CCH Pounder Movies

"It's showtime!" In this part film à clef, part musical phantasmagoria, director/choreographer Bob Fosse takes a Felliniesque look at the life of a driven entertainer. Joe Gideon (Roy Scheider, channeling Fosse) is the ultimate work (and pleasure)-aholic, as he knocks back a daily dose of amphetamines to juggle a new Broadway production while editing his new movie, not to mention ex-wife Audrey (Leland Palmer), steady girlfriend Kate (Ann Reinking), a young daughter, and various conquests. Joe cannot, however, avoid intimations of mortality from white-clad vision Angelique (Jessica Lange) that lead him to look back at his life as he heads for a near-inevitable coronary and his departure from this mortal coil with the appropriate razzle-dazzle. Taking his cue from Federico Fellini's 8 1/2 (1963), Fosse moves from realistic dance numbers to extravagant flights of cinematic fancy, as Joe meditates on his life, his women, and his death. Following a similarly dark revisionist vein as Martin Scorsese's New York, New York (1977), Fosse shows the stiff price that entertaining exacts on entertainers (among other things, he intercuts graphic footage of open-heart surgery with a song and dance), mercilessly reversing the feel-good mood of classical movie musicals. Critics praised Fosse's daring even as they damned his self-indulgence, while Scheider was lauded for giving the best performance of his career. Though not a disastrous failure, All That Jazz came nowhere near the popularity of 1978's Grease, as late '70s audiences increasingly turned away from "difficult" movies. For all its excesses, Fosse's fiercely personal approach turned All That Jazz into another striking work from one of the few directors able to make, and experiment with, movie musicals after the 1960s. ~ Lucia Bozzola, All Movie Guide

A paraplegic ex-marine finds a new life on the distant planet of Pandora, only to find himself battling humankind alongside the planet's indigenous Na'vi race in this ambitious digital 3-D sci-fi epic from Academy Award-winning Titanic director James Cameron. The film, which marks Cameron's first dramatic feature since 1997's Titanic, follows Jake Sully (Sam Worthington), a war veteran who gets called to the depths of space to pick up the job of his slain twin brother for the scientific arm of a mega corporation looking to mine the planet of Pandora for a valued ore. Unfortunately the biggest deposit of the prized substance lies underneath the home of the Na'vi, a 10-foot tall, blue-skinned native tribe who have been at war with the security arm of the company, lead by Col. Miles Quaritch (Stephen Lang). Because of the planet's hostile atmosphere, humans have genetically grown half alien/half human bodies which they can jack their consciousness into and explore the world in. Since Jake's brother already had an incredibly expensive Avatar grown for him, he's able to connect with it using the same DNA code and experience first-hand the joys of Pandora while giving the Scientific team, lead by Grace (Sigourney Weaver) and Norm Spellman (Joel David Moore), some well-needed protection against the planet's more hostile forces.

On a chance meeting after getting separated from his team, Jake's Avatar is rescued by Neytiri (Zoe Saldana), a Na'vi princess, who brings him into her tribe in order to give the humans a second chance at relating to this new environment. When word gets out of his increasing time with the alien species, Quaritch enlists Jake to do some reconnaissance for the company, as they'd like to persuade the tribe to move their home before taking more drastic measures to harness the treasure hidden below. Yet as Jake becomes one with the tribe and begins to understand the secrets of Pandora, his conscience is torn between his new adopted world and the wheelchair-bound one awaiting him when the psychic connection to his Avatar is broken. Soon battle lines are drawn and Jake needs to decide which side he will fight on when the time comes. The film was shot proprietary FUSION digital 3-D cameras developed by Cameron in collaboration with Vince Pace, and offers a groundbreaking mix of live-action dramatic performances and computer-generated effects. The revolutionary motion-capture system created for the film allows the facial expressions of actors to be captured as a virtual camera system enables them to see what their computer-generated counterparts will be seeing in the film, and Peter Jackson's Oscar-winning Weta Digital visual-effects house supervises Avatar's complex visual effects. ~ Jeremy Wheeler, All Movie Guide

This West German film is set in the California Desert. A husband-and-wife pair of Bavarian tourists become stranded when their car breaks down; after a quarrel, the wife, Marianne Sagebrecht, gathers her luggage and stalks off. She stops at the Bagdad Cafe, a fleapit truckstop run by outspoken C.C.H. Pounder, who is also having husband problems. The Cafe has become a magnet for some of truly odd character: temperamental Hispanic cook George Aguilar, tattoo artist Christine Kaufmann, and onetime Hollywood set designer Jack Palance. Despite obvious personality differences, Sagebrecht and Pounder become friends. Bagdad Cafe was later adapted into a short-lived American sitcom starring Jean Stapleton and Whoopi Goldberg. ~ Hal Erickson, All Movie Guide

In 1955, an African-American woman named Rosa Parks dared to take an empty seat in the "Whites Only" section on a city bus in Montomery, AL, and sparked one of the first major battles in the civil rights movement of the 1950s and 1960s, thus bringing the work of Martin Luther King to the attention of many Americans for the first time. Boycott is a made-for-TV movie that dramatizes the events of the Montomery bus boycott, weaving vintage newsreel footage with scenes depicting the public and private dramas involved in the protests. Boycott stars Jeffrey Wright as Martin Luther King, Carmen Ejogo as Coretta Scott King, and Terrence Dashon Howard as Ralph Abernathy; CCH Pounder, Reg E. Cathey, and Shawn Michael Howard highlight the supporting cast. ~ Mark Deming, All Movie Guide

A recently retired NFL player (Michael Strahan) strapped for cash moves back home with his parents and younger brother, who runs a struggling sports bar. ~ Ray Stackhouse, All Movie Guide

A short story by Langston Hughes provides the source material for this emotional made-for-TV drama. Ma Jenkins (CCH Pounder) and her adult daughter Cora (Regina Taylor) work as servants for the Studevant family, a wealthy clan living in a small Iowa community in the 1930s. Cora and Ma are also the only African-Americans in town, and they must deal with emotional isolation as well as open and inflammatory racism. When Cora's young daughter succumbs to illness, Cora continues to do her chores for the Studevants, though inside she's devastated. Lizbeth Studevant (Cherry Jones), the lady of the house, has a daughter, Jessie (Molly Graham), and given Lizbeth's busy social schedule, Cora spends much of her time watching over the child. Cora begins to project her maternal feelings on Jessie, and the child grows to love Cora as a member of the family. However, as Jessie grows to adulthood (and is now played by Ellen Muth), Lizbeth begins to feel that Cora has a closer bond with her daughter than she does, and her resentment has ugly consequences. Cora Unashamed was produced for the acclaimed PBS anthology series Masterpiece Theatre, and first aired on October 25, 2000. ~ Mark Deming, All Movie Guide

In this drama based on the novel by Terry McMillan, Zora (Sanaa Lathan) is a woman who dreams of becoming a singing star, meanwhile supporting herself as a schoolteacher. Franklin (Wesley Snipes), a father of two whose divorce is about to become final, has lost his job as a construction worker and is trying to scrape up the money to launch his own business. Neither is looking for a relationship, but when Zora moves into Franklin's neighborhood, they find they're attracted to each other and must deal with the ups and downs of being in love. Produced for the premium cable network HBO, Disappearing Acts also stars John Amos and CCH Pounder; Lisa Jones wrote the screenplay from McMillan's novel. ~ Mark Deming, All Movie Guide

A blizzard has left Chicago blanketed in two feet of snow -- and the ER is completely bereft of patient activity. But no sooner does the staff try to take advantage of their unexpected "layoff" than disaster strikes in the form of a horrendous 32-car pileup. In the midst of the ensuing chaos, Dr. Angela Hicks (CCH Pounder) makes her first appearance. Meanwhile, Carol (Julianna Margulies) has a surprise in store for her colleagues. ~ Hal Erickson, All Movie Guide

The wedding of Carol Hathaway (Julianna Margulies) and John Taglieri (Rick Rossovich) is complicated by the fact that bridesmaid Susan Lewis (Sherry Stringfield) is called away to care for the baby of her missing sister, Chloe (Kathleen Wilhoite). This minor crisis, however, is supplanted by a major one when Taglieri seemingly disappears from the face of the earth. And back at the ER, Carter (Noah Wyle) celebrates his last day at County General with some harsh words aimed at Benton (Eriq La Salle) -- words that Carter is forced to eat after a sudden change in the scheme of things. This was the final episode of ER's first season. ~ Hal Erickson, All Movie Guide

With baby Suzy gone, Lewis (Sherry Stringfield) tries to get over the loss by throwing herself in her work. Meanwhile, Greene (Anthony Edwards) and Weaver (Laura Innes) discuss the possibility of making Lewis chief resident. Elsewhere, paramedic Shep (Ron Eldard), unable to cope with the dearth of his partner, begins to take out his anger on the job. Ross (George Clooney) begins cultivating an interest in his father Ray's girlfriend, Karen (Marg Helgenberger). And Carter (Noah Wyle) finds that his qualifications for graduation are incomplete. ~ Hal Erickson, All Movie Guide

Discovering that Carla (Lisa Nicole Carson) is pregnant, Benton (Eriq La Salle) has trouble concentrating on the job, and as a result is chewed out by Carter (Noah Wyle). Greene (Anthony Edwards) and Weaver (Laura Innes) agree to disagree while escorting three interns around the ER. And after taking special interest in a police sergeant (Kevin Tighe) who is hiding the seriousness of his illness from his superiors, a distracted Carol (Julianna Margulies) goes public about her fatal mistake on the night of the nurse's walkout -- and is promptly suspended from her job. ~ Hal Erickson, All Movie Guide

Oscar-winning filmmaker Quentin Tarantino directed this episode, which contains all manner of characteristic black comedy touches, not to mention Tarantino's trademarked use of a popular 1960s songs to comment upon the action. The story occurs on Mother's Day, when the long-suffering Lewis (Sherry Stringfield), who is having enough trouble coping with sister Chloe's (Kathleen Wilhoite) pregnancy, is visited by her zany, irresponsible mother, Cookie (Valerie Perrine). Elsewhere, Benton (Eriq La Salle) is told that his mother is dead; Diane (Lisa Zane) is surprised by Ross' (George Clooney) reaction when she asks him to move in with her; and Carter (Noah Wyle) makes a life-altering professional decision. ~ Hal Erickson, All Movie Guide