CCH Pounder Movies

"It's showtime!" In this part film à clef, part musical phantasmagoria, director/choreographer Bob Fosse takes a Felliniesque look at the life of a driven entertainer. Joe Gideon (Roy Scheider, channeling Fosse) is the ultimate work (and pleasure)-aholic, as he knocks back a daily dose of amphetamines to juggle a new Broadway production while editing his new movie, not to mention ex-wife Audrey (Leland Palmer), steady girlfriend Kate (Ann Reinking), a young daughter, and various conquests. Joe cannot, however, avoid intimations of mortality from white-clad vision Angelique (Jessica Lange) that lead him to look back at his life as he heads for a near-inevitable coronary and his departure from this mortal coil with the appropriate razzle-dazzle. Taking his cue from Federico Fellini's 8 1/2 (1963), Fosse moves from realistic dance numbers to extravagant flights of cinematic fancy, as Joe meditates on his life, his women, and his death. Following a similarly dark revisionist vein as Martin Scorsese's New York, New York (1977), Fosse shows the stiff price that entertaining exacts on entertainers (among other things, he intercuts graphic footage of open-heart surgery with a song and dance), mercilessly reversing the feel-good mood of classical movie musicals. Critics praised Fosse's daring even as they damned his self-indulgence, while Scheider was lauded for giving the best performance of his career. Though not a disastrous failure, All That Jazz came nowhere near the popularity of 1978's Grease, as late '70s audiences increasingly turned away from "difficult" movies. For all its excesses, Fosse's fiercely personal approach turned All That Jazz into another striking work from one of the few directors able to make, and experiment with, movie musicals after the 1960s. ~ Lucia Bozzola, All Movie Guide

In this poignant adaptation of James Baldwin's novel about a few generations in the life of an Afro-American family, a young boy's efforts to gain some approval from his Bible-thumping, disciplinarian father takes center stage, and the family's background is told in a series of flashbacks. The story begins in 1935 with young Southerner Gabriel Grimes (Paul Winfield) as he runs away from home and takes on the identity of a Baptist lay preacher. Childless by his timid first wife, Gabriel has an illegitimate son by Esther (Alfre Woodard), an irresistible temptress. Unfortunately, the son comes to no good, forcing an embittered Gabriel to move to Harlem and start over with another wife, and eventually, two more sons. But the man has by this time gone over the edge and is filled with a rage against the vicissitudes of his life (he cannot get ahead in the church and is forced to work as a day laborer just to keep food on the table). He takes out his anger on his family and is so single-mindedly fanatical about religion that he forces his sons to join regular home Bible study to the exclusion of all other activities -- especially those promoted by the white-dominated society outside of Harlem. When his timid but intelligent son John (James Bond III) wins a writing honor, Gabriel makes him give it back -- and in general, his fanaticism and anger turn life into intermittent misery for the talented and sensitive son who loves writing. John's desire to please his father is all the more touching when the impossibility of pleasing him is so obvious. ~ Eleanor Mannikka, All Movie Guide

The Atlanta Child Murders is a five-hour, two-part dramatization of one of the most tragic and controversial homicide cases of the past twenty years. From 1979 through 1982, some 28 African-American children and young adults disappeared from Atlanta--some without a trace, but others to later turn up as murder victims. Part One (which debuted February 10, 1985) details the beginning of the manhunt conducted by the Atlanta Chief of Police (James Earl Jones). Screenwriter Abby Mann uses the actual events as a springboard for his thesis that the case and its outcome revealed many uncomfortable truths about the still-fragile state of race relations in the New South. Both parts of The Atlanta Child Murders were later combined into one 245-minute "feature film."

The second part of the five-hour TV docudrama The Atlanta Child Murders originally aired February 12, 1985. After 28 African-American children and young adults have either disappeared or been murdered, the Atlanta police finally have a suspect in custody: Small-time show business entrepreneur Wayne Williams (Calvin Levels). Scriptwriter Abby Mann utilizes actual court transcripts of Williams' trial, which results in a conviction on one count of murder. This decision in essence leaves the cases of the other 27 victims unresolved--and in so doing, Mann opens the door to speculations that Williams, a black man, was a "convenient" suspect, who might possibly have been railroaded in the authorities' haste to find a solution to the sordid case. Whatever Mr. Mann may have felt concerning Williams' guilt or innocence, the fact remains that the murders and disappearances stopped cold once Williams was in custody (as of this writing, Williams persists in his efforts to reopen the case, claiming that he was framed by the white power structure). Morgan Freeman served as narrator for both installments of The Atlanta Child Murders. ~ Hal Erickson, All Movie Guide

Set in 1972, The Resting Place stars John Lithgow as an Army major who accompanies the body of a young black lieutenant killed in action to the dead man's Georgia home town. Though the local cemetery is for whites only, the town's resident liberal has paid for a plot for the deceased lieutenant. Lithgow attempts to convince the racially divided community that the boy deserves to be buried in the segregated cemetery because he died a hero--but in so doing, the major unearths evidence that the lieutenant may have been "fragged" by his own troops. While it might seem that far too many issues are being raised for a mere two hours' screen time, Walter Halsey Davis' script successfully balances all the elements, and the results are both provocative and moving. The Resting Place was originally presented as a Hallmark Hall of Fame special on April 27, 1986. ~ Hal Erickson, All Movie Guide

A young woman learns that she has a lethal, rare kind of cancer. This fact-based, heart-wrenching made-for-TV drama chronicles her struggle to cope with her own personal feelings and those of her family. She then begins looking for alternative ways to treat her disease while her husband deals with his denial. ~ Sandra Brennan, All Movie Guide

Written with heartbreaking attention to detail by Ara Watson and Sam Blackwell, No Place Like Home was one of the first TV movies to direct itself to the plight of the homeless. Jeff Daniels plays a Pittsburgh apartment superintendent and aspiring electrician who loses his job--and his home--when the apartment building burns to the ground. Daniels, his wife Christine Lahti, and his two children (Lantz Landry and Kyndra Joy Casper) move in with Daniels' brother Scott Marlowe, but the resultant family hostilities render the situation impossible. As the family takes the downward journey from welfare hotel to homeless shelter, Daniels searches in vain for an electrician's job, Lahti takes a few stints as a waitress, and son Lantz Landry gets involved with a drug dealer. The film offers little hope or comfort, nor any pat solutions to the ever-growing homeless dilemma. The final shot in No Place Like Home is a stunner, grimly evocative of King Vidor's more upbeat finale in 1928's The Crowd. Lee Grant, director of this numbingly realistic TV movie, had earlier directed a documentary on the same subject, Down and Out in America. ~ Hal Erickson, All Movie Guide

This third sequel to Alfred Hitchcock's classic thriller was originally made for cable television and looks into murderous Norman Bates' traumatic past in hopes of explaining his need to kill. ~ Sandra Brennan, All Movie Guide

Made for television, Murder in Mississippi covers the same historical ground that was fictionalized in the theatrical film Mississippi Burning (89). The film recounts the murders by the Ku Klux Klan of three civil rights workers in 1964. Rather than detail the subsequent FBI investigation, the plotline follows the life of one of the white murder victims, Mickey Schwerner (Tom Hulce), who gave up a comfortable lifestyle in the North to struggle alongside African-American freedom fighters in the South. Jennifer Grey portrays Schwerner's wife, while Josh Charles and Blair Underwood portray the other two martyred activists, Andrew Goodman and James Chaney. Filmed in Georgia, Murder in Mississippi was produced by David L. Wolper of Roots fame. ~ Hal Erickson, All Movie Guide

This adaptation of playwright Oscar Wilde's memorable romantic comedy about two wealthy noblemen who begin calling themselves Ernest in hopes of winning the love of two beautiful girls is set in modern times. ~ Sandra Brennan, All Movie Guide

Clair (Phylicia Rashad) and her former college classmates attend a retirement dinner for their philosophy teacher, Professor Capel, whom they recall as both a strict taskmaster and a committed civil rights activist--qualities which, in one memorable instance, thoroughly contradicted each other! Meanwhile, Vanessa (Tempestt Bledsoe) tries to get over Dabnis by dating a Sengalese gentleman named Baathie (Moctar Mbodj). And a nonplussed Cliff (Bill Cosby) is given a "fashion makeover" by Olivia (Raven-Symone). ~ Hal Erickson, All Movie Guide

Johnny Depp was nominated for a Golden Globe for his astonishing performance in Benny & Joon, though the entire cast is equally impressive. Benny (Aidan Quinn) runs a small car repair shop. He must also take care of his mentally ill sister Juniper, better known as Joon (Mary Stuart Masterson). After losing a bet, Benny is forced to bring another eccentric into his house: Sam (Johnny Depp), the cousin of a friend. Not inclined to conversation, Sam expresses himself by performing Charlie Chaplin and Buster Keaton routines (and brilliantly!) Not surprisingly, he immediately hits it off with Joon. As Sam and Joon fall deeper in love, Benny for the first time in life experiences the pangs of jealousy. As can be gathered by this synopsis, Benny and Joon may not strike responsive chord with everyone; those who like the film, however, are almost militant in their devotion. ~ Hal Erickson, All Movie Guide

This well-mounted made-for-cable film zeroes in on the personal story of Ernest Green, the only senior among the nine black students who integrated Arkansas' Little Rock High School in 1957. Faced with pressure from both his taunter and his peers, Ernest manages to survive a harrowing year with his courage and intellect intact. Morris Chestnut of Boyz in the Hood fame stars as Green, while Ossie Davis co-stars as Ernest's grandfather. Though produced for the Disney Channel, the dialogue in The Ernest Green Story is occasionally as raw and uninhibited as the subject matter demands. The film debuted January 17, 1993. ~ Hal Erickson, All Movie Guide