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Martin Potter Movies

British lead actor, onscreen from 1970. ~ Rovi
 
1985  
 
Filmed in Tunisia on a budget of 30 million dollars, the five-part, 12-hour miniseries A.D. was the final installment in a historical trilogy which included Moses the Lawgiver and Jesus of Nazareth. Covering the years 30 to 69 A.D., the teleplay, co-written by Anthony Burgess, chronicled the political intrigue which plagued the Roman Empire, with such key players as the emperors Tiberius (James Mason in his final role), Caligula (John McEnery), Claudius (Richard Kiley), and Nero (Anthony Andrews) calling the shots. Meanwhile, the death of Jesus Christ (played by Michael Wilding, son of Elizabeth Taylor) not only sparked a widespread monotheistic religious movement, but also resulted in devastating factionalism amongst the various Jewish sects of the era. Offsetting the true events are a number of fictional subplots, among them the romance between Jewish slave girl Sarah (Amanda Pays) and Roman soldier Valerius (Neil Dickson), and the tempestuous relationship between male and female gladiators, Caleb (Cecil Humphreys) and Corinna (Diana Venora). The huge cast included Ava Gardner, making her TV-movie debut as the scheming Agrippina. The winner of an Emmy award for Best Film Editing, A.D. was broadcast by NBC from March 31 through April 4, 1985. ~ Hal Erickson, Rovi

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Starring:
Anthony AndrewsColleen Dewhurst, (more)
 
1984  
 
Sir Anthony Phelps (Gordon Jackson) calls on agents Gunn (David Gilliam) and Powder (Martin Potter) in this low-budget James Bond spy film. The duo sets out to stop the efforts of an evil scientist hell-bent on taking over the world by liquefying the gold reserves. ~ Dan Pavlides, Rovi

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Starring:
David GilliamMartin Potter, (more)
 
1983  
 
In the third episode of the four-part story "Terminus," young Turlough (Mark Strickson), acting on orders from the Black Guardian (Valentine Dyall), has locked the TARDIS into the flight pattern of a space stration peopled by victims of the dreaded Lazar's Disease. The Doctor (Peter Davison) tries to deal with this contingency, as well as a greater danger: An unstable thrust engine which may explode at any minute -- thereby destroying the entire Universe. First telecast on February 23, 1983, "Terminus, Episode 3" was written by Stephen Gallagher. ~ Hal Erickson, Rovi

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Starring:
Peter DavisonSarah Sutton, (more)
 
1983  
 
In the conclusion of the four-part story "Terminus," the Doctor (Peter Davison) tries to wrest the TARDIS free from the space pattern of a disease-ridden space station -- and to avoid triggering a fuel dump that would result in "Event Two," aka the End of the Universe. With the help of a creature known as the Garm (R.J. Bell), the Doctor may well succeed in saving himself and his companions, including young Turlough (Mark Strickson), who may or may not still be determined to assassinate the Doctor on behalf of the Black Guardian (Valentine Dyall). First telecast on February 24, 1983, "Terminus, Episode 4" was written by Stephen Gallagher. ~ Hal Erickson, Rovi

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Starring:
Peter DavisonSarah Sutton, (more)
 
1983  
 
In the second episode of the four-part story "Terminus," the efforts by Turlough (Mark Strickson) to destroy the TARDIS forces the vessel to lock itself into the flight pattern of an alien space station. To the Doctor (Peter Davison), this is danger enough, but things are far worse than they seem; the space station is populated by victims of the highly contagious Lazar's Disease. First telecast on February 16, 1983, "Terminus, Episode 2" was written by Stephen Gallagher. ~ Hal Erickson, Rovi

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Starring:
Peter DavisonSarah Sutton, (more)
 
1978  
R  
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Robert Mitchum reprises his role as Raymond Chandler's Philip Marlowe from Farewell, My Lovely, in this misconceived remake of Howard Hawks's classic 1946 film -- transferring the setting from 1940s California to 1970s London. Marlowe is hired by a rich and dying General Sternwood (James Stewart) to find out who is blackmailing him. Marlowe then meets Sterwood's daughters -- the crazy and degenerate Camilla (Candy Clark) and the more even-tempered Charlotte (Sarah Miles). Opening up a can of worms, Marlowe unveils a collection of unsavory characters -- Eddie Mars (Oliver Reed), an inveterate gambler having an affair with Charlotte; Joe Brody (Edward Fox), Camilla's ex-lover; and Agnes (Joan Collins), a sexy bookstore clerk. The plot becomes even more chaotic when it is found that Camilla has been posing in the nude for pornographer Arthur Geiger (John Justin). When Geiger turns up dead, Camilla becomes implicated in Geiger's murder. ~ Paul Brenner, Rovi

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Starring:
Robert MitchumSarah Miles, (more)
 
1977  
 
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In this erotic drama based on an infamous novel by the Marquis de Sade, two sisters are raised in a convent, where they suffer all manner of abuse. The girls are eventually expelled for misbehavior, and make their way to London, where they find work in a brothel. One is able to adjust to the realities of her new life, but the other rebels and runs away, only to fall victim to an especially cruel fate. Justine, which was also released under the title Cruel Passion, stars Koo Stark, who gained notoriety in 1982 after it became public knowledge that she had a brief affair with Britain's Prince Andrew. ~ Mark Deming, Rovi

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Starring:
Koo StarkMartin Potter, (more)
 
1976  
R  
Michael Gough once more goes the horror-movie route in the British Satan's Slave. Gough plays the head of a coven of witches. He roams the countryside in search of new minions for the Dark Prince. A fiery climax caps this standard effort. Satan's Slave received but minimal theatrical play in the US, though it became a fixture of "Shock Theatre" TV manifests. ~ Hal Erickson, Rovi

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1974  
R  
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Another slice of processed cheese from Herman Cohen, producer of Trog and other such wonders. This cheap occult programmer (ostensibly based on the novel Infernal Idol by Henry Seymour) stars Jack Palance as a demented art dealer & antique-shop owner who performs nightly rituals in honor of the African god Chuku, whom he believes will reward him with unimaginable wealth and power if he merely offers up the occasional human sacrifice or two. His methods are fairly creative, ranging from impalement, slashing and burning, to scaring people to death with an ooga-booga fright mask. What could have been boring, exploitive drivel is elevated to passable mediocrity by an over-the-top performance from the leering Palance and occasionally stylish touches from slumming director Freddie Francis, but most viewers will be left wondering why they bothered at all. ~ Cavett Binion, Rovi

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1972  
 
When three old acquaintances are thrown together after several years, they are shocked to realize that they are looking at each other from different sides of the law. ~ Rovi

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1971  
PG  
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Nicholas and Alexandra covers the rise and fall of the last of the Russian Romanovs. We first meet Czar Nicholas (Michael Jayston) and his German bride Alexandra (Janet Suzman) at their 1894 wedding. Though Nicholas is devoted to Alexandra, the Russian populace is less politely inclined to having a "foreigner" as their Czarina. Alexandra gains favor when she gives birth to the much-loved Prince Alexis (Roderick Noble). Alas, Alexis suffers from hemophilia, a disease which strikes every second generation of Alexandra's family. When all conventional medical ministrations fail, Alexandra puts the fate of her son in the hands of mystical holy man Rasputin (Tom Baker, later famous for his portrayal of Doctor Who). As Rasputin's influence and power grows, the Russian peasantry becomes more restless and disgruntled. They are now willing to listen to the speeches of such rabble-rousers as Lenin (Michael Bryant) and Trotsky (Brian Cox), who sow the seeds of revolution. Even after the murder of Rasputin, the Bolsheviks are unsatisfied: The revolution finally comes to pass in October of 1917. At first, the moderate Kerensky (John McEnery) pleads with his followers to allow the Romanovs safe passage out of Russia. But the radicals seize control, and on July 16, 1918, the royal family is summarily executed. ~ Hal Erickson, Rovi

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Starring:
Michael JaystonJanet Suzman, (more)
 
1970  
G  
This low-key wartime drama concentrates on the plight of Danish Jews upon the Nazi takeover. The world now knows that Denmark behaved honorably and courageously in refusing to automatically turn over its Jews to the death camps, but the film's hero, played by Ove Sprogoe, at first vacillates in his commitment to protect his Jewish neighbors. Happily, Sprogoe joins his fellow Danes in smuggling 7000 Jews to the safety of Sweden. The Only Way covers its familiar ground with nuance and spontaneity. ~ Hal Erickson, Rovi

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Starring:
Martin PotterJane Seymour, (more)
 
1970  
R  
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Two 20 year old twins have a bizarre incestuous relationship. Julian (Martin Potter) and his sister Jacki (Judy Geeson) carry on the affair and only reveal their secrets to a stuffed teddy bear named Agamemnon. While their father is absent, they murder the housekeeper and run wild at night. Drugged out parties with transvestites and homosexuals leads to blackmail, debauchery and murder. Julian soon finds himself unable to escape the dark and strange world and finds his fantasies have becomes his worst nightmares. Michael Redgrave appears briefly as a member of Parliament. ~ Dan Pavlides, Rovi

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Starring:
Judy GeesonMartin Potter, (more)
 
1969  
 
In Federico Fellini's last theatrical film Intervista, he appears on camera as the subject of a fabricated filmed documentary. This took place for real back in 1969, and the result was the entertaining (if not too enlightening) 55-minute Ciao Federico! Fellini Directs Satyricon. We watch as Fellini assembles his actors, bit players, clowns, jugglers, and technicians to put together his own special squint at the 1st century works of Roman satirist Petronius. Documentary director Gideon Bachmann keeps a respectful distance, but does his best to pick Fellini's brain concerning the director's unique creative process; and, as usual, Fellini offers conflicting, contrary information whenever it amuses him to do so. A piquant moment in Ciao Federico! is the presence of the late Sharon Tate, who visits the Satyricon set in the company of her husband Roman Polanski; this may well be the last-ever film footage of the tragic Tate. ~ Hal Erickson, Rovi

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1969  
R  
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Federico Fellini makes his most decadent, undisciplined work in this free adaptation of Petronius' famous farcical chronicle of ancient Roman life. The film opens with Encolpio (Martin Potter) vying with his friend Ascilto (Hiram Keller) for the affections of a young effeminate lad named Gitone (Max Born). When the youth chooses his rival or him, Encolpio begins a journey that has him encountering Romans of every stripe and color. He drops in on an orgy thrown by Trimalchio (Mario Romagnoli), a wealth-loving ex-slave who has spurned his wife in favor of a pleasures of a young boy; he toils on a slave galley, fighting off the advances of Lichas (Alain Cuny) -- the ship's burly wall-eyed captain; he steals an albino hermaphrodite demi-god who is reputed to be able to tell the future; and fails to summon the enthusiasm to make love to a whore-priestess. Along the way, we witness a parade of prostitutes in ancient Rome's pleasure quarters; watch performance by Vernacchio (Fanfulla), an actor whose on-stage specialties include farting and public amputation; and the wonton devouring of a human corpse for financial gain. ~ Jonathan Crow, Rovi

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Starring:
Martin PotterHiram Keller, (more)
 
1968  
 
One of cult director Jesus Franco's most popular films, this uneven adaptation of the Marquis de Sade's notorious Justine stars Romina Power, daughter of actor Tyrone Power, in the title role. Justine and her sister Juliet (Maria Rohm) are poor orphans in 1700s France forced to leave school and find a way to survive in Paris. Juliet soon becomes a prostitute, while Justine is employed as a maid by Scrooge-like innkeeper Mssr. de Harpin (Akim Tamiroff). Eventually, Justine is falsely arrested for stealing a brooch and sentenced to death. Escaping prison with the murderous Mme. Dubois (Mercedes McCambridge), Justine becomes a fugitive. In her efforts to hide from the law, Justine finds herself captured first by a perverse gay Marquis (Klaus Kinski), who subjects her to various tortures, then by a group of sadistic monks led by Brother Antonin (Jack Palance in an amazingly bizarre performance). Rosemary Dexter was originally intended to portray Justine, and might have done a better job than the wooden Power, but appears only briefly in a lesser role. Heavily censored, various prints run 120, 105, 93, and 90 minutes. ~ Robert Firsching, Rovi

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Starring:
Romina PowerMaria Rohm, (more)