Beth Porter Movies

Between giving up his super powers, confronting criminals from outer space, and having problems with his girlfriend, it's a bad time to be the Man of Steel in this sequel to the 1978 blockbuster. When terrorists threaten to destroy Paris with a thermonuclear device as they hold reporter Lois Lane (Margot Kidder) hostage, Superman (Christopher Reeve) comes to the rescue and flings the weapon into space. However, its blast outside the earth's orbit awakens Zod (Terence Stamp), Ursa (Sarah Douglas), and Non (Jack O'Halloran), three villains from Superman's home planet of Krypton who were exiled to outer space for their crimes. Zod and his partners arrive on Earth and use their powers in a bid to take over the U.S., and then the world. However, when Lois realizes that mild mannered Clark Kent and Superman are actually the same person, he brings her to his Fortress of Solitude, where his decision to marry Lois costs him his remarkable strength. Without his super powers, how can Superman vanquish Zod and save the world? Gene Hackman, Ned Beatty, Susannah York, and Jackie Cooper return from the first film, which was shot at the same time as parts of the sequel. ~ Mark Deming, All Movie Guide

Woody Allen's Love and Death is purportedly a satire of all things Russian, from Leo Tolstoy and Fyodor Dostoyevsky novels to Sergei Eisenstein films, but it plays more like a spin on Bob Hope's Monsieur Beaucaire. Allen plays Boris, a 19th century Russian who falls in love with his distant (and married) cousin Sonja (Diane Keaton). Pressed into service with the Russian army during the war against Napoleon, Boris accidentally becomes a hero, then goes on to win a duel against a cuckolded husband (Harold Gould). He returns to Sonja, hoping to settle down on the Steppes somewhere, but Sonja has become fired up with patriotic fervor, insisting that Boris join a plot to kill Napoleon. Intellectual in-jokes abound in Love and Death, and other gags are basic Allen one-liners; for instance, after being congratulated for his lovemaking skills, Boris replies nonchalantly, "I practice a lot when I'm alone." The pseudo-Russian ambience of Love and Death is comically enhanced by the Sergey Prokofiev compositions on the musical track. ~ Hal Erickson, All Movie Guide

This third film version of F. Scott Fitzgerald's classic 1925 novel was one of the most hyped movies of the summer of 1974. Robert Redford stars as self-made millionaire Jay Gatsby, who uses his vast (and implicitly ill-gotten) fortune to buy his way into Long Island society. Most of all, Gatsby wants to win back the love of socialite Daisy Buchanan (Mia Farrow), now married to "old money" Tom Buchanan (Bruce Dern). Calmly observing the passing parade is Nick Carraway (Sam Waterston), Gatsby's best friend, who narrates the film. Francis Ford Coppola's screenplay is meticulously faithful to the original novel, but Theoni V. Aldredge's costume design and Nelson Riddle's nostalgic musical score won the film its only Oscars. The huge supporting cast includes Howard Da Silva, who played Wilson in the 1949 Great Gatsby, and a very young Patsy Kensit as Daisy's daughter. ~ Hal Erickson, All Movie Guide

This documentary about poet Peter Orlovsky's schizophrenic brother, Julius, is a film within a film and is generally regarded as photographer/documentarian Frank's masterwork. Brother Julius spent years in a mental hospital and upon release was put into his brother's care. Frank captures the brothers' day-to-day lives, as well as a road trip with Allen Ginsberg. At times the film breaks into another film about actors working on a film about them; cinematic devices -- including black-and-white, color cutting, and unsychronized sound -- lend an element of visual "schizophrenia" to the work. One of the players is a young Christopher Walken. The emerging document is a testament to the camera's voyeuristic tendencies and a commentary on the mentally ill in society as well as an investigation into the life of the filmmaker himself. ~ Denise Sullivan, All Movie Guide