Paul Porcasi Movies

This early musical features several song-and-dance numbers in the midst of a story about underworld criminals. Nick (Paul Porcasi), who runs the Paradise Night Club, is murdered by Steve (Robert Ellis), a bootlegger. Billie Moore (Merna Kennedy), a hoofer at the club, witnesses the killing but stays mum about the dirty business until she finds out Steve's next target is Roy (Glenn Tryon), her dancing partner. Billie is determined to tell her story to the police before Roy winds up dead, but Steve isn't about to let that happen and kidnaps her. No synopsis of this film is complete without a mention of the then-remarkable camera crane, which director Paul Fejos had designed specifically for use on Broadway, allowing unusually fluid movement and access to nearly every conceivable angle. It could travel at 600 feet per minute and enlivened the visual style of any number of other films on the 20th Century Fox lot over the next several years. ~ Mark Deming, All Movie Guide

Like so many campaigners before him, Gary Cooper joins the Foreign Legion to "forget." At a smoky cabaret in Morocco, Cooper meets café entertainer Marlene Dietrich (making her American film debut). A woman with a very checkered past, Dietrich toys with the callow Cooper, but eventually falls hopelessly in love with him, even to the extent of throwing over wealthy Adolphe Menjou. The now-famous final image of Morocco finds la Dietrich, decked out in her cabaret finery and wearing high heels, heading after Cooper's regiment across the desert with the rest of the "camp followers." There is considerably more to the story than that, but these bare-bones details should be enough to entice anyone familiar with the exotic eroticism of the Josef von Sternberg/Marlene Dietrich vehicles. Should you need more enticement, let us inform you that Morocco is the film in which Marlene Dietrich, dressed in a man's tuxedo for her nightclub act, kisses a female patron squarely on the lips. ~ Hal Erickson, All Movie Guide

This drama is set during the mid Twenties when gangsters were a bit more genteel than their 1930s counterparts. Based on a true story, it profiles the experiences of a young gangster who, after getting caught during a robbery is given a choice: he can either go to prison or join the military and fight. He chooses the military. There he becomes a hero. But when he returns home, he immediately returns to gangster life. Trouble ensues when he falls for an aristocratic woman with a daughter. Their happiness is interrupted by an old enemy who kidnaps the girl. The protagonist successfully saves the girl and kills his enemy. ~ Sandra Brennan, All Movie Guide

Metropolitan Opera diva Grace Moore made her film debut in MGM's A Lady's Morals. The film purports to be the biography of "Swedish Nightingale" Jenny Lind, who was ballyhooed to stardom by 19th-century showman P.T. Barnum (Wallace Beery, who'd re-create the role in 1934's The Mighty Barnum). Most of the story, however, is given over to the fabricated romance between Lind (Moore) and young composer Paul Brandt (Reginald Denny), who gives her up when stricken with blindness. As if this wasn't trouble enough, Lind loses her voice at the height of her career; she regains her golden throat, but Paul is lost to her forever. Grace Moore sings seven songs during the film's amazingly brief (75-minute) running time, two of them operatic classics. The anemic box-office showing of A Lady's Morals and her follow-up vehicles briefly squelched Grace Moore's hopes for film stardom, but a few years later she enjoyed enormous success in a series of Columbia musicals. ~ Hal Erickson, All Movie Guide

In this romantic comedy, a milquetoast bookworm finds his life transformed when he takes the advice of a fortune teller and travels to Central America. There he finds a distressed young woman about to be sold into marriage. His attempts to rescue her change him into a swashbuckling hero. In the end they marry. ~ Sandra Brennan, All Movie Guide

Advertised variously as a "musical romance" and an "operetta style drama", Children of Dreams was the last of three Warner Bros. musicals written directly for the screen by Sigmund Romberg and Oscar Hammerstein II. The story revolves around a group of singing migrant workers, laboring away in a Western apple orchard. One of the more talented of the workers, pretty Molly Standing (Margaret Schilling), manages to achieve fame and fortune as an opera star. This turn of events was reportedly inspired by the career of real-life diva Anna Case, who is about the only New York stage personality not seen in this picture. Children of Dreams offers a few amusing turns by vaudevillian Tom Patricola and by Show Boat's original "Captain Andy," Charles Winnigner. ~ Hal Erickson, All Movie Guide

The George du Maurier novel Trilby, about a hypnotist who controls a female musician, was originally filmed as Trilby, a 1920s silent. In the 1931 talkie, the emphasis shifts from the music student to the teacher, Svengali. John Barrymore gives a scenery-chewing performance as Svengali, who is originally seen tutoring Honori (Carmel Myers). Trilby (Marian Marsh) is making her living as a nude model, but she wants to use her musical talents to earn money and hopes to settle down with Billee (Bramwell Fletcher). Unfortunately, his upper-class family simply wouldn't approve. Svengali falls for Trilby and starts teaching her music while manipulating her hypnotically. Eventually, she becomes so dependent on him that she can't perform outside of his presence. This film became so well-known that the word "Svengali" became incorporated into the English language, meaning "someone who, with evil intent, tries to persuade another to do what is desired." A British version of the film was released in 1955. ~ Michael Betzold, All Movie Guide

Howard Hawks' early sound prison melodrama, based on a play by Martin Flavin, already contains his stylistic signature of over-lapping dialogue -- a technique he would greatly expand upon in the next ten years. Walter Huston is district attorney Brady, who quickly convicts Robert Graham (Phillips Holmes) of murdering a man who was harassing his girlfriend. Brady is later made the warden of the prison where Robert is held. Brady tries to make friends with Robert, but Robert will have no dealings with the new warden. Nevertheless, Brady, who thinks Robert is a decent man who became embroiled in extraordinary circumstances, gives Robert a job as his chauffeur. As he drives with Brady's daughter Mary (Constance Cummings), the two fall in love. Meanwhile, things heat up back at the prison, where crazed killer Ned Galloway (Boris Karloff) kills the squealer Runch (Clark Marshall). Robert knows Ned killed Runch, but refuses to tell Brady. Brady reluctantly sends Robert to solitary confinement to get him to give up the murderer's name, but Robert holds out on him. ~ Paul Brenner, All Movie Guide

Based on a novel by Geoffrey Barnes, Party Husband is a weak-tea drawing room comedy utterly dependant upon the charms of its stars. Dorothy Mackaill and James Rennie play Laura and Jay, a thoroughly modern married couple who vow to give each other full and unbridled freedom in extramarital matters. Unfortunately, Jay abuses the privilege when he sleeps with his wife's best friend (Mary Doran). Shortly afterward, Laura slips off for a night alone with her boss Horace Purcell (Donald Cook), only to inform her would-be lover that she's merely trying to teach her husband a lesson. The untimely appearance of Laura's mother (Helen Ware) serves only to further complicate this ticklish situation. ~ Hal Erickson, All Movie Guide

In director Leo McCarey's film The Kid From Spain, actor Eddie Cantor plays mischievious college boy Eddie Williams, who, with his buddy Ricardo (Robert Young), is kicked out of college for sneaking into the women's dormitory. Ricardo (Young), on his way back to Mexico, suggests Eddie (Cantor) come along. First, however, Ricardo must stop at the local bank for some cash. Unfortunately, the bank is robbed as the two boys are leaving, and the fleeing thieves mistake Eddie for their getaway driver. In a panic, Eddie races off towards the Mexican border in hopes of getting way from them. Realizing that the bank robbers will go after him--Eddie, after all, is the only one who saw their faces--he convinces a skeptical border guard that he, too, is a Mexican. Once in Mexico, he's mistaken for a renowed bullfighter, and plays along with his newly assigned identity in order to avoid the American detective on his trail. Mayhem ensues, and Eddie eventually falls in love with Rosalie (yda Roberti), a young Mexican woman with an over-protective father. The musical numbers in The Kid From Spain were staged by a young Busby Berkeley and feature the oldwyn Girls, whose ranks in this film include Betty Grable, Paulette Goddard, and Jane Wyman. ~ Tracie Cooper, All Movie Guide

While Paris Sleeps is a grim expose of the European white slave trade. To save his daughter Manon (Helen Mack) from falling into the hands of a vicious gang of pimps, convict Jacques Costard (Victor McLaglen) escapes from jail. Jacques' problems are twofold: he must keep Manon from being abducted into a life of prostitution, and he must also hide his true identity from the girl, who has been raised to believe that Jacques died a hero in WWI. The film's gruesome "money scene" finds the white slavers disposing of a stool pigeon by incinerating him in a huge bakery oven! Can this be the handiwork of the same Allan Dwan who later directed Shirley Temple's Rebecca of Sunnybrook Farm? ~ Hal Erickson, All Movie Guide

In this WW II drama, the commander of the French cruiser Lafayette is sunk by a German U-boat. Following the rescue of the survivors, the commander undergoes an investigative hearing to determine his culpability in the sinking. He didn't know it at the time, but his philandering young wife was trysting with a handsome young officer and ended up stuck on the cruise. The woman survived the incident. To save her husband's career, she tearfully admits her adultery in court. ~ Sandra Brennan, All Movie Guide