Richard Portnow Movies

A petite New Jersey housewife finds self-fulfillment through amnesia in this new wave comedy of errors set in New York's hip '80s downtown scene. Rosanna Arquette stars as Roberta, who turns to the personals for vicarious thrills after her four-year marriage to staid hot tub salesman Gary (Mark Blum) grows stale. Her favorite classified ads trace the romance of Jim (Robert Joy), a struggling musician, and Susan (Madonna), a SoHo vamp who's just narrowly escaped being murdered alongside one of her other boyfriends -- a gangster who recently stole some Egyptian jewelry. Through a series of complicated missteps, Roberta ends up losing her memory and convincing both herself and a broodingly handsome young man named Dez (Aiden Quinn) that she's the elusive, adventurous Susan. Soon, Roberta finds herself being romanced by Dez and pursued separately by her husband, Jim, Susan, and by a murderous mobster who's looking for the stolen jewels. For her second feature outing, which was partially inspired by Jacques Rivette's Celine and Julie Go Boating, director Susan Seidelman filled her cast with hipster extras, downtown personalities, and New York thespians. Notable faces include comedian Steven Wright; future indie mainstay John Turturro; future TV stars Michael Badalucco and Laurie Metcalf; punk singer Richard Hell, who also starred in Seidelman's Smithereens; and performance artist Ann Magnunson, who would star in the director's Making Mr. Right. The big dance-club sequence was filmed at Danceteria, the disco that helped launch Madonna's career. The scene, and the film, helped propel "Into the Groove," one of the singer's all-time club classics, into the charts even though it was actually a b-side to the single "Angel." ~ Brian J. Dillard, All Movie Guide

The second of director Barry Levinson's Baltimore Trilogy (the first was Diner, the third Avalon), Tin Men seems at first glance to be much ado about nothing. Set in 1963, the story begins when two aluminum siding salesmen, played by Richard Dreyfuss and Danny DeVito, are involved in a traffic accident. Fueled by their own individual frustrations--Dreyfuss dislikes the phonier aspects of his profession, while DeVito is unhappily married to Barbara Hershey--the two men begin an all-out war of harassment against one another. DeVito goes on a destructive rampage against Dreyfuss' material possessions, while Dreyfuss contrives to steal away DeVito's wife. An ironic twist of fate ironically, brings the two men to common ground at the finale. As with the earlier Diner, Levinson spends a great deal of screen time showing small minds obsessed with small things: counterpointing the snow-balling hostilities between Dreyfuss and DeVito is Jackie Gayle as DeVito's partner, who can talk of nothing but the TV series Bonanza. Michael Tucker, who like Barry Levinson was Baltimore born and bred, repeats his Diner role as "Bagel." Listen for director Levinson's voice as a baseball stadium announcer. ~ Hal Erickson, All Movie Guide

In this film, based on a true story, convicted criminal Lee Umstetter (Nick Nolte) is sentenced to life in San Quentin prison, with no possibility of parole. Despairing at his interminable sentence, Lee spends his time reading and educating himself. When he writes and performs a play that attracts the notice of a film critic (Rita Taggart), she sets out on a quest to have him paroled. ~ Iotis Erlewine, All Movie Guide

Hiding Out, a surprisingly entertaining and engaging action comedy, directed by Bob Giraldi, takes the implausible idea that an adult man could enroll in high school and pass as a student and makes it real. Andrew (Jon Cryer) is a stockbroker hunted by a professional killer. He flees to stay with his sister and her teenage son Patrick (Keith Coogan). Andrew shaves off his beard, cuts his hair, and enrolls in Patrick's high school, pretending to be 17 years old. Cryer does a great job of convincingly playing both ages, and Coogan shines as the teenage son. Director Giraldi has great visual style and gives the film an energy that makes it both enjoyable and believable. ~ Linda Rasmussen, All Movie Guide

In this entry in the long-running mystery series, Perry Mason begins representing a friend of Della's after he is accused of murdering an old madam who is also his wife. As the intrepid attorney investigates, he soon exposes a multi-million dollar banking fraud. ~ Sandra Brennan, All Movie Guide

This low-budget melodrama is a misfired attempt at film noir. Blake (Cliff DeYoung) is a former Vietnam veteran and occasional hitman who hangs out with his buddies in the Little Saigon section of Los Angeles. He falls for the beautiful Evelyn (Tracy Scoggins) when she asks him for help. Evelyn is the girl-toy of a perverted art dealer and forger, but she also carried on with the vengeful teenage chauffeur Richie (Michael Shiner) -- who now threatens her with death. Evelyn uses all her feminine charms to trap Blake into being the fall guy in her nefarious and complicated scheme. Contains nudity, violence, explicit language and simulated sex. ~ Dan Pavlides, All Movie Guide

Peter Gunn was a one-shot TV movie revival of the classic detective series (1958-61) created by Blake Edwards. Edwards wrote and directed this pilot for a potential Gunn revival, with Peter Strauss stepping into Craig Stevens' gumshoes as private eye Peter Gunn. Peter Jurasik assumes Herschel Bernardi's old role as Lt. Jacobi, while Barbara Williams takes over for Lola Albright as saloon singer Edie ("Mother's", the night spot where Edie vocalizes, is operated by "special guest star" Pearl Bailey). The film is not updated to the present time, but is set in 1964. Gunn finds himself between gangsters and rogue cops when he agrees to get to the bottom of a mob hit. A lot more verbose than the old, visually dynamic TV series, Peter Gunn (1989) has the saving grace of Henry Mancini's original progressive-jazz theme song and musical score. Blake Edwards' daughter Jennifer is featured as Gunn's ditsy secretary, a character (thankfully) missing from the earlier series. This actually represented Edwards's second attempt to revive the Peter Gunn character in a movie format; he first did so with the 1967 big-screen feature Gunn. ~ Hal Erickson, All Movie Guide

Since Chattahoochee is a story based on true events, it may seem absurd to suggest that the actual events of Chattahoochee are pirated from other true-life tales like Gideon's Trumpet. But it certainly seems as if true stories are just as derivative as any fictional narrative coming out of Hollywood. The Chattahoochee saga details the Emmett Foley (Gary Oldman) story. The film takes place in 1955, when Foley, a Korean war veteran depressed and shattered by continual unemployment, snaps and shoots up his neighborhood, hoping that the police will come and shoot him down like a crazed dog so that his wife Mae (Frances McDormand) can collect on the insurance money. Instead of being gunned down by the law enforcement officers, he is sent to Chattahoochee, a notorious prison for the mentally ill which makes The Snake Pit look like a vacation in Bermuda. The gruesome conditions in the jail send Foley into listlessness. But then his anger gets the better of him and, encouraged by a friend, Walker Benson (Dennis Hopper), he begins sending letters to the authorities protesting the sub-human conditions in the mental facility. Due to his efforts, a state commission is formed to investigate conditions in Chattahoochee, and Foley has a chance to tell the world of the horrible conditions. ~ Paul Brenner, All Movie Guide

In this drama, a distraught Mid-Western housewife is positive that her husband's father, a crime lord, kidnapped her son. ~ Sandra Brennan, All Movie Guide

Tune in Tomorrow is based on Mario Vargas Llosa's novel, Aunt Julia and the Scriptwriter. In New Orleans, circa 1951, a news writer for a local radio station, Martin Loader (Keanu Reeves), meets and falls in love with his aunt Julia (Barbara Hershey), a divorced woman who is looking for a new husband. Meanwhile, new-in-town eccentric radio-soap-opera writer, Pedro Carmichael (Peter Falk) has been hired to help boost the station's bad ratings. Pedro begins manipulating Martin and Julia's affair and using it as the basis for his radio show. Director Jon Amiel uses the same story-within-a-story construction from The Singing Detective, the miniseries that he directed for British television. ~ Linda Rasmussen, All Movie Guide

Bette Midler stars as a Martha Raye-type entertainer during the World War II era in this big-budget nostalgia piece. Midler plays big-band singer Dixie Leonard, who is chosen to perform at an overseas USO Christmas show by her uncle Art Silver (George Segal), a comedy writer for famed comedian Eddie Sparks (James Caan). Dixie is shuttled to London, where she is thrown on-stage with Eddie, who takes an immediate dislike to her. But her performance is a sensation, and the audience can't stop howling at Dixie's smart one-liner comebacks to Eddie. Dixie is catapulted to stardom, and the repartee between Eddie and Dixie becomes the stuff of legend. The two spar together through World War II, the McCarthy era, and Vietnam. But Dixie stops speaking to Eddie when he fires a writer for being a communist sympathizer and, later, she doesn't speak to him again after he arranges for a reunion between her and her son on the battlefields of Vietnam. Finally, Dixie, now an old woman, is cajoled to appear on a television awards show to reunite with a now decrepit Eddie, age 91. ~ Paul Brenner, All Movie Guide

Steve Martin stars in this remake of the 1950 Vincente Minnelli classic as shoe executive George Banks, whose happily married existence hits a bump when he greets his daughter Annie (Kimberly Williams), home from a semester studying in Europe. She tells her father that she is engaged to be married. When the shocked George asks to whom, she says his name is Bryan (George Newbern) and that he is an "independent communications consultant." George is even more shocked when he finds out what the wedding will cost (when George goes through the card file for invited wedding guests and is told someone is deceased, George chirps, "He died? That's great!"). As George is ignored during the mad preparations for the wedding, he wistfully looks back to all the good times he has had with Annie and sadly looks forward to the time when he loses his little girl. ~ Paul Brenner, All Movie Guide