Xander Berkeley Movies

Carter (Noah Wyle) is pressed into service as tour guide for the family of Ruth Johnson (Anne Pitoniak), who was born at Chicago's County General exactly 100 years ago. Meanwhile, Carol (Julianna Margulies) cares for eight-year-old stalker victim Wilson (Jesse James Unterthiner); Benton (Eriq La Salle) has second thoughts about a cochlear implant for his son, Reese; and the relationship between Benton and Corday (Alex Kingston) reaches an impasse. Originally telecast as the 100th episode of ER, "Good Luck, Ruth Johnson" is catalogued as number 101 in the series' syndication package. ~ Hal Erickson, All Movie Guide

New Zealand screenwriter Andrew Niccol (The Truman Show) made his feature directorial debut with this science fiction drama, set in a future when one's life is determined by genetic engineering rather than education or experience. The wealthy can choose the genetic makeup of their descendants. People are designed to fit into whatever role is decided before birth. But what happens when someone desires another way of life? Citizens in this impersonal future-world are fashioned as perfect specimens, so those in the natural-born minority are viewed as inferior to the pre-planned perfect specimens (aka "Valids") who dominate. One of the natural-borns (aka "In-Valids"), Vincent Freeman (Ethan Hawke), has several defects (poor vision, emotional problems, and short 30-year life expectancy), but he also develops a different outlook on his pre-ordained fate. He yearns to break free from society's constraints, and he dreams of a journey into space as a Gattaca Corp. navigator. To accomplish his goal, he enlists the aid of DNA broker German (Tony Shalhoub) and makes contact with Jerome Morrow (Jude Law), who was paralyzed in an accident and is willing to sell his superior genetic materials. Vincent assumes Jerome's identity and is scheduled for a flying mission. However, a week before his flight, a Gattaca mission director is murdered, and all members of the program are the suspects. Meanwhile, he develops a romantic interest in a beautiful Valid, Irene (Uma Thurman), prevented from going into space because of her heart defect. Tracked by a relentless investigator who is methodically jigsawing all the pieces together, Jerome finds his aspirations dissolving into stardust. ~ Bhob Stewart, All Movie Guide

In this action drama, Harrison Ford plays James Marshall, a onetime combat hero in the Vietnam War who is now President of the United States. While visiting the former Soviet Union, Marshall gives a speech in which he supports a get-tough attitude against both terrorists and a right-wing general and war criminal from Kazakhstan imprisoned in Moscow, earning him few friends in the Eastern Bloc. While flying back to the United States aboard Air Force One, Marshall and his staff discover that one of the journalists returning with them is actually Ivan Korshunov (Gary Oldman), a Kazakhstani terrorist, who hijacks the plane with three associates and holds the president hostage -- with his wife and daughter on board. Marshall must use his strength and intelligence to keep the terrorists at bay and devise a plan to allow his family to escape to safety, while on the ground the vice-president (Glenn Close), the secretary of defense (Dean Stockwell), and the attorney general (Philip Baker Hall) grapple over what to do and how much control to take in this crisis. Slam-bang action sequences and plot twists fly fast and furious in this nail-biter from director Wolfgang Petersen, who previously generated suspense under water (rather than in the air) with Das Boot. ~ Mark Deming, All Movie Guide

The compilation film If These Walls Could Talk consists of three short films that each deal with the controversial issue of abortion. Although each of the stories is set in a different decade, the unifying element (aside from the subject matter) is that all three transpire in the same house. The first story stars Demi Moore as the widow of a soldier killer in combat. She becomes pregnant and does not feel it would be morally appropriate to have the baby. Because it is the '50s, she must attempt to secure an illegal abortion. The second story, set in the '70s, stars Sissy Spacek as a mother of a struggling family. Having successfully raised four children on a meager income, Spacek's character must now decide if she should seek an abortion after finding out she is expecting a fifth. The final story takes place in the '90s. Anne Heche portrays a grad student who crosses protestors' picket lines in order to consult a doctor (Cher) about having an abortion. The first two parts, "1952" and "1974," were directed by Nancy Savoca, and the last part, "1996," was helmed by Cher, in her directorial debut. If These Walls Could Talk aired originally on HBO. ~ Perry Seibert, All Movie Guide

Originally made for the Sci-Fi Channel, this intergalactic thriller offers yet another riff on the themes from Alien. The terror begins when it's discovered that "Galileo's Child," an ancient moon, has spun from its orbit and is rapidly whirling towards Earth. To save the planet, a band of brave miners set off to land upon the rogue moon and to engineer a means by which it can safely be turned away from Earth. To accomplish this, the miners must create a series of great tunnels into "Galileo's" surface. Unfortunately, in so doing, they uncover a great tomb, the once-secure burial site of an unspeakable alien terror that only needs contact with the moon's nitrogen atmosphere to reawaken and ravenously comb the little planet for fresh meat. ~ Sandra Brennan, All Movie Guide

A bitter, nasty child custody battle is at the center of this fact-based TV movie. Having long since written off her divorced daughter-in-law Sarah (Tracey Gold) as an unfit mother, DeDe Cooper (Kate Jackson) anxiously awaits the slightest opportunity to take her granddaughter Josie (Laura Harris) away from Sarah for good. When Josie begins making disturbing references to "satanic rituals", DeDe figures it is time to take action. Before long, someone has kidnapped Josie--and Sarah, whose life has only just begun to find meaning via her relationship with her new beau Jack (Jeff Yagher), insists she has a pretty good idea who's responsible. What follows is a maelstrom of lies, deceptions, and ultimate vindication for one of the two principal characters. A Kidnapping in the Family originally aired February 26, 1996 on ABC. ~ Hal Erickson, All Movie Guide

Set in the year 2017, Barb Wire takes place after democracy has fallen and a fascist military junta has taken over the U.S. government, plotting to wipe out the country with Red Ribbon, a laboratory-manufactured disease derived from the AIDS virus. The entire test city of Topeka has been annihilated, and only the small bastion of Steel Harbor remains the last free zone in the country, conveniently the home of the title heroine Pamela Lee. Barb, a leather-clad, silicon-stretched motorcycle mama, happens to carry antibodies for Red Ribbon in her DNA, thus making her an enemy of the state. She sets out to defend freedom and take down the evil government by posing as a stripper and seducing foolish male adversaries with her well-displayed assets. The plot thickens as she happens upon her freedom-fighter ex-lover and his wife (much in the vein of Casablanca). ~ Jeremy Beday, All Movie Guide

A successful career criminal considers getting out of the business after one last score, while an obsessive cop desperately tries to put him behind bars in this intelligent thriller written and directed by Michael Mann. Neil McCauley (Robert De Niro) is a thief who specializes in big, risky jobs, such as banks and armored cars. He's very good at what he does; he's bright, methodical, and has honed his skills as a thief at the expense of his personal life, vowing never to get involved in a relationship from which he couldn't walk away in 30 seconds. Vincent Hanna (Al Pacino) is an L.A.P.D. detective determined to catch McCauley, but while McCauley's personal code has forced him to do without a wife and children, Hanna's dedication has made a wreck of the home he's tried to have; he's been divorced twice, he's all but a stranger to his third wife, and he has no idea how to reach out to his troubled step-daughter. While McCauley has enough money to retire and is planning to move to New Zealand, he loves the thrill of robbery as much as the profit, and is blocking out plans for one more job; meanwhile, he's met a woman, Eady (Amy Brenneman), whom he's not so sure he can walk away from. The supporting cast includes Val Kilmer as Chris, one of McCauley's partners; Ashley Judd as his wife Charlene; Jon Voight as Nate; Hank Azaria as Alan Marciano; and Henry Rollins as Hugh, who is beaten up by Hanna. ~ Mark Deming, All Movie Guide

"Houston, we have a problem." Those words were immortalized during the tense days of the Apollo 13 lunar mission crisis, and the suspense, fear, and excitement of those days are captured in Ron Howard's epic recreation of the 1970 crisis. When the commander of the original mission Ken Mattingly (Gary Sinise), bows out due to possible exposure to measles, astronaut Jim Lovell (Tom Hanks) leads command module pilot Jack Swigert (Kevin Bacon) and lunar module driver Fred Haise (Bill Paxton) on what is slated as NASA's third lunar landing mission. All goes smoothly until the craft is halfway through its mission, when an exploding oxygen tank threatens the crew's oxygen and power supplies. As the courageous astronauts face the dilemma of either suffocating or freezing to death, Mattingly and Mission Control leader Gene Kranz (Ed Harris) struggle to find a way to bring the crew back home, all the while knowing that the spacemen face probable death once the battered ship reenters the Earth's atmosphere. Even though the outcome, in which all three astronauts miraculously survived, is historical fact, the film derives suspense from the situation itself and from the actions of the heroic astronauts and the men on the ground. Howard's taut direction, a solid ensemble of players, and eye-opening special effects all add to the overall impact of the film, which has been hailed as one of Hollywood's best historical dramas. In 2002, the movie was released in IMAX theaters as Apollo 13: The IMAX Experience, with a pared-down running time of 116 minutes in order to meet the technical requirements of the large-screen format. ~ Don Kaye, All Movie Guide

Originally made for cable television, Roswell is an entertaining mix of purported actual events and science fiction. The narrative unfolds primarily in flashbacks as retired Army officer Jesse Marcel (Kyle MacLachlan) attends a reunion of the 509th Bomber Group and tries to come to closure on events that had taken place 30 years earlier. Back in 1947, Major Marcel had been part of a military team that investigated a crash site on a ranch near Roswell, New Mexico. The debris recovered from the site had exhibited some remarkable properties such as being able to repair itself instantly after being cut, suggesting that it might have been of extraterrestrial origin. The military brass had ordered Marcel to go along with their phony story that the material was ordinary metal foil from a weather balloon, and he had reluctantly complied. By the time of the 1977 reunion, Marcel is suffering from a terminal illness, and he feels compelled to try to find out what had really happened at Roswell all those years ago. MacLachlan gives an effective performance, particularly when he portrays Marcel as an older man trying to understand his past. Evocative location shooting in the American Southwest adds cinematic impact. ~ All Movie Guide

When Sherri Finkbine (Sissy Spacek), the host of the Sixties children's television program Romper Room, learns that her unborn child has been damaged by her use of the drug thalidomide, she and her husband decide to abort the fetus, setting in motion the media controversy that is the subject of Joan Micklin Silver's made-for-cable drama. ~ Jason Ankeny, All Movie Guide