Eric Portman Movies

Insurance investigator Richard Cutting (Patrick O'Neal) is summoned to look into the sinking of some ships owned by wealthy shipping-magnate Curt Valayan (John Gielgud). Traveling to Switzerland, he interviews the owner and finds that his henchmen Matt (Herbert Lom) and the Big Man (Leon Greene) may be on Curt's payroll but are definitely looking out for their own interests. One agent has already been killed, and the local police inspector Ruff (Oscar Homolka) briefs Richard on the situation. Dominique (Joan Hackett) is on her way to provide some valuable information before being violently murdered. Richard tries to keep himself alive in a foreign country as he tries to solve the crimes. ~ Dan Pavlides, Rovi

The celebrated "election episode" of The Prisoner, "Free For All" was directed by series star Patrick McGoohan, and also written by him under the pen name of Paddy Fitz. While the Village gears up for the election of the New Number Two, Number Six is encouraged to throw his hat in the ring. Curiously, Number Six is nominated by the incumbent, Number Two (Eric Portman) himself. At first balking at the "honor", Number Six is persuaded to run on the promise that, if elected, he will learn the identity of Number One --- thereby earning his freedom. Rachel Herbert plays the crucial role of maidservant Number Fifty Eight. "Free For All" made its British TV bow on October 22, 1967, and was first telecast in America on June 29, 1968. ~ Hal Erickson, Rovi

The Bedford Incident was an attempt by Columbia Pictures -- which had previously made Dr. Strangelove and released Fail-Safe -- to tap the well of public anxiety surrounding nuclear weapons and the Cold War one more time. Reporter Ben Munceford (Sidney Poitier) is allowed aboard a navy ship on patrol near the Arctic Circle, under the command of Captain Eric Finlander (Richard Widmark). His job is to observe the ship in action and do an article on Finlander, a hard-as-nails sailor and a dedicated anti-Communist with a patriotic zeal that's extraordinary even in a man of his rank and position. Finlander's main problem, however -- when he's not sparring with the reporter -- is tracking and hunting a Soviet sub that he knows is patroling the same waters. What alarms Munceford (and the audience) is that Finlander acts like there is an actual "hot" war going on; he drives his men mercilessly, up to and past the breaking point, trying to hunt down the submarine and force it to surface, and nothing -- not the questions of the reporter, the angry protests of the newly-arrived medical officer (Martin Balsam), or the quietly voiced concerns of retired U-Boat commander Commodore Shrepke (Eric Portman), aboard as an observer, can get him to relent. Then, when it looks like Finlander has been proved right and has gotten away with his provocation of the "enemy," a mistake by one over-tired young officer (James MacArthur) suddenly unleashes all of the destructive power with which Finlander has been flirting. ~ Bruce Eder, Rovi

Filmed in Germany by American director John Huston, Freud is a sincerely felt but overly simplistic biopic of the pioneering psychotherapist. The brooding, introspective Montgomery Clift was a curious choice for the role of Sigmund Freud; at times he looks more off the beam than some of his patients (his comic-opera Viennese accent doesn't add to the credibility). The screenplay takes the shape of a detective mystery, attempting to link various crises in Freud's private and professional life with his theoretical conclusions, most often doing so within well-staged dream sequences. Less successful are the scenes with the poor unfortunates who come to Freud for help, notably an embarrassing sequence with a young man suffering from an Oedipus complex. Freud was at one point supposed to have been scripted by existentialist playwright Jean-Paul Sartre, who gave up after he realized that the subject would require a four- or five-hour film at the very least. ~ Hal Erickson, Rovi

There is nothing like suspecting your husband of murder to add suspense to a marriage, at least that is the case in this standard whodunit with a compelling plot. George Radcliffe (Gary Cooper) testifies in court against a man suspected of murdering George's business partner, absconding with a lot of cash in the process. Several years later, when his wife, Martha (Deborah Kerr), is confronted by a blackmailer (Eric Portman) who says her husband murdered his partner, she gets suspicious. George did come into a lot of money just at that time. And to make matters worse, life starts to turn very menacing for the confused and frightened Martha. This was Gary Cooper's last feature film. He succumbed to cancer a few months before The Naked Edge was released. ~ Eleanor Mannikka, Rovi

1957's The Good Companions was the second film version of the well-known J. B. Priestly play. The story revolves around the Dinky Doos, a provincial musical troupe living from hand to mouth. Eric Portman, Celia Johnson and John Fraser are three Britons from various classes and walks of life who become involved in the fortunes of the Dinky Doos. Pooling their resources, the diverse "good companions" save the troupe from disbanding. Good-natured and high-spirited, Good Companions might have even been better had the director adopted a more intimate and less showbizzy approach. ~ Hal Erickson, Rovi

During World War II, the impenetrable Colditz castle in Germany was selected as the site for a POW camp. The Germans reason that, since Colditz has been virtually impossible to get into or out of for centuries, it is ideal for housing the most contentious allied prisoners. British officer John Mills doesn't agree, and leads an escape through a subterranean tunnel. Only three of the prisoners (Mills included) survive the escape; the next step is to get out of Germany itself. Colditz Story is based on the reminiscences of P. R. "Pat" Reid, the real-life English officer portrayed in this film by John Mills. ~ Hal Erickson, Rovi

In this British drama a veteran laborer rises above the turmoil of unionization to become the governor of Artista, an industrial island that finds itself further embroiled in a terrible fight over low pay and terrible working conditions. A strike ensues, but the new governor remembers what it feels like to be an abused working stiff and so refuses to call out troops to break the strike. He tries to use his experiences on both sides of the fence to mediate between the angry laborers, but it's to no avail and the governor must make a difficult decision. ~ Sandra Brennan, Rovi

Cairo Road is a standard British "police precinct" drama with a twist; this precinct is located in Cairo, Egypt. Eric Portman plays an Egyptian police chief who takes on the seemingly routine matter of a murdered Arab. Portman deduces that this was no ordinary street killing, and that the Arab was mixed up with drug smuggling. The chief leaves the relative security of his office to set a trap for the murderers within the teeming streets of Cairo. Cairo Road was photographed by Oswald Morris and included in its supporting cast a young Lawrence Harvey--two worthies who wouldn't be working in British programmers much longer. ~ Hal Erickson, Rovi

The blind goddess is justice, which may or may not be served in this British second feature. Eric Portman plays the private secretary to a celebrated public figure (Hugh Williams). Portman holds his boss in an esteem that borders on hero worship. But when his idol is brought into court, the secretary quickly learns that the Great Man is waist-deep in political corruption. Blind Goddess was based on a stage play by Patrick Hastings. ~ Hal Erickson, Rovi

In this costume drama, a woman finds herself the prize in a battle between two jealous brothers. Eventually she marries the suave one, but finds that he is most displeased by her inability to behave in a matter he deems appropriate for a woman of her station. The sad wife takes her troubles to the other brother who suggests she divorce her husband and take up with him. She ignores the advice and reconciles with her man. The angered brother then poisons the husband and tries to get the wife blamed for the death. ~ Sandra Brennan, Rovi

Daybreak a dark, depressing melodrama, tells the story of Eddie (Eric Portman) an unemployed hangman who marries Frankie (Ann Todd) after meeting her in a bar. The couple live on a barge and one day Portman returns home unexpectedly to finds Frankie in the arms of handsome longshoreman Olaf (Maxwell Reed). A fight ensues, and Eddie is knocked overboard and disappears. Frankie, guilt-ridden, commits suicide, and Olaf is arrested for the murder and sentenced to death as the story concludes in a surprising plot twist. The film, rather long and somewhat labored, is difficult to watch because of its unrelentingly depressing viewpoint, but the performances of Eric Portman and Ann Todd add interest and flavor to an otherwise slow drama. ~ Linda Rasmussen, Rovi