Jon Polito Movies

Directed by onetime Rookies co-star Georg Stanford Brown, Alone in the Neon Jungle has all the earmarks of a TV pilot film-albeit a better-than-usual example of the genre. Suzanne Pleshette plays a no-nonsense police captain, assigned to the town's most corrupt police district. In attempting to clean things up, She is handicapped by the fact that she can't tell her friends from her enemies. Director Brown costars as a police sergeant who turns out to be a valuable ally to the new captain. Filmed in Pittsburgh, Alone in the Neon Jungle was first telecast January 17, 1988. ~ Hal Erickson, All Movie Guide

Love blooms for a would-be hired killer in Angel's Dance, which blends elements of a crime thriller with black comedy. Tony (Kyle Chandler) is offered a job with a powerful Mafia family after he saves the life of the capo's nephew, even though Tony isn't sure he's really interested in a life of crime. To give him a crash course in his new line of work, Tony is sent to L.A. to study with Rosellini (James Belushi), a hired killer of no small reputation. After assigning him Nietzsche as required reading and staging a few practice sessions with water pistols, Rosellini gives Tony his final homework project -- pick a name at random from the phone book, find the person, and kill him or her. The name Tony comes up with is Angelica Chase (Sheryl Lee), "Angel" to her friends. Tony finds Angel just in time to interrupt her latest suicide attempt; Angel is beautiful and charming, but an emotional wreck with eccentric tastes, a caffeinated personality, and a job at a mortuary (she even lives next door). Tony is immediately infatuated and can't bring himself to kill her, so Rosellini decides he has to take over the job, but to the surprise of everyone, Angel knows how to handle herself in a time of crisis. ~ Mark Deming, All Movie Guide

The title character, played by John Turturro, is a Broadway playwright, based on Clifford Odets, lured to Hollywood with the promise of untold riches by a boorish studio chieftain (played by Michael Lerner as a combination of Louis B. Mayer and Harry Cohn). Despising the film capital and everything it stands for, Barton Fink comes down with an acute case of writer's block. He is looked after by a secretary (Judy Davis) who has been acting as a ghost writer for an alcoholic screenwriter (John Mahoney, playing a character based on William Faulkner). Also keeping tabs on Fink is a garrulous traveling salesman (John Goodman), the most likeable, stable character in the picture. And then comes the plot twist to end all plot twists, plunging Barton Fink into a surreal nightmare that would make Hieronymus Bosch look like a house painter. Once more, Ethan and Joel Coen serve up a smorgasbord of quirkiness and kinkiness, where nothing is what it seems and nothing turns out as planned. ~ Hal Erickson, All Movie Guide

The Black Mask (Andy On replacing Jet Li) faces-off against a series of gruesome mutants while frantically searching for a cure for his ability not to feel pain in this flashy sequel to the 1996 original. When the Black Mask learns that genetic scientists worldwide are falling victim to an unknown assassin, he races to save the life of the next on the list. Arriving a bit to late, Black Mask learns that the mutants who have carried out the killings were created by the same sentient computer had which created him. Later rushing to the rescue upon learning that a professional wrestler has turned mutant and kidnapped a child, Black Mask makes the horrific discovery that terrorists plan to detonate a mutant bomb that will turn the population into hideous creatures. ~ Jason Buchanan, All Movie Guide

Poor Max Grabelski doesn't have any luck at all. What little he had runs out when local racketeers set the bungling delivery man up to take the fall for their money-laundering schemes. Sure enough, when the government agents arrive, he is found holding a package filled with loot. Not only that, but the Feds think he is the one who killed a notorious gambler/con artist. Max flees and ends up being mistaken, by six Boy Scouts, for the veteran mountain guide who is supposed to take them into the wilderness for a weekend campout. This slapstick comedy chronicles his crazy adventures as the lifelong city dweller tries to survive in the rugged new environment after he leads the trusting troop down the wrong trail to Devil's Peak. Comic mayhem ensues, but in the end, the young men and their new leader learn valuable lessons about themselves. ~ Sandra Brennan, All Movie Guide

Director Frank Perry brings Susan Issacs' comedic whodunit novel to the screen with Susan Sarandon as a Long Island housewife who tries to escape her deadening suburban life by trying to solve the murder of a philandering local dentist. The dentist, Bruce Fleckstein (Joe Mantegna), is the kind of swinging ladies' man who wears gold chains and jazzy clothing. He also arranges to meet his lonely housewife patients in hotel rooms for afternoon quickies. When he is found murdered in his office, the suspects are as numerous as the names in the Nyack telephone directory, especially since Fleckstein had the habit of taking incriminating Polaroid snapshots during his one-on-one sessions. Judith Singer (Sarandon) is an ex-Newsday reporter and bored wife of Bob Singer (Edward Herrmann), a stuffy business executive, and she was one of the last people to see Fleckstein alive. Considered a suspect by police detective David Suarez (Raul Julia), she determines to solve the case herself, interviewing suspects and searching for evidence. If she solves the crime, Judith hopes to write an article about it and get her old job back at the newspaper. ~ Paul Brenner, All Movie Guide

Crime Story was a valiant attempt by Miami Vice producer Michael Mann to present a compelling police drama series in a serialized fashion. Introduced as a two-hour TV movie on September 18, 1986, the weekly, hour-long series was initially set in Chicago in 1963. Dennis Farina, a former cop in real life, starred as Lt. Mike Torello, head of the windy city's Major Crime Unit (MCU), who carried on a blood feud with young, ambitious gangster Ray Luca (Anthony John Denison). Assisting Torello in his efforts was prosecuting attorney David Abrams (Stephen Lang), a mobster's son who had "seen the light" and switched sides. Others on Torello's team included Sgt. Danny Krychek (Bill Smitrovich), and detectives Nate Grossman (Steve Ryan), Joey Indelli (Bill Campbell), and Walter Clemmons (Paul Butler), while Luca was backed up by his faithful but dangerously stupid henchman Paulie Taglia (played by John Santucci, who, in a perverse spin of the Dennis Farina situation, had been a genuine criminal before turning to acting).

Halfway through season one, Luca and Paulie moved to Las Vegas, only to be closely followed by Torello and his men, who had become federal agents. The season ended with literal bang, as Luca and Paulie took refuge in a small house in the Nevada desert that turned out to be smack-dab in the middle of a nuclear testing site. Miraculously, the two gangsters managed to survive an atomic explosion with nary a scratch, and spent the series' second and final season playing a game of hide and seek with the Torello forces. Ultimately, the "good guys" bearded their prey in Mexico. In the course of events, Torello's marriage to his wife, Julie (Darlanne Fluegel, broke up, whereupon he entered into a relationship with Inga Thorson (Patricia Charbonneau). Also, both the cops and the robbers had brief encounters with the mob's "big boys," portrayed by such diverse actors as Joseph Wiseman and Andrew Dice Clay. Although the ratings for Crime Story were mediocre, NBC had faith in the series and kept it alive for two years. Like many other Michael Mann productions, the series was rich with authentic period detail, and came equipped with wall-to-wall vintage music, including the theme tune "Runaway", re-recorded (and recreated) by its original artist, Del Shannon. But for all of NBC's promotional skills and Michael Mann's production expertise, the series never caught on (more's the pity), and last aired on May 10, 1988. ~ Hal Erickson, All Movie Guide

When a small-time businessman (Richard Pryor) needs a loan, he goes to a loan shark and ends up in jail on false pretenses. After feigning madness to get out, he is tossed into the mental ward of a hospital. ~ John Bush, All Movie Guide

In 1984, actor Dustin Hoffman starred in a critically-acclaimed Broadway revival of playwright Arthur Miller's classic Pulitzer Prize-winning drama Death of a Salesman. A year later, Hoffman and most of his fellow cast members starred in this made-for-TV production, the first English-language film by German director Volker Schlondorff. Hoffman stars as Willy Loman, an aging salesman who has lost his job because of encroaching senility. Now living on handouts provided by his friend Charley (Charles Durning), Willy's lifelong delusions of success and greatness awaiting just around the corner for he and his family have been shattered, and he's considering suicide. As he reflects on his life and the failed promise of his sons Biff (John Malkovich) and Happy (Stephen Lang), Willy finally confronts some unpleasant truths about both sons, particularly Biff, a one-time athlete who has become a kleptomaniac. One of the best of the many filmed versions of Miller's seminal work, Death of a Salesman (1985) won several awards, including a Golden Globe and an Emmy for Hoffman. ~ Karl Williams, All Movie Guide

As Valentine's Day dawns, Susan (Teri Hatcher) eagerly awaits her date with Mike Delfino (James Denton) -- or at least she does until a new plot development rears its ugly head. Elsewhere, Bree (Marcia Cross) doesn't know as much about her husband, Rex (Steven Culp), as she thought she did. Lynette (Felicity Huffman) has kid and neighbor trouble again. And Gabrielle (Eva Longoria) finds a job uniquely suited to her special talents when she is hired to model mattresses. ~ Hal Erickson, All Movie Guide

The second volume in this film noir style TV-anthology series, this collection of short stories revolves around the dark world of detectives and police officers. Called to look into a murder, an investigator (Gary Oldman) discovers that the victim of the crime is none other than his estranged wife (Gabrielle Anwar) in "Dead End for Delia." When an attractive woman captures the attention of a detective, he ends up entangled in mob business in "I'll Be Waiting." In "The Quiet Room," the underhanded plans of two unscrupulous officers go amok ~ Iotis Erlewine, All Movie Guide

A juvenile delinquent falls in love with a beautiful Catholic girl's school student in this fact-based adolescent melodrama set in an Oregon forest. The two meet by accident when the troubled young man is out on a nature hike and sees the lovely girl floating in a small lake as she works on a photography assignment. The two are immediately drawn to each other, but neither of their schools encourages contact with the opposite sex and when their relationship is discovered there is trouble all around, forcing the young lovers to flee. The question then remains: will they be able to evade the law and other authorities long enough to find happiness? ~ Sandra Brennan, All Movie Guide