles psychiatrist into an investigation of UFO abductions in order to help them. ~ Tana Hobart, All Movie Guide