Melvil Poupaud Movies

Lacking any visible plot, Ville des Pirates meanders from episodes that are alternately comic or dramatic, gross or non-sequitur, capricious or outrageous, all in the name of a murder mystery. A hard sell to anyone who is not a student of the avant-garde or the history of cinema, most audiences will want to focus more on their popcorn than the screen in this inscrutable cinematic offering from prolific, exiled Chilean director Raul Ruiz. ~ Eleanor Mannikka, All Movie Guide

In this perplexing experimental film, two people are having a lengthy, surreptitious discussion about doing something nasty to a third party. Louise (Anne Alvara) and Leonard (Jean-Claude Wino) are the plotting couple, but is the third party Louise's brother? Is that brother Leonard? Why is that mirror hanging on the wall? Many questions are brought to the surface in this film, but few are answered. As the psychological dominance switches from Louise to Leonard, the film switches from color to black and white. Finally, the couple opens the door and a wind blows through, color returns, and Louise is now a housewife chastising either her son or brother (Melvil Popard) about his writing; and the enigma continues. ~ Eleanor Mannikka, All Movie Guide

Jonathan (Melvil Poupaud) is an imaginative young man. This film unveils what goes on in his mind as he mulls over his recent reading of Robert Louis Stevenson's classic Treasure Island and the television adventure shows he is watching. This story device allows the highly regarded and very innovative Chilean-born director Raul Ruiz to transform Stevenson's classic adventure tale into a much darker and more complex depiction of treachery and hidden identities. Distributors and producers were not entranced by this transformation, and money for completing the film was withheld, so despite its completion date of 1986, this version, which evinces numerous technical and other problems, was not released until 1991. Gaps in the sometimes confusing storyline are dealt with in a voiceover narrative. Ruiz' work has usually met with a warmer reception, but in this case it received a great deal of (possibly well-deserved) ridicule. One high point of the film, however, is when Pedro Armendariz Jr., as Mendoza, recounts the story of Herman Melville's less-well-known novel Benito Cereno. ~ Clarke Fountain, All Movie Guide

The Lover is director Jean-Jacques Annaud's adaptation of Marguerite Duras' minimalist 1984 novel. Set in French Indochina in 1929, the film explores the erotic charge of forbidden love. Jane March plays a French teenager sent to a Saigon boarding school, while Tony Leung is a 32-year Chinese aristocrat. They look at each and they both see a blinding white flash; it's kismet. He offers her a ride in his limousine and soon they meet in his "bachelor room" where they revel in a wide variety of creative sexual encounters. However, they both realize their love is doomed. She comes from a troubled family that includes a mentally-disturbed mother (Frederique Meininger) and drug-addicted brother (Arnaud Giovaninetti). It also appears that her family would not approve of an interracial tryst. But then neither would his family, since in order to inherit his father's wealth, he must not break from a traditional Chinese arranged marriage. ~ Paul Brenner, All Movie Guide

This unique French offering is a compilation of 30 short films focused on AIDS. The mini-films were based on over 3,000 ideas put in by French school children and were made by filmmakers on a voluntary basis. Most of the vignettes deal with heterosexuality and AIDS, but one deals with drug-usage, and one with homosexuality. It took four production houses three years to create this inspirational and informative film. ~ Sandra Brennan, All Movie Guide

The grueling, emotionally torturous world of French preparatory schools provides the framework for this mystery. The deliberately rigorous courses are designed to prepare students to take the brutal examinations for entry into the elite Grand Ecoles, where a select few will gain the skills and education needed to insure a bright, prosperous future for themselves. The story centers on Delphine, a girl from the lower classes, and the upper class Claude. Both young women aspire to attend the Ecole Normale Superieure on the Rue d'Ulm. Delphine lives in humble public housing with her dull mother and two young brothers while Claude, who considers herself a Communist, lives in luxury with her own servant; she is sexually involved with fellow- student, Axel, who thinks himself a fascist. Claude's younger brother Bertrand is trying to become a cadet in the national military academy, St. Cyr. He endures much abuse as he prepares himself. A few hours after Delphine meets Claude, the latter is seen diving to her death from a tall building, something the school officials attribute to academic pressure. Delphine later learns the bitter truth about Claude's death after she herself gets involved with Axel, and Bertrand. ~ Sandra Brennan, All Movie Guide

A troubled young woman goes in search of the father she never knew in this French drama. In 1979, Elisa (Florence Thomassin) is an unhappy and unstable woman who -- after trying to strangle her two year old daughter Marie -- kills herself on Christmas Eve. Sixteen years later, Marie (Vanessa Paradis) has grown into a young woman with more than her share of problems; she's wise beyond her years when it comes to men, and she lies as often as she tells the truth. With her friends Solange (Clotilde Courau) and Ahmed (Sekkou Sall), Marie makes her way through a variety of small-time confidence games, but she's obsessed with discovering the identity of her father, who abandoned her after the death of her mother years before. After intimidating a number of civil service workers, Marie learns that her father is Jacques Desmoulins (Gerard Depardieu), a successful but reclusive songwriter who lives on a small island where he uses alcohol to keep him company. Marie makes her way to Jacques' island in the hope of getting even with the man she blames for many of her troubles. Leading lady Vanessa Paradis is also a successful pop singer in Europe. ~ Mark Deming, All Movie Guide

Marcello Mastroianni plays several different roles in this off-beat, witty exploration of a man with multiple personalities from world-class filmmaker Raúl Ruiz. Mastroianni first appears as Parisian traveling salesman Mateo Strano who suddenly shows up at the home of Maria, the wife he abandoned twenty years before. She eventually remarried Andre. Mateo begins telling the skeptical Andre that he never really left Marie. Instead he was bewitched by fairies and has been living in the apartment across the street the entire time. He seems so serious, that he is able to lure Andre to the alleged apartment. There Mateo murders him with a hammer and then calmly returns to Maria who seems nonplused by the sudden turn. With pride she shows Mateo their adopted daughter. Mastroianni next appears as Sorbonne professor of negative anthropology Georges Vickers, a grown man who still lives with his cranky mother until he inexplicably leaves to become a vagrant. Living on the streets, he encounters Tania, a streetwalker with a passion for the philosophies of author Carlos Castaneda's Don Juan. The hooker and the tramp stay together until the day that Vickers returns and he leaves. It is soon afterward that he discovers that Tania is really the president of a major corporation. When he learns that she has been jailed for attempting to murder her creepy ex-husband, Vickers uses his clout to save her. The story then jumps to a newlywed couple happily struggling in a humble garret. Their lives change dramatically when a benefactor suddenly appears and provides them with a marvelous country house. They are also given a mute butler (Mastroianni) who answers their every beck and call. It doesn't take the couple long to figure out that the sinister valet (who actually owns the chateau) is quietly poisoning them. In terror they leave, but later he finds them and demands that they give him their baby daughter. He gives the child to Maria, Mateo's wife. Mastroianni's fourth persona, that of industrial magnate Luc Alamand then appears. He is in trouble when he learns that the wife, daughter, and sister he manufactured to impress potential clients are actually coming. The stress causes the sudden emergence of his other disparate personalities. Interestingly, though each live wildly different lives, they are clearly the same mild-mannered, self-effacing character. The comedy in the story works on wildly different levels with sight gags and puns running simultaneously with literary and cultural satire. Beneath it all runs a serious message about the destructiveness and confusion caused by trying to create a single European culture. ~ Sandra Brennan, All Movie Guide

Raul Ruiz directed this typically eccentric look at the nature of crime, the human mind, and life in the modern world. Solange (Catherine Deneuve) is a defense attorney with a reputation for taking on cases that can't be won -- and proving it by losing them. Her latest lost cause is Rene (Melvil Poupaud), a young man on trial for murdering his Aunt Jeanne (also played by Deneuve), a cruel psychiatrist who raised him as a child and was convinced from infancy that he was destined for a life of crime. While Rene would seemingly need a good lawyer in his situation, he prefers instead to play games with Solange's mind and finds unlikely allies in a strange society of French and Belgian psychologists, headed by Georges (Michel Piccoli), who seems crazier than anyone he's treating. Solange, however, finds herself falling in love with Rene, which only makes a difficult situation more unpleasant for everyone. Through a series of layered flashbacks, we're shown Rene's crime several times from a number of perspectives, which ultimately makes his actions seem more vague with each repetition. ~ Mark Deming, All Movie Guide

Music video director Michael Shamberg debuts with this experimental drama about a woman who comes to terms with painful childhood memories. Orlando (Stanton D. Miranda) is an expatriate American sports journalist living in Paris. She is also slowly recovering from childhood sexual abuse from her father and an incestuous relationship with her late brother. As she wanders the streets on a rainy evening, she sullenly ruminates over her memories. Both Kristin Scott Thomas and Christina Ricci play small parts in this film, while legendary filmmaker Chris Marker provides computer graphics. Souvenir was screened at the 1999 Mill Valley Film Festival. ~ Jonathan Crow, All Movie Guide

Caroline Ducey, who previously gained fame by bearing it all in the 1999 dour erotic drama Romance, stars in this drama set in the 14th century. Alienor (Ducey) is provincial lass who puts her skill with herbal cures to use by healing the festering boil on the king's leg. He rewards her with offering her a husband of her choice. Unfortunately, the betrothed Court Bertrand de Roussillon (Melvil Poupaud) refuses to consummate the marriage. Not a woman to let such a setback keep her down, she resolves to use her healing powers to loose her hymen by any means necessary. This film was screened at the 2000 Cannes Film Festival. ~ Jonathan Crow, All Movie Guide

Raul Ruiz's Love Torn in a Dream is introduced with a fake newsreel, taking place in postwar France, in which the cast of the film meet with the producer, who explains the film's complex weave of nine narratives. A diagram in which each story is represented by a letter of the alphabet explicates the intertwining of the nine tales. As the producer explains each actor's role, the film begins. The stories, rooted in folklore, bump up against each other as the film leaps back in forth in time. They involve a jewel stolen from a painting, a mirror that "steals" what it reflects, a seminary student who dresses as a priest to hear the nuns' confessions, brothers who combat each other in their search for a group of rings, a man whose everyday life is predicted by a website 24 hours in advance, a Catholic who finds out he's really Jewish, and a treasure map that leads to a pirate's chest. Each of the main cast members plays multiple roles. Ruiz veterans Melvil Poupaud and Elsa Zylberstein play the lead roles, while Lambert Wilson, Christian Vadim, Diogo Dória, José Meireles, and Rogério Samora play supporting roles. The film won the FIPRESCI Award at the 2000 Montreal World Film Festival, and was shown as part of the "Film Comment Selects" series at New York's Lincoln Center in 2003. ~ Josh Ralske, All Movie Guide

Two seemingly happily married French couples are forced to contend with a number of issues in director Noemie Lvovsky's 2003 marriage comedy drama Les Sentiments. Nearing the end of his career, small-town doctor Jacques (Jean-Pierre Bacri) and his wife Carole (Nathalie Baye) are relatively content with their lives and marriage. When Francois (Melvil Poupaud) -- the new doctor taking over Jacques' practice -- and his young bride Edith (Isabelle Carré) move in next door, Jacques and Carole are ecstatic when they learn that the newcomers have a lot in common with them. While both the men and women bond with each other, Jacques also begins to take a sexual interest in Edith that she is all too willing to indulge. As their affair quickly ignites, both Jacques and Edith find their respective outlooks on life have been renewed while they also deludedly hold on to the notion that they can successfully pull off their affair without causing damage to their marriages. Les Sentiments was included in the programs for the 2003 Venice International Film Festival and the Toronto International Film Festival. ~ Ryan Shriver, All Movie Guide