Steven Berkoff Movies

Also (and more pointedly) entitled The Headsman, Simon Aeby's scope period drama Shadow of the Sword uses its narrative to explore conflicts and tensions during the notorious 16th century Inquisition. Nikolaj Coster Waldau and Peter McDonald play Martin and Georg, two men who meet and bond as youths in a European monastery, then part ways and diverge paths; Georg becomes a cleric at a nearby abbey, Martin a soldier in the Army. The adult men reconnect following a fifteen year absence, and not long after, Martin (in the face of overwhelming dissuasion from Georg) falls head over heels in love with Anna - a social outcast because of her father's role as executioner. Martin and Anna marry, and - in a beat that recalls Berlanga's El Verdugo - Martin is forced to enter his father's line of work as a decapitator - a role he performs fluidly and effectively. Trouble brews, however, on two fronts: from Fabio, a handicapped local who covets Martin's new job, and from an Inquisitor (legendary playwright Steven Berkoff) who arrives to oversee George's execution when the local archbishop grows dissatisfied with him - forcing Martin to step in and act as George's salvation. Meanwhile, Brother Bernhard schemes to rob the church of stability. ~ Nathan Southern, All Movie Guide

British filmmaker Malcolm Needs writes and directs the gangster film Charlie, based on the real-life case of criminal gang boss Charlie Richardson. During the early '60s, brothers Charlie (Luke Goss) and Eddy (Langley Kirkwood) ruled the criminal underworld of South London. As he rises in power, Charlie finds himself connected with wealthy white South African businessman Richard Waldeck (Leslie Grantham). Charlie eventually starts to get involved with political crimes involving the ANC and gets caught. While on trial in 1966, his gang resorts to the horrific torturing of his enemies. The witnesses who testify against him are cruelly and unusually punished by Charlie's terror gang, leading to Judge Lawton (Antony Carrick) sentencing him to 25 years. Steven Berkoff and Anita Dobson appear as Charlie's parents. Charlie premiered in the U.K. in February of 2004. ~ Andrea LeVasseur, All Movie Guide

Attila the Hun, fabled leader of a band of nomadic warriors who fearlessly took on the might of the Roman Empire, has his life story brought to the screen in this two-part miniseries. Attila (Gerard Butler) raised an army from the people of Caspia, and in time created a fighting force so strong that they received an annual tribute from the leaders of Rome as an inducement not to attack. Not all Romans were happy with this situation, and in time it was decided that General Aetius (Powers Boothe), a brave yet unscrupulous leader who attempted to usurp the rule of Empress Placidia (Alice Krige), was the only man who could confront Attila on his own terms. Aetius recognized Attila's skills as a leader, and decided the best way to prevent him from invading Rome was to lead him into an alliance, as Rome and the Huns joined forces against a third nation. But despite their mutual respect, it soon became apparent that only one man could be the undisputed leader in a meeting between Rome and the Huns. Attila also features Tim Curry as Theodosius, Simmone Jade MacKinnon as N'Kara, and Reg Rogers as Valentinian. Attila was first aired on the USA Cable Network on January 30 and 31, 2001.
~ Mark Deming, All Movie Guide

Stanley Kubrick was one of the most acclaimed and controversial filmmakers of his generation, but he was also an intensely private man who rarely gave interviews and produced most of his films under a shroud of secrecy, which tended to foster a great deal of rumor and speculation about his working methods. Jan Harlan, who worked as Kubrick's assistant and executive producer on several projects (and was also his brother-in-law), directed this documentary, which offers a rare in-depth look into Kubrick's career as a filmmaker, structured around interviews with a number of actors, writers, technicians, composers, friends, and family who speak on the record about his relentless perfectionism, his creative vision, his life both on and off the set, his relationships with actors, his unrealized projects, and his importance and influence as an artist. Among those who share their thoughts in Stanley Kubrick -- A Life In Pictures are actors Jack Nicholson, Tom Cruise, Nicole Kidman, Malcolm McDowell, Peter Ustinov, and Keir Dullea; writers Arthur C. Clarke and Michael Herr; special effects artist Douglas Trumbull; composers Wendy Carlos and Gyorgy Ligeti; filmmakers Woody Allen, Martin Scorsese, Steven Spielberg, Paul Mazursky, and Sydney Pollack; and Kubrick's spouse Christiane Kubrick. Stanley Kubrick -- A Life In Pictures was originally produced as a television project, to be aired in three parts, though the project was shown in its entirety at the 2001 Berlin Film Festival. ~ Mark Deming, All Movie Guide

Quark's unquenchable thirst for profits has potentially deadly consquences this time around, as Quark's cousin Gaila (John Pais) gets tied up with ruthless arms dealer Hagath (Steven Berkoff), who is selling weapons that could very well bring about the Apocalypse. Never one to turn down a dishonest ducat, Quark nonetheless balks at getting involved with Hagarth, but as it happens, he may have no choice. Craggy film noir icon Lawrence Tierney guest stars as The Regent, while series regular Alexander Siddig (using his given name Siddig El Fadil directed. Originally telecast April 7, 1997, "Business as Usual" was written by Bradley Thompson and David Weddle. ~ Hal Erickson, All Movie Guide

Joan Collins camps it up in this pretentious art-house virago written, directed, and starring Steven Birkoff. In a satirical thrust at British upper-class values, in which the characters spout out dialogue in rhyming couplets, Collins and Birkoff portray snobbish British aristocrats and then, in contrast, a couple of East-enders in a British suburb. ~ Paul Brenner, All Movie Guide

Two patients, one with flashbacks and another who remembers the crash of a UFO, lead a well-known Los Angeles psychiatrist into an investigation of UFO abductions in order to help them. ~ Tana Hobart, All Movie Guide

Hypnotic regression prompts a pair of sisters to recognize that they've been abducted by aliens. ~ Jason Ankeny, All Movie Guide

In 1981, Ronald Biggs was kidnapped by agents from Scotland Yard from his Brazilian hideout for his participation in the 1964 British train robbery. This feature was written by Biggs and director Lech Majewski as a fictionalized account of the authorities trying to bring the colorful crook to justice. Paul Freeman plays Biggs, infamous for his participation in the $5 million heist dubbed "The Great Train Robbery". Jack McFarland (Steven Berkoff) is the Scotland Yard agent obsessed with apprehending Biggs and placing him on board a British navy ship bound for England. Nudity abounds in the final carnival scene as Biggs stays one step ahead of his captors. Colorful scenes of Rio are the highlight of this feature hampered by a thin script. ~ Dan Pavlides, All Movie Guide

The rise of teen culture in 1950s Britain provides the backdrop for Julien Temple's unconventional rock musical Absolute Beginners. The film centers on Colin, an 18-year-old with a talent for photography and a fondness for the neon nightlife of British jazz clubs. He also is in love with Crepe Suzette, an impulsive, ambitious young beauty who abandons him after attracting the attention of a powerful fashion designer. Depressed and aimless, Colin turns for help to a flashy ad executive (David Bowie) who promises to make him a star photographer. The former lovers take parallel paths to success, capitalizing on the youth mania gripping the nation. The film's nostalgic yet gently satirical look at teen culture is tempered by a recognition of the era's social tension, particularly a disturbing rise in racism. Despite these serious undertones, however, the film tells its story with a colorful vibrancy reminiscent of both MTV and old Hollywood musicals, filled with such show-stopping numbers as a memorable sequence in which Bowie dances on a giant typewriter. Critical reception was mixed, with some hailing the film's spectacular cinematography and ambitious scope, while others found the mixture of tones and style too inconsistent. The film also drew lukewarm response at the box office, with the memorable soundtrack receiving more attention than the film itself. ~ Judd Blaise, All Movie Guide