Annie Potts Movies

This TV drama, Lifetime's first original dramatic series, explores the relationship of white Mary Elizabeth O'Brian (Annie Potts) and black Rene Jackson (Lorraine Toussaint) who grew up together as good friends in segregated Alabama of the early '60s -- with Mae Middleton portraying Mary Elizabeth as a girl and Shari Dyon Perry in the role of the young Rene. After Mary Elizabeth became pregnant at 19 by her childhood sweetheart Collier Sims (Chris Mulkey), she and Rene drifted apart. With the death of Rene's civil-rights lawyer father, James (Courtney B. Vance), Mary Elizabeth attends the funeral, and their friendship begins anew, even though the two women followed divergent paths: Attorney Rene chose a career over a family, while Mary Elizabeth has several children from her beer-swilling hubby. Intercutting past and present, the series advances on a dual track, contrasting present-day progress with Alabama attitudes during the Civil Rights era. With music by Bob Hilliard, Burt Bacharach, the Temptations, and Smokey Robinson & the Miracles, the series premiered August 18, 1998 on Lifetime. ~ Bhob Stewart, All Movie Guide

Elizabeth Christman's novel A Nice Italian Girl was the source for the TV-movie Black Market Baby. Desi Arnaz Jr. plays a slick lothario who is paid by an illicit adoption agency to impregnate impressionable college student Linda Purl. The racketeers stand to make $50,000 by selling the baby to an anxious middle-aged couple. When Arnaz falls in love with Purl and tries to help her keep her baby, the crooks take swift and violent action. Originally titled A Dangerous Love, Black Market Baby was released theatrically overseas as Don't Steal My Baby--a title more appropriate to the overall tawdriness of the film. ~ Hal Erickson, All Movie Guide

The Corvette Ken Dantley's (Mark Hamill) class has been restoring in their high-school shop class is nearly completely fixed up. One day, the students walk in and it is gone - apparently stolen. Ken is larking about in Las Vegas when he spies a car that looks suspiciously like the Corvette he knows so well. He begins looking for the car, but in the meantime Vanessa (Annie Potts), propositions him on the street. Intrigued, he follows the girl back to her van, which is equipped with a waterbed. She hopes to use the van as a travelling brothel, with herself as the bill of fare. Instead, she helps him look for the missing car, and as they search, the two of them fall in love. Though praised by critics, Mark Hamill's second starring feature did poorly at the box-office, and stalled his career. Corvette Summer marks the first star appearance by Annie Potts, perhaps better known for her role in the U.S. television show Designing Women. ~ Clarke Fountain, All Movie Guide

Joanna Crane (Kathleen Turner) is a cold, workaholic sportswear designer, divorced and dedicated only to her job. Once strapped into that role, Joanna looks for an "out" and finds it by donning a wig and hitting the pavement as a $50/trick hooker named China Blue. Explicit scenes show her at work on her night job, including a long S and M segment with a policeman. While making money as China Blue, Joanna runs into a menacing, fanatic preacher (Anthony Perkins) who is out to save her from this life of sin, but in the meantime, he is also busy watching nude girly shows. As China Blue and the sexually ambivalent Reverend heat up their relationship, he becomes difficult to read: is this psycho reverend a killer? While China Blue is plying her trade, Bobby Grady (John Laughlin) has finally realized after 12 years of marriage that his wife Amy (Annie Potts) is frigid and just as he has this remarkably delayed insight, he is assigned by Joanna's boss to find out if she is stealing designs or not. By tracking Joanna, Bobby sees her transformation as China Blue and as might be expected, sex is not far behind. ~ Eleanor Mannikka, All Movie Guide

Flatbed Annie is played by Annie Potts; her sidekick Sweetiepie, aka Ginny La Rosa, is played by Kim Darby. Annie is a hard-bitten veteran, Sweetiepie a starry-eyed novice. Harry Dean Stanton co-stars as a mean, nasty, awful bad guy who wants to repossess the girls' truck. The plot is further complicated by a gang of hijackers. Fred Willard plays Sweetiepie's hubby, while Arthur Godfrey, of all people, is the lovable Special Guest Star. And they hoped that this thing would graduate into a weekly TV series, did they? Flatbed Annie & Sweetiepie: Lady Truckers was first telecast February 10, 1979. ~ Hal Erickson, All Movie Guide

Ghostbusters
Bill Murray, Dan Aykroyd, Harold Ramis and Ernie Hudson star as a quartet of Manhattan-based "paranormal investigators". When their government grants run out, the former three go into business as The Ghostbusters, later hiring Hudson on. Armed with electronic paraphernalia, the team is spectacularly successful, ridding The Big Apple of dozens of ghoulies, ghosties and long-legged beasties. Tight-lipped bureaucrat William Atherton regards the Ghostbusters as a bunch of charlatans, but is forced to eat his words when New York is besieged by an army of unfriendly spirits, conjured up by a long-dead Babylonian demon and "channelled" through beautiful cellist Sigourney Weaver and nerdish Rick Moranis. The climax is a glorious sendup of every Godzilla movie ever made-and we daresay it cost more than a year's worth of Japanese monster flicks combined. Who'd ever dream that the chubby, cheery Stay-Puft Marshmallow Man would turn out to be the most malevolent threat ever faced by New York City? When the script for Ghostbusters was forged by Dan Aykroyd and Harold Ramis, John Belushi was slated to play the Bill Murray role; Belushi's death in 1982 not only necessitated the hiring of Murray, but also an extensive rewrite. The most expensive comedy made up to 1984, Ghostbusters made money hand over fist, spawning not only a 1989 sequel but also two animated TV series (one of them partially based on an earlier live-action TV weekly, titled The Ghost Busters. ~ Hal Erickson, All Movie Guide

Ghostbusters 2
Ivan Reitman's sequel to the phenomenally successful Ghostbusters is looser and more self-assured than the original. The film opens with a title reading "Five Years Later" and finds the ghostbusters living in hard times. A restraining order has forbidden the boys to partake in paranormal warfare, and as a result they have had to seek other lines of work. Ray (Dan Aykroyd) and Winston (Ernie Hudson) spend their time performing at children's' birthday parties, and Egon (Harold Ramis) is busy conducting experiments investigating the effect of human emotions on the environment, leaving ghostbusting behind. Venkman (Bill Murray) and Dana (Sigourney Weaver) have split up. Venkman now hosts a local cable show called "The World of the Psychic." Dana, now divorced and the mother of a little baby named Oscar, works as an art restorer in a museum -- and this is where the plot kicks in. While Dana is restoring a portrait of a 16th-century tyrant by the name of Vigo the Carpathian, the portrait becomes hexed. The evil Vigo wants to return to life by taking over the body of Dana's little child. Vigo has enlisted Dana's boss, Janosz Poha (Peter MacNicol), to compel Dana to cooperate. Soon dirty sludge and slime flow through the streets of Manhattan, and the ghostbusters have to reunite to save the city from a funky paranormal evil. ~ Paul Brenner, All Movie Guide

Margot Kidder and Annie Potts star in this distaff buddy picture concerning two friends undergoing a series of misadventures in their love lives. Potts plays Bonnie Howard, the wife of Stanley (Robert Carradine), an immature child/man who irresponsibly spends most of his time racing cars and getting drunk. Bonnie also happens to be pregnant, but the father of her unborn child does not happen to be Stanley. Rather than hit Stanley in the face with that fact, she decides to leave him. As she heads for town to obtain an abortion, she runs into the foul-mouthed man-hunter Rita Harris (Margot Kidder in a blonde wig and tight pants). The two characters get involved in a number of vignettes, with the humor arising from the contrast between the streetwise Rita and the relatively innocent Bonnie. ~ Paul Brenner, All Movie Guide