Xander Berkeley Movies

Federal agent Jack Bauer (Kiefer Sutherland) is having a very bad day in this unique, action-packed drama series in which events unfold in real time and the entire season takes place within one 24-hour day. Bauer is the director of the Counter Terrorist Unit in Los Angeles. He's also a married man who is attempting to rebuild a trust-depleted relationship with his wife Teri (Leslie Hope), and a father to independent-minded teen daughter Kim (Elisha Cuthbert). Shortly after midnight on the morning of the California Democratic presidential primary, Jack receives information that an assassination attempt will be carried out against Maryland senator David Palmer (Dennis Haysbert) -- the first African-American with a legitimate chance of capturing the White House -- sometime within the next 24 hours. Jack's mission is made even more difficult when he learns from his boss Richard Walsh (Michael O'Neill) that someone within CTU may be a mole involved with the foreign-based conspiracy. Meanwhile, Palmer, unaware of the assassination plot, receives a phone call from a dogged reporter who says she has evidence that his son Keith (Vicellous Reon Shannon) committed murder. He allegedly killed his sister's rapist. Palmer initiates an investigation to uncover the truth and must decide whether to break the story himself or wait. Jack is contacted by terrorist Ira Gaines (Michael Massee), who informs him that his wife and daughter have been kidnapped by Gaines' henchmen. Gaines threatens to kill them if Jack refuses to follow his detailed instructions. Gaines' goal is simple: Jack is to carry out the assassination against Palmer himself. As the hours pass, the conspiracy deepens, and Jack learns the surprising truth behind the plot and his role in it. ~ Tim Holland, Rovi

In this family drama, a white Southerner discovers that his family history isn't what he thought it was -- with the fact that he's half-black only one of his many surprises. Earl Pilcher, Jr. (Robert Duvall) runs a gas station in Arkansas; he's a typical middle-aged Southern man who likes his pickup truck and loves his momma. Shortly after his mother's death, he receives some very unexpected news; she wasn't really his mother after all. It seems that years ago, Earl Sr. (James N. Harrell) raped the family's African-American maid, Willie Mae, who nine months later died while giving birth to Earl Jr. To avoid further scandal, Mrs. Pilcher simply raised Earl Jr. as her own. While the family has kept the matter a secret all these years, Earl Jr. has a half-brother living in Chicago, and it was his mother's wish that the two should some day meet and become friends. Earl travels to Chicago and tracks down Ray Murdock (James Earl Jones), a veteran police officer and Willie Mae's other son. Earl Jr. quickly learns that Ray has little interest in getting to know him better; he knows all the facts behind the matter, and he's always blamed Earl for the death of his mother. However, Earl Jr. isn't used to life in a big city up north, and after he's mugged and carjacked, Ray grudgingly takes in his half-brother, letting him stay in the home he shares with his son Virgil (Michael Beach) and Aunt T. (Irma P. Hall), who raised Ray as a boy. A Family Thing was written by Billy Bob Thornton shortly before his breakthrough as writer, director, and star of Sling Blade. ~ Mark Deming, Rovi

A bitter, nasty child custody battle is at the center of this fact-based TV movie. Having long since written off her divorced daughter-in-law Sarah (Tracey Gold) as an unfit mother, DeDe Cooper (Kate Jackson) anxiously awaits the slightest opportunity to take her granddaughter Josie (Laura Harris) away from Sarah for good. When Josie begins making disturbing references to "satanic rituals", DeDe figures it is time to take action. Before long, someone has kidnapped Josie--and Sarah, whose life has only just begun to find meaning via her relationship with her new beau Jack (Jeff Yagher), insists she has a pretty good idea who's responsible. What follows is a maelstrom of lies, deceptions, and ultimate vindication for one of the two principal characters. A Kidnapping in the Family originally aired February 26, 1996 on ABC. ~ Hal Erickson, Rovi

In this action drama, Harrison Ford plays James Marshall, a onetime combat hero in the Vietnam War who is now President of the United States. While visiting the former Soviet Union, Marshall gives a speech in which he supports a get-tough attitude against both terrorists and a right-wing general and war criminal from Kazakhstan imprisoned in Moscow, earning him few friends in the Eastern Bloc. While flying back to the United States aboard Air Force One, Marshall and his staff discover that one of the journalists returning with them is actually Ivan Korshunov (Gary Oldman), a Kazakhstani terrorist, who hijacks the plane with three associates and holds the president hostage -- with his wife and daughter on board. Marshall must use his strength and intelligence to keep the terrorists at bay and devise a plan to allow his family to escape to safety, while on the ground the vice-president (Glenn Close), the secretary of defense (Dean Stockwell), and the attorney general (Philip Baker Hall) grapple over what to do and how much control to take in this crisis. Slam-bang action sequences and plot twists fly fast and furious in this nail-biter from director Wolfgang Petersen, who previously generated suspense under water (rather than in the air) with Das Boot. ~ Mark Deming, Rovi

"Houston, we have a problem." Those words were immortalized during the tense days of the Apollo 13 lunar mission crisis in 1970, events recreated in this epic historical drama from
Ron Howard. Astronaut Jim Lovell (Tom Hanks) leads command module pilot Jack Swigert (Kevin Bacon) and lunar module driver Fred Haise (Bill Paxton) on what is slated as NASA's third lunar landing mission. All goes smoothly until the craft is halfway through its mission, when an exploding oxygen tank threatens the crew's oxygen and power supplies. As the courageous astronauts face the dilemma of either suffocating or freezing to death, Mattingly and Mission Control leader Gene Kranz (Ed Harris) struggle to find a way to bring the crew back home, all the while knowing that the spacemen face probable death once the battered ship reenters the Earth's atmosphere. The film received an overwhelmingly enthusiastic critical response and a Best Picture nomination, but lost that Oscar to another (very different) historical epic, Mel Gibson's Braveheart. In 2002, the movie was released in IMAX theaters as Apollo 13: The IMAX Experience, with a pared-down running time of 116 minutes in order to meet the technical requirements of the large-screen format. ~ Don Kaye, Rovi

Set in the year 2017, Barb Wire takes place after democracy has fallen and a fascist military junta has taken over the U.S. government, plotting to wipe out the country with Red Ribbon, a laboratory-manufactured disease derived from the AIDS virus. The entire test city of Topeka has been annihilated, and only the small bastion of Steel Harbor remains the last free zone in the country, conveniently the home of the title heroine Pamela Lee. Barb, a leather-clad, silicon-stretched motorcycle mama, happens to carry antibodies for Red Ribbon in her DNA, thus making her an enemy of the state. She sets out to defend freedom and take down the evil government by posing as a stripper and seducing foolish male adversaries with her well-displayed assets. The plot thickens as she happens upon her freedom-fighter ex-lover and his wife (much in the vein of Casablanca). ~ Jeremy Beday, Rovi

This post-modern comic variation on The Defiant Ones concerns Keats (Damon Wayans), an undercover police detective trying to get the goods on crime kingpin Frank Colton (James Caan). Keats poses as a crook to make friends with one of Colton's underlings, a drug dealer and car thief named Archie Moses (Adam Sandler). Keats is using Archie as part of a sting operation to put Colton away; however, Archie doesn't care for this, and when he finds out Keats's true plan and actual identity, it leads to an altercation that ends with Archie shooting Keats in the head. Several months later, Keats emerges from the hospital with a metal plate in his skull, and he has to bring Archie in. However, now Archie and Keats are both on Colton's enemies list, and the two find themselves on the run in Arizona, trying to outwit Colton's team of assassins, but having Archie on hand doesn't do much good in the outwitting department. Bulletproof was directed by Ernest Dickerson, who got his start as a cinematographer for Spike Lee. ~ Mark Deming, Rovi

When a journalist's ex-girlfriend dies in a car crash, he becomes romantically involved with her best friend. Before long, it seems to him that both women may have been connected to shady goings-on. This suspenseful tale of erotica and mystery features performances by Virginia Madsen, Judd Nelson, Mia Sara and Timothy Daly among others. ~ Kristie Hassen, Rovi

Set against the sun-soaked backdrop of a rural East Texas community that's buckling under the weight of a serious meth epidemic, David Pomes' deep-woods family drama details the struggle of an abused and alienated teen boy trying to reconnect with his long-lost father. Before they can make personal amends, however, both father and son will have to overcome their respective addictions to the crystal meth. Anson Mount, Xander R. Berkeley, and Ryan Donowho star. ~ Jason Buchanan, Rovi

An orphaned drifter recently released from the hospital and seeking gainful employment finds that sometimes fate can play cruel tricks on the desperate in a tightly wound tale of adultery, deception, and murder starring Peter Coyote and Lucas Black. Nat Banyon (Black) is an orphan just looking to get back on his feet after an extended convalescence in a Wyoming hospital. When by chance Nat spots a bad car accident and bravely acts to save the life of the car's eccentric driver, Herman Finch (Coyote), the grateful wheelman kindly extends an offer of work to the young drifter, with the understanding that room and board will be provided free of charge. Assigned the task of cleaning up Finch's rundown Deepwater motel in exchange for a street-worthy car, Nat sets about performing his duties while slowly becoming aware that, in this ramshackle motel, nothing is as it seems and no one can be trusted. ~ Jason Buchanan, Rovi

Directed by first-time filmmaker Michael Paradies Shoob, the independent drama Driven tells the story of four L.A. cab drivers working for the Red Star cab company during the week between Christmas and New Year's Day. Darius Pelton (Tony Todd) wants to reunite with his son, who lives with his ex-wife (Lee Garlington). Dale Schneider (Daniel Roebuck) has a second job working for a bookie named Hal (Eric Pierpoint). Jason Schuyler (Whip Hubley) is haunted by his past and shares an evening with passenger Rachel (Diane DiLascio). Legrand (Chad Lowe) brings them all together with his big talk and money-making abilities. Lou Rawls appears in a cameo as the radio dispatcher, Charlie. Driven premiered at the 1996 Toronto Film Festival. ~ Andrea LeVasseur, Rovi

Carter (Noah Wyle) is pressed into service as tour guide for the family of Ruth Johnson (Anne Pitoniak), who was born at Chicago's County General exactly 100 years ago. Meanwhile, Carol (Julianna Margulies) cares for eight-year-old stalker victim Wilson (Jesse James Unterthiner); Benton (Eriq La Salle) has second thoughts about a cochlear implant for his son, Reese; and the relationship between Benton and Corday (Alex Kingston) reaches an impasse. Originally telecast as the 100th episode of ER, "Good Luck, Ruth Johnson" is catalogued as number 101 in the series' syndication package. ~ Hal Erickson, Rovi

A 1962 novel by Edward Abbey was the source for this 1981 TV movie. Buddy Ebsen plays a stubborn oldster who refuses to leave his mountain property when it is targeted for a government missile base. Not even a promised $100,000 compensation will induce Ebsen to leave. Young land developer Ron Howard is sent to vacate Ebsen, but soon Howard joins the older man in defying the military. Soon it boils down to a battle of wills between Ebsen and the equally bullheaded army officer Michael Conrad. Fire on the Mountain may have your typical "all-TV" cast, but it's a good one. ~ Hal Erickson, Rovi