Robert Powell Movies

The quintessential British caper film of the 1960s, The Italian Job is a flashy, fast romp that chases a team of career criminals throughout one of the biggest international gold heists in history. Michael Caine is Charlie Croker, a stylish robber and skirt-chaser just out of British prison. Shunning rehabilitation for recidivism, Croker takes over "The Italian Job," a complicated plan to hijack gold bullion from Italy -- right from underneath the noses of the Italian Police and the Mafia. The job, whose original mastermind was murdered, clearly requires the sponsorship of a richer, more established criminal than Croker. He turns to the auspices of the eccentric Mr. Bridger (Noël Coward in his last film role), a suave, regal, incarcerated English crime boss with a peculiar fascination with the Queen. Bridger provides Croker with a quirky group of Britain's most infamous computer hackers (including a lascivious Benny Hill), bank robbers, hijackers, and getaway drivers -- the ex-con is soon well on his way to relieving Italy of the gold. ~ Aubry Anne D'Arminio, All Movie Guide

This six-episode British TV adaptation of the classic Thomas Hardy novel finds Robert Powell as the title character, whose aspirations toward the priesthood are undone by his love for the licentious Sue Bridehead (Fiona Walker). ~ Michael Hastings, All Movie Guide

Four short stories by master of macabre Robert Bloch are related by the inmates of a mental institution. In the first story, Richard Todd murders his wife and cuts her body into little pieces -- but that doesn't stop her from seeking revenge. In the second, Peter Cushing orders crooked tailor Barry Morse to weave a coat from a magic fabric in order to bring Cushing's son back from the dead (this one was previously dramatized on the TV series Thriller). The third story stars Charlotte Rampling as a schizophrenic whose "doppelganger" is manifested in the person of Britt Ekland. The final tale involves demented toymaker Herbert Lom and his army of killer robots. Robert Bloch himself adapted his original source material for the screen. Asylum was also known as House of Crazies. ~ Hal Erickson, All Movie Guide

A well-mounted period horror tale, The Asphyx (known also as Spirit of the Dead) focuses on the scientific endeavors of Robert Stephens, whose revolutionary work in the burgeoning field of photography leads him to the remarkable discovery of the title creature -- a soul-stealing demon known to Greek myth which appears at the moment of death to carry the soul away from the body and into the netherworld. By using special lighting techniques, he is able to detect the demon when it appears to steal the soul of a guinea pig, and he manages to capture it in a sealed capsule -- thus rendering the animal immortal. Realizing that the act of imprisoning his own asphyx will grant him eternal life, Stephens starts re-creating his experiment with human subjects. As this is a horror film, his new effort doesn't turn out quite as planned. ~ Cavett Binion, All Movie Guide

Sister Mary is a fictional character in a popular British soap opera. When Sister Mary is killed off by the scriptwriters, a mentally unbalanced fan objects. The fan insinuates himself (or herself?) on the set of the program and begins bumping off the other actors. Jennie Linden plays the title character in this predictable thriller, while top-billed George Maharis tries to prevent further carnage. Videotaped in London, Death to Sister Mary debuted in America on May 21, 1974, as part of the late-night anthology ABC Wide World Mystery. ~ Hal Erickson, All Movie Guide

Director Ken Russell made a number of biographical films of composers' lives including The Music Lovers, (about Tchaikovsky) and Lisztomania. Russell embellished the other films with certain characteristic flourishes, which include a focus on the composers' sexual obsessions, poetically telling anachronisms, and scenes which show Richard Wagner in a bad light. The story of Mahler is recounted in a much less complex and flamboyant manner and is a relatively reverent study of the life and work of Austrian composer Gustav Mahler, here played by Robert Powell. The film tackles the touchy dilemma of Mahler's Jewishness in the anti-Semitic atmosphere of 19th-century Vienna. He converts to Christianity, which has no effect on his brilliant musical output but which eats away at his physical and mental well-being. Gustav Mahler (1860-1911) was a conductor and composer of the late Romantic era and specialized in huge symphonic works. Though his works were performed widely during his lifetime, they were less and less-often played until Leonard Bernstein's active campaign on their behalf brought him renewed recognition as a composer of the first rank, every bit the peer of Brahms or Stravinsky. ~ Clarke Fountain, All Movie Guide

Because director Franco Zeffirelli noted publicly that he intended to depict Jesus Christ as a human being rather than a religious icon, his expensive made-for-TV miniseries Jesus of Nazareth fell victim to protestors long before its April 3, 1977, debut. Despite the pullout of several sponsors, Jesus of Nazareth was aired as scheduled, sweeping the ratings in the process. In avoiding the usual overproduced Hollywood approach to the Gospels, Zeffirelli offers one of the most sensitive and reverent portrayals of Jesus ever seen on film. In the title role, Robert Powell heads a huge international cast, which includes Olivia Hussey as Mary, Peter Ustinov as Herod the Great, Christopher Plummer as Herod Antipas, Michael York as John the Baptist, James Farentino as Simon Peter, Donald Pleasence as Melchior, James Earl Jones as Balthazar, Ian McShane as Judas, Anne Bancroft as Mary Magdalene, Rod Steiger as Pontius Pilate, James Mason as Joseph of Arimathea, Anthony Quinn as Caiaphas, Laurence Olivier as Nicodemus, Ernest Borgnine as the Centurion, and Claudia Cardinale as the Adulteress. Filmed in England, Tunisia, and Morocco, Jesus of Nazareth was scripted by Zeffirelli, Anthony Burgess, and Suso Cecchi D'Amico. It originally aired in two three-hour segments, telecast Palm and Easter Sunday of 1977 as part of NBC's Big Event anthology. ~ Hal Erickson, All Movie Guide

This fifth film version of A.E.W. Mason's "Sun Never Sets" adventure novel The Four Feathers was adapted for television by Gerald DiPego. Following the death of British general "Chinese" Gordon at Khartoum, 19th-century gentleman officer Harry Favershem (Beau Bridges) is summoned to active duty in the Sudan. Though not a coward, Favershem fears that he'll turn coward in the heat of battle, thereby costing the lives of his comrades; thus, he opts to stay in England. Three of his disgruntled fellow officers each send Favershem a white feather, the symbol of cowardice. When a fourth feather is handed to Favershem by his fiancee (Jane Seymour), Favershem vows to prove himself in battle--and to personally hand back the four feathers to his accusers. ~ Hal Erickson, All Movie Guide

Word is about the newly discovered text that is allegedly written by the younger brother of Jesus Christ. It the document is genuine, it would throw the world's theological community into chaos. David Janssen plays an archaeologist who travels to Italy to verify the document's origins. ~ Stephen Thomas Erlewine, All Movie Guide

This 1978 re-remake of The 39 Steps adheres more closely to the source novel by John Buchan than Alfred Hitchcock's better-known original, restoring the pre-World War I time frame of the Buchan story. Hannay (Robert Powell) is an innocent bystander, suspected by enemy agents of having intercepted their secret war plans. Pursued by both the spies and the police, Hannay runs for his life in the company of Alex (Karen Dotrice). The Thirty-Nine Steps ends with a "high and dizzy" sequence on the face of Big Ben, borrowed from the 1942 Will Hay comedy My Learned Friend. ~ Hal Erickson, All Movie Guide

The Ismail Merchant-James Ivory team generated this account of a pair of teachers battling for the rights to produce an unpublished Jane Austen play. ~ Jason Ankeny, All Movie Guide

While most people are familiar only with the Lon Chaney Sr. and Charles Laughton versions of Victor Hugo's The Hunchback of Notre Dame, this 1982 TV adaptation was the fourteenth filmization of the Hugo novel. Anthony Hopkins, barely recognizable under mounds of disfiguring body makeup, plays Quasimodo, the deformed 15th-century bellringer of Notre Dame cathedral in Paris. Leslie-Anne Down plays Esmerelda, the gypsy girl who wins Quasimodo's unswerving loyalty when she offers him water after he is publicly flogged. And Derek Jacobi plays Dom Claude Frollo, the hypocritically pious archdeacon of Notre Dame, who'll do anything to claim Esmerelda for himself. Produced by Norman Rosemont, The Hunchback of Notre Dame originally aired February 4, 1982, as a Hallmark Hall of Fame presentation. ~ Hal Erickson, All Movie Guide

Polish director Krzysztof Zanussi once more explores the dilemma of intellectualism at the expense of humanity in 1982's Imperative. The story concerns math professor Robert Powell, who feels that there is something lacking in his ever-so-precise life. What is missing is truth, specifically philosophical truth. Thus he philosophizes at great length, allowing director Zanussi plenty of room for didactic but little room for warmth. Leading ladies Brigette Fossey and Leslie Caron occasionally melt through the cold logic of Imperative. ~ Hal Erickson, All Movie Guide