Louise Portal

A trio of lonely, middle-aged American women finds their growing disillusionment with stateside men leading them to seek emotional comfort and sexual gratification in the arms of young Haitian man in Time Out director Laurent Cantet's emotionally incisive adaptation of Haitian-Canadian author Dany Laferrière's acclaimed short stories. Competing for the attentions of beautiful young Haitian native Legba (Ménothy Cesar) are 55-year-old Wellesley professor Ellen (Charlotte Rampling), sexually frustrated Canadian factory worker Sue (Louise Portal), and fortysomething Georgia blonde Brenda (Karen Young). The Hotel Petite Anse is a haven for older women seeking the companionship of younger men, and doyenne Ellen has come to establish herself as something of the queen bee of the popular island establishment. Despite the constant threat of Baby Doc Duvalier's thuggish henchmen, these lonely women risk their livelihoods to bask under the sun and forget the troubles of their daily lives as the line between exploiter and exploited becomes increasingly blurred. ~ Jason Buchanan, All Movie Guide

Director Denys Arcand revisits the situations and relationships that informed his international breakthrough The Decline of the American Empire with this dialogue-driven character study. Set 17 years after Decline, The Barbarian Invasions, like its predecessor, examines the varying politics -- economic, personal, and sexual -- at play among an aging group of friends, lovers, and ex-spouses. This time around, leads Remy (Rémy Girard) and Louise (Dorothee Berryman) are divorced, with their son Sebastien (Stéphane Rousseau) living in capitalist splendor in London. But the slightly estranged family is brought together by Remy's losing battle with terminal cancer, and the hedonistic, ex-radical father and straight-laced son have to overcome their differences. Along the way, Remy waxes nostalgic with many of the same pals who made up the dinner party of the first film. ~ Michael Hastings, All Movie Guide

A girl in desperate need of guidance looks for it in all the wrong places in this streetwise drama from Canada. Jude (Liane Balaban) is a bright but troubled teenager growing up in a dysfunctional home in Montreal. Jude became involved with a drug dealer and, in an ill-advised moment, decided to make off with his bankroll. Now she's looking for refuge on the streets, seeking advice from a motley collection of friends living along the city's margins: the huge but good hearted Big Al; Georgie, a hustler whose ambitions overwhelm his tiny body; Clarence (Raymond Cloutier), a kind man with a disturbing sexual attraction to children; and Gabriel, a fellow teenager battling a serious infection she got from a bad tattoo. Nicholas Campbell appears in a supporting role as Jude's father; Campbell and Liane Balaban also played father and daughter in the earlier film New Waterford Girl. ~ Mark Deming, All Movie Guide

In this French Canadian drama, a man going through some difficult life experiences find things become even more complicated when his ex re-enters his life. Max (James Hyndman) is an artist who has lost the use of his legs and is confined to a wheelchair. Fortunately, he still has many close friends and his loft serves as a salon for a variety of like-minded bohemians, including a self-centered sculptor, Mortimer (Yves Jacques); the slightly dim Julius (Michel Charette); and Maggie (Jacynthe Rene), who has no qualms about posing for Max in the nude. However, Max's well-ordered existence is upset when he hears from Lucie (Pascale Bussieres), his former girlfriend before an ugly breakup. Lucie has taken it upon herself to punish Max for their acrimonious parting, and she bombards him with a variety of obscene or annoying phone calls, taunts him as a cripple, and has sex with another man in an apartment across the street, clearly visible to Max through his window. Meanwhile, Max's best friend Laurel (Pierre-Luc Brillant) has his own ghosts from the past to deal with; he's recently discovered the identity of his birth mother, who gave him up for adoption when he was still an infant. Laurel would like to meet her, but his adopted mother, Pauline (Louise Portal), would prefer that the biological mother stay in his past. Director Jean Beaudin collaborated with novelist Monique Proulx for this adaptation of Proulx's book Homme Invisible a la Fenetre. ~ Mark Deming, All Movie Guide

In this Canadian psychological drama a repressed young man struggles with his phobia of sex. It began when he was a sensitive 11-year old awakened in the night by the sound of his parents making love. Not understanding the nature of the groans, he peeks in and is horrified by the sight. Things get worse the next day when he and his mother discover that daddy died in his sleep that night. The boy, confused by it all deduces that it was the sex-act that killed his father and so refuses to mature so he will never have to die. This goes on several years and for some reason his mother doesn't seem to mind. Things seem okay until his mom's new boy friend moves in. The teen and the lover constantly fight. Late at night, the boy begins spying on his mother and the man and in so doing comes to realize that sex is not as deadly as it seemed. Once this light dawns, the boy is able to grow up and become normal. ~ Sandra Brennan, All Movie Guide

Long ago, when they were mere lads, the men of this movie had belonged to a rock group. When their lead singer, a woman many of them love, left the group to move to Canada, they broke up and the men went their seperate ways. They remained in contact, friendly, but somewhat distant. The impending arrival of their old lead singer for a concert (she's now a successful pop singer), has brought them back together. All their old romantic feelings and unhealed rivalries come out for an airing, along with reminiscences of bygone days. Each of them has his life revived in some way by this unexpectedly momentous event. ~ Clarke Fountain, All Movie Guide

A rousing "he said/she said" endeavor, The Decline of the American Empire begins by separating the boys from the girls. Preparing a gourmet dinner, four male intellectuals begin trading stories of their sexual experiences. At the same time, four well-read women, all working out in a gym, exchange their own tales from the love front. The film is set in the lofty circles of academia, a world well known to Canadian director Denys Arcand. The anecdotes related herein are based on actual events in the lives of Arcand's professorial friends. There's nothing bookish, however, about the subject matter of the stories themselves, which ranges from mild philandering to S & M. The Decline of the American Empire was the winner of eight Canadian Genie awards (that's the above-the-border equivalent of the Oscar), including Best Picture. ~ Hal Erickson, All Movie Guide

This Canadian tragedy centers around the controversial 1899 murder trial of Cordelia Viau and her retarded handyman, Samuel Parslow, with whom she had an affair. The case was so sensational because it represents the first time in which a conviction was based on purely circumstantial evidence. Despite the fact that both parties had strong alibis, and the evidence was contradictory, the jury still found them guilty of murdering her husband. The reason they were hung had more to do with the public's moral outrage at their well-publicized affair. People from all over the world attended their double hanging. ~ Sandra Brennan, All Movie Guide

In this French-language drama, the psychological tensions which are driving four bourgeois couples apart are blithely ignored, as they attempt to party through them, all the while discussing politics, flirting, and drinking heavily. One of the couples includes the daughter of an older couple, together with her first serious lover. An idyllic pair at first, their problems multiply and they begin to resemble their more dejected and dissipated elders. The movie is based on the successful play by Marcel Dube. ~ Clarke Fountain, All Movie Guide