Richard Portnow Movies

The central "gimmick" of the comedy-adventure Twins is established early on. Unbeknownst to one another, king-sized Arnold Schwarzenegger and gnomeish Danny De Vito are twin brothers. Even better: Schwarzenegger is a mild-mannered, bookish type, while De Vito is a vitriolic troublemaker. The film takes satiric jabs at the notion of "perfect" genetics, and makes several pointed comments concerning the dangers of youthful pre-conditioning by insensitive parents. ~ Hal Erickson, All Movie Guide

The second of director Barry Levinson's Baltimore Trilogy (the first was Diner, the third Avalon), Tin Men seems at first glance to be much ado about nothing. Set in 1963, the story begins when two aluminum siding salesmen, played by Richard Dreyfuss and Danny DeVito, are involved in a traffic accident. Fueled by their own individual frustrations--Dreyfuss dislikes the phonier aspects of his profession, while DeVito is unhappily married to Barbara Hershey--the two men begin an all-out war of harassment against one another. DeVito goes on a destructive rampage against Dreyfuss' material possessions, while Dreyfuss contrives to steal away DeVito's wife. An ironic twist of fate ironically, brings the two men to common ground at the finale. As with the earlier Diner, Levinson spends a great deal of screen time showing small minds obsessed with small things: counterpointing the snow-balling hostilities between Dreyfuss and DeVito is Jackie Gayle as DeVito's partner, who can talk of nothing but the TV series Bonanza. Michael Tucker, who like Barry Levinson was Baltimore born and bred, repeats his Diner role as "Bagel." Listen for director Levinson's voice as a baseball stadium announcer. ~ Hal Erickson, All Movie Guide

In this film, based on a true story, convicted criminal Lee Umstetter (Nick Nolte) is sentenced to life in San Quentin prison, with no possibility of parole. Despairing at his interminable sentence, Lee spends his time reading and educating himself. When he writes and performs a play that attracts the notice of a film critic (Rita Taggart), she sets out on a quest to have him paroled. ~ Iotis Erlewine, All Movie Guide

Hiding Out, a surprisingly entertaining and engaging action comedy, directed by Bob Giraldi, takes the implausible idea that an adult man could enroll in high school and pass as a student and makes it real. Andrew (Jon Cryer) is a stockbroker hunted by a professional killer. He flees to stay with his sister and her teenage son Patrick (Keith Coogan). Andrew shaves off his beard, cuts his hair, and enrolls in Patrick's high school, pretending to be 17 years old. Cryer does a great job of convincingly playing both ages, and Coogan shines as the teenage son. Director Giraldi has great visual style and gives the film an energy that makes it both enjoyable and believable. ~ Linda Rasmussen, All Movie Guide

In this entry in the long-running mystery series, Perry Mason begins representing a friend of Della's after he is accused of murdering an old madam who is also his wife. As the intrepid attorney investigates, he soon exposes a multi-million dollar banking fraud. ~ Sandra Brennan, All Movie Guide

A petite New Jersey housewife finds self-fulfillment through amnesia in this new wave comedy of errors set in New York's hip '80s downtown scene. Rosanna Arquette stars as Roberta, who turns to the personals for vicarious thrills after her four-year marriage to staid hot tub salesman Gary (Mark Blum) grows stale. Her favorite classified ads trace the romance of Jim (Robert Joy), a struggling musician, and Susan (Madonna), a SoHo vamp who's just narrowly escaped being murdered alongside one of her other boyfriends -- a gangster who recently stole some Egyptian jewelry. Through a series of complicated missteps, Roberta ends up losing her memory and convincing both herself and a broodingly handsome young man named Dez (Aiden Quinn) that she's the elusive, adventurous Susan. Soon, Roberta finds herself being romanced by Dez and pursued separately by her husband, Jim, Susan, and by a murderous mobster who's looking for the stolen jewels. For her second feature outing, which was partially inspired by Jacques Rivette's Celine and Julie Go Boating, director Susan Seidelman filled her cast with hipster extras, downtown personalities, and New York thespians. Notable faces include comedian Steven Wright; future indie mainstay John Turturro; future TV stars Michael Badalucco and Laurie Metcalf; punk singer Richard Hell, who also starred in Seidelman's Smithereens; and performance artist Ann Magnunson, who would star in the director's Making Mr. Right. The big dance-club sequence was filmed at Danceteria, the disco that helped launch Madonna's career. The scene, and the film, helped propel "Into the Groove," one of the singer's all-time club classics, into the charts even though it was actually a b-side to the single "Angel." ~ Brian J. Dillard, All Movie Guide