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Dee Pollock Movies

1972  
 
In this spy thriller, Gorenko (Max Von Sydow) is on the run from his Russian spymasters, and wants to defect. The Americans hide him in their Beirut embassy until they can sneak him into the States. Colonel Kesten (Chuck Connors) appears to be an American, but is actually a Russian double agent with orders to kill Gorenko. Their dangerous cat-and-mouse game continues until Kesten is revealed for what he is and is finally subdued. Chuck Connors' performance is one of the highlights of this film. ~ Clarke Fountain, Rovi

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1970  
PG  
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Like M*A*S*H and Catch-22, both released the same year, this military comedy takes place in an earlier war but is really a thinly disguised treatise on the modern-day insanity and avariciousness then unfolding in Vietnam. Clint Eastwood stars as Kelly, a former lieutenant whose illusions about the glory of war, if he has any, are lost when he is busted in rank for following some poorly considered orders in World War II France. After capturing a friendly German officer, Kelly learns the whereabouts of millions of dollars in gold bars, earmarked to finance a military payroll. Taking advantage of a three-day liberty, Kelly assembles a motley trio of fellow soldiers to help him sneak behind enemy lines and retrieve the booty. They include Big Joe (Telly Savalas), a gruff sergeant; Crapgame (Don Rickles), a supply sergeant already enriching himself as a black marketer and con man; and the hippie-like tank commander Oddball (Donald Sutherland). Since crossing into enemy-held territory means heading in the opposite direction of the retreating Allies, Kelly and his men encounter armed resistance. Receiving word of their campaign, the vain General Colt (Carroll O'Connor) mistakes the quartet of freelancing scam artists for all-American heroes. ~ Karl Williams, Rovi

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Starring:
Clint EastwoodTelly Savalas, (more)
 
1966  
 
Elaine Bayler (Mala Powers), the wife of small-town big shot Richard Bayler (Lloyd Gough), is being blackmailed by an unknown party who threatens to expose Elaine's romance with her protegee, musician Donald Hobart (Will Hutchins), unless she ponies up $10,000. While making the "drop", Elaine is murdered, whereupon Donald's girlfriend Cynthia Perkins (Luana Patten) is charged with the crime. Perry Mason (Raymond Burr) is forced to relinquish a long-awaited fishing excursion to defend Cynthia in court. ~ Hal Erickson, Rovi

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1965  
 
Once again, Saunders (Vic Morrow) and his men are forced wet-nurse some green replacments. This time, the rookies are four teenagers, who are immediately plunged into action when the squad goes on a dangerous assignment. Who among the four will survive--and more importantly, will their lack of experience prove fatal to Saunders and the others? Among the new recruits are Kevin Coughlin, who used to be known as "Moochie" when he was under contract to Walt Disney, and Buck Taylor, soon to join the cast of Gunsmoke as erstwhile deputy Newly O'Brien. ~ Hal Erickson, Rovi

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1964  
 
Acting as squad leader in Saunders' absence, Caje (Pierre Jalbert) is faced with an unexpected problem from within his own ranks. For some reason, Private Thomas (Dee Pollock) lives in mortal terror of Private Jackson (Mike Kellin), a cynical wisecracker from another squad. What is the power that Jackson holds over Thomas--and what will this mean to Caje, who is now himself the target of Jackson's vitriol? ~ Hal Erickson, Rovi

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1964  
 
In Bayou country, Kimble (David Janssen) hitches a ride with Hanes McClure (Warren Oates), an obnoxious braggart who happens to be wanted by the authorities of a variety of crimes. Local police captain Charles Shafter (Philip Abbott) is grateful when Kimble subsequently helps him capture McClure, but he still is duty-bound to hold Kimble until Lt. Gerard (Barry Morse) arrives. Complicating matters is a mixed-up kid named Tad Thompson (Dee Pollock), who idolizes Hanes and helps him bust out of jail. Though willing to take advantage of the jailbreak himself, Kimble realizes that he must prevent Tad from following in McClure's crooked footsteps. ~ Hal Erickson, Rovi

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1960  
 
The Plunderers is a fairly slow-paced, uneven western about a group of young toughs who run amok until they are brought up short by a one-armed Civil War vet. The leader Jeb (Ray Strickland) is accompanied by his three cohorts, Mule (Roger Torrey) a hulking Paul Bunyan type, Rondo (John Saxon), and Davy (Dee Pollack), the most innocent of the quartet. When the young men arrive in the small town, they take it over and rule the roost like four despots. Sam (Jeff Chandler), a shell-shocked veteran of the Civil War, slowly gets his act together and begins to take the four down, one at a time. ~ Eleanor Mannikka, Rovi

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Starring:
Jeff ChandlerJohn Saxon, (more)
 
1959  
 
Young (19-year-old) reggae and rhythm-and-blues singer Johnny Nash stars in this conventional coming-of-age story about a well-heeled, Afro-American teen trying to find his way in a white-man's world. The realities of that world hit Spencer (Nash) hard, and at first he looks for solace and comfort in the black community, especially since like most teens his age going to his parents for support or consultation is out of the question. In his search for identity and meaning, Spencer comes to see the family maid Christine (Ruby Dee) in a way he never did before, and an implied sexual relationship with this kind-hearted, older woman begins to awaken in him a different, more adult viewpoint on life and its traumas. ~ Eleanor Mannikka, Rovi

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Starring:
Johnny NashRuby Dee, (more)
 
1959  
 
The Kingston Trio's hit song with the lyrics "hang down your head Tom Dooley, hang down your head and cry..." may have been the inspiration for this well-wrought drama, but the film stands on its own. Three Confederate soldiers learn too late that the stagecoach they just attacked, killing two Union soldiers, was off-limits because the Civil War was over. Killing the former enemy after peace has been declared is considered murder, so the three young men decide to head for refuge further south. One of the three, Tom Dooley (Michael Landon) takes a detour to find his Northern sweetheart and marry her before escaping. That, it turns out, was a fatal mistake and the beginning of a folk hero and a folk song. ~ Eleanor Mannikka, Rovi

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Starring:
Michael LandonJo Morrow, (more)
 
1958  
 
The LAPD receives a tip about an imminent turf war between five different teenage gangs. Friday (Jack Webb) and Smith (Ben Alexander) have ample evidence that principal agitator behind this war is seventeen-year-old Robert Barson (Dee Pollock). Unfortunately, the detective are unable to head off Barson because of the interference of his overprotective mother Edith (Natalie Masters), who insists that her "Bobby" is both innocent and misunderstood. The tragic climax only serves to prove once again that "denial" is not a river in Egypt. This episode is based on the Dragnetradio broadcast of January 17, 1952, originally titled "The Big Juvenile Division". ~ Hal Erickson, Rovi

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1958  
 
A steamship docks in San Francisco, and as one of the passengers, Philip Dressler (Raymond Bailey), is waiting for a cab after clearing customs, a baggage handler suddenly grabs one of his cases and throws it into a taxi, which takes off. In the ensuing getaway, a police officer is killed, but not before he gets off a shot that takes the fleeing cab driver's life. What Lieutenant Ben Guthrie (Warner Anderson) and Inspector Al Quine (Emile G. Meyer) can't figure out is why two men are suddenly dead within a matter of seconds, all for a seemingly inexplicable baggage snatch. The truth begins to come out when an examination reveals that a small ornamental statue in Dressler's case is loaded with half a million dollars in pure heroin. Then the bodies start turning up -- beginning with a baggage handler at the docks. Guthrie and Quine uncover a plan by a drug syndicate to use innocent, unsuspecting tourists visiting the Far East as unknowing drug couriers -- and now that the original method of retrieval at the docks has unraveled, thanks to the wheelman being an addict who got himself killed, another method is improvised.

Enter a pair of hitmen from out of town, Dancer (Eli Wallach), a soft-spoken psychopath with a perfect memory and not a trace of conscience, and his philosophical mentor and "handler," Julian (Robert Keith). Taken around San Francisco by their mob-employed driver, Sandy McLain (Richard Jaeckel), a juicehead who's not quite as good a wheelman as he thinks he is, the hitmen start collecting the latest shipment of heroin from three new arrivals: a ship's crew member who knows too much for his own good, a wealthy husband and wife, and a woman and her young daughter. They calmly go about their business, Dancer and his silenced pistol taking care of any "problems" while Julian runs interference and discusses issues of grammar and speech with him, and adds to his collection of "last words" from Dancer's victims -- until the last shipment turns up missing. It seems the little girl (Cheryl Callaway) found the bag of white powder hidden on the doll her mother bought her, and used it to powder the doll's face....Now Dancer and Julian have to disrupt the planned drop to "The Man" (Vaughn Taylor) to explain the short count, and to do that they have to keep the little girl and her mother (Mary Laroche) alive, at least long enough to tell their story. Meanwhile, Guthrie and Quine keep getting closer, following the trail of bodies and putting together a description of the two killers. But can they find them before the kidnapped mother and daughter join the other victims? ~ Bruce Eder, Rovi

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Starring:
Eli WallachRobert Keith, (more)
 
1957  
 
John Steineck's novel The Wayward Bus was retranslated into pop-entertainment terms for the screen. Most of the story takes place on the charter bus owned by driver Rick Jason. Travelling slowly through a treacherous California mountain region, the passengers -- including Jason's spiteful, alcoholic wife Joan Collins-- undergo a variety of life-altering experiences. The journey has its most profound effects upon an iconoclastic travelling salesman (Dan Dailey) and lonely stripper (Jayne Mansfield). This is one instance in which the oblong CinemaScope lens is inappropriate to the intimacy of the story. ~ Hal Erickson, Rovi

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Starring:
Joan CollinsJayne Mansfield, (more)
 
1957  
 
Police detectives Friday (Jack Webb) and Smith (Ben Alexander) race against time to rectify a potentially fatal error. The drug presciptions for two different women have accidentally been switched--and both women have already purchased the drugs. The detectives all but turn L.A. inside out to locate the women before the wrong prescriptions can be consumed. This episode was cowritten by Ken Kolb, whose other credits include the classic fantasy film The Seventh Voyage of Sinbad. ~ Hal Erickson, Rovi

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1956  
 
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Carousel was adapted from the 1945 Rodgers and Hammerstein Broadway musical of the same name--which, in turn, was based on Liliom, a play by Ferenc Molnar. Gordon MacRae stars as carnival barker Billy Bigelow, who much against his will falls in love with Maine factory girl Julie Jordan (Shirley Jones). Billy proves an improvident and unreliable husband, but Julie stands by him. Upon discovering that Julie is pregnant, the unemployed Billy sees an opportunity for some quick money by joining his unsavory pal Jigger (Cameron Mitchell). The scheme goes awry, and Billy dies. Standing before the Pearly Gates, Billy is given a chance to redeem himself by the kindly Starkeeper (Gene Lockhart). He is allowed to return to Earth to try to brighten the life of his unhappy 15-year-old daughter Louise (Susan Luckey). Billy offers Louise a star that he has stolen from the sky; when Louise backs off in fear, Billy slaps her. He feels like a failure until he and his Heavenly Friend (William LeManessa) attend Louise's school graduation ceremony. There the invisible Billy watches as the principal (Gene Lockhart again) inspires Louise (and, by extension, Julie) by assuring her that so long as she has hope in her heart, she'll never walk alone. Frank Sinatra, the film's original Billy Bigelow, dropped out of the production due to laryngitis. ~ Hal Erickson, Rovi

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Starring:
Gordon MacRaeShirley Jones, (more)
 
1953  
 
Robert Jordan is a television star. Robert Jordan likes things orderly, on time and properly executed. In his world children are to be seen, not heard. So why would Mr. Jordan want to become the master of a rambunctious band of Boy Scouts? Ratings. His staff figures that if learns how to interact with the youth, they will be more inclined to watch his show. Of course watching Jordan cope comprises most of the fun. ~ Sandra Brennan, Rovi

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Starring:
Clifton WebbEdmund Gwenn, (more)
 
1952  
 
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Gene Autry was clearly tiring of the rigors of moviemaking by the time he starred in The Old West. Even so, Autry gives his all to this story of frontier religiosity. Left for dead in an outlaw ambush, Gene is nursed back to health by a travelling parson (House Peters Sr.) Our hero decides to help the parson build a church in the wide-open town of Saddlerock, which does not sit well with local crime kingpin Doc Lockwood (Lyle Talbot). The villain not only tries to drive the parson out of town, but also does his best to ruin Autry's reputation. The good guys emerge triumphant, but it isn't easy. Featured in the cast of The Old West are Autry "regulars" Gail Davis and Pat Buttrum; also appearing is the ubiquitous Louis-Jean Heydt, delivering a superb performance as a stagecoach driver plagued by encroaching blindness, and House Peters Sr's namesake son House Peters Jr. as one of the outlaws. ~ Hal Erickson, Rovi

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Starring:
Gene AutryPat Buttram, (more)
 
1952  
 
Irene Dunne made her final film appearance in the frothy fantasy It Grows on Trees. Looking at least two decades younger than her 52 years, Dunne plays Polly Baxter, the ebullient wife of Phil Baxter (Dean Jagger). Miracle of miracles, two of the trees in Polly's backyard garden begin sprouting paper currency! Assuming that it's genuine mazumah, Polly goes on a spending spree, and also pays off the long-standing mortgage on the house. The money-yielding trees soon become a nationwide sensation, drawing thousands of interested parties to the Baxters' tiny backyard. A major setback is inevitable, but the manner in which the dilemma is solved is both clever and logical. When it isn't concentrating on the plot proper, It Grows on Trees offers some amusing jibes at the U.S. Treasury Department, the IRS, and small-town pretentiousness. ~ Hal Erickson, Rovi

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Starring:
Irene DunneDean Jagger, (more)
 
1952  
 
In 1880s New York City, newspapers were engaged in a free-for-all competition, with the respectable practitioners such as Joseph Pulitzer leading a horde of sheets that included every kind of yellow rag imaginable. Newspaperman Phineas Mitchell (Gene Evans) is so appalled by the brand of journalism practiced by The Star, the newspaper where he works, and its publisher, Charity Hackett (Mary Welch), that he gets himself fired. But instead of looking for another job, he decides to start up his own newspaper, The Globe, which will adhere to principals he has developed across his career. This immediately puts him on a head-to-head collision with The Star and Hackett, who scoffs at Mitchell's ideals but is frightened of his resourcefulness and ideas -- all of which combine to make the feisty little under-financed newspaper a more honest and exciting read than her own publication. And Mitchell's embrace of cutting-edge technology, such as the Linotype machine, and innovations such as by-lines and newsstands only heighten her mixed feelings of admiration and fear. When Mitchell seizes upon the Statue of Liberty, newly-delivered from France but without a base to stand on (or an appropriation from Congress for the money to build one), The Globe takes on this cause. A circulation war -- and then an all-out war -- breaks out between the two newspapers, with fraud, violence, bombings, and other mayhem visited on Mitchell's enterprise. ~ Bruce Eder, Rovi

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Starring:
Gene EvansMary Welch, (more)
 
1952  
 
Adapted from the stage thriller The Man (itself based upon a half-hour radio drama), Beware My Lovely is a taut suspenser tailor-made for the talents of Ida Lupino and Robert Ryan. Lupino plays a pretty widow who impulsively hires handyman Ryan to look after her house. She soon learns Ryan is a dangerous schizophrenic, but by the time she comes to this realization she is unable to escape her house. The tension mounts apace, leading to an unexpected but quite logical finale. Produced by Lupino's then-husband Collier Young, Beware My Lovely was released by RKO Radio. ~ Hal Erickson, Rovi

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Starring:
Ida LupinoRobert Ryan, (more)
 
1951  
 
The Blue Veil was the single most successful effort from the production team of Jerry Wald and Norman Krasna. Jane Wyman pulls out all the emotional stops as a young Frenchwoman named Louise, who, after losing her husband and child in WW I, devotes the rest of her life to selflessly caring for other people's children. In true "woman's story" fashion, Louise ages and ages beautifully, sacrificing all for the sake of others. On the brink of destitution, she is rescued by her former charges, all nicely grown up and boundlessly grateful. A remake of the French Le Voile Bleu, The Blue Veil was adapted for the American screen by radio's Norman Corwin. The sterling supporting cast includes Charles Laughton as a widowed manufacturer, Joan Blondell as a blowsy actress, Natalie Wood as Blondell's neglected daughter, and Richard Carlson, Audrey Totter, Agnes Moorehead and Don Taylor. ~ Hal Erickson, Rovi

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Starring:
Jane WymanCharles Laughton, (more)