Priscilla Pointer Movies

Monica (Roma Downey) is the nurse at the bedside of elderly Joe Carpenter (Harvey Vernon), who is on the verge of being "collected" by Angel of Death Andrew (John Dye). But before Joe can leave this world, Monica and Tess (Della Reese) must somehow repair the fractured relationships between the old man's three grown children: Control-freak Kate (Concetta Tomei), unhappily married Chris (Ed Begley Jr.), and eternal misfit Kim (Joan Van Ark). As often happens on this series, the Angels' assignment requires them to surreptitiously expose a startling family secret. ~ Hal Erickson, Rovi

Julia Cole (Diane Salinger) is more than a little upset about turning 40. She's depressed about growing older, distressed at the lack of attention from her workaholic husband Charles (John Calvin), and bored with being a stay-at-home wife and mother. On her birthday, she finds a bottle of enchanted soap bubbles. Blowing them transports her to moments of happiness from earlier times in her life. Soon, she not only regains her youthful vigor, she cannot even remember how old she is. She changes her appearance, her personality is transformed from reclusive to outgoing, and her values change from strict to permissive. Eventually, she realizes that happiness is not age-dependent. George Clooney and Wallace Shawn are the biggest names in this low-budget, independently produced romantic comedy, also known as The Magic Bubble, directed by Deborah Taper Ringel and Alfredo Ringel. ~ Michael Betzold, Rovi

In this made-for-TV movie, the well-known DC comic book character the Flash must use his super-human abilities to stop the Dark Riders, an evil motorcycle gang who caused the death of his brother and now threatens to take over Central City. A TV series of the same name resulted from this pilot film. ~ Iotis Erlewine, Rovi

In this thriller, television reporter Kate Ryan de Melendez (Amy Irving) investigates the death of two radical Puerto Rican activists, whom she begins to believe may have been framed and murdered by undercover American agents. ~ Iotis Erlewine, Rovi

The best of the Elm Street sequels, this creepy, surreal fantasy features terrific effects, a fine young cast, and an air of grim fatalism that sets it apart from its giggly successors. Patricia Arquette stars as Kristen, whose nightmare leads to a slashed wrist which looks suspiciously like a suicide attempt. She is placed in a hospital psychiatric ward with a group of six other troubled teens who all dream about the same horribly burned man (Robert Englund) trying to kill them. Perhaps the most unusual thing about this picture, however, is the unexpected depth of sadness running through it. There are some achingly sweet moments in this otherwise frightening film which, though not disruptive, are impossible to analyze. The first and most bizarre of these is Heather Langenkamp's entrance, which inexplicably causes most viewers to get misty-eyed, and there are several similar scenes throughout the film. One answer can be found in the sensitive direction of Chuck Russell, who emphasizes the tragedy and utter hopelessness in these kids' lives and manages to wring some unexpectedly perceptive turns from his cast. This is a film in which a great deal of care was obviously lavished on individual scenes (the sets are outstanding) and performances. The results are well worth repeated viewings, and prove that sequels don't necessarily have to be inferior films. ~ Robert Firsching, Rovi

Director David Lynch crafted this hallucinogenic mystery-thriller that probes beneath the cheerful surface of suburban America to discover sadomasochistic violence, corruption, drug abuse, crime and perversion. Kyle Maclachlan stars as Jeffrey Beaumont, a square-jawed young man who returns to his picture-perfect small town when his father suffers a stroke. Walking through a field near his home, Jeff discovers a severed human ear, which he immediately brings to the police. Their disinterest sparks Jeff's curiosity, and he is soon drawn into a dangerous drama that's being played out by a lounge singer, Dorothy Vallens (Isabella Rossellini) and the ether-addicted Frank Booth (Dennis Hopper). The sociopathic Booth has kidnapped Dorothy's young son and is using the child as a bargaining chip to repeatedly beat, humiliate and rape Dorothy. Though he's drawn to the virginal, wholesome Sandy Williams (Laura Dern), Jeff is also aroused by Dorothy and in trying to aid her, he discovers his dark side. As the film nears its conclusion, our hero learns that many more indivduals are tacitly involved with Frank, including a suave, lip-synching singer, Ben (Dean Stockwell), who is minding the kidnapped boy. Director Lynch explored many similar themes of the "disease" lying just under the surface of the small town, all-American façade in his later television series Twin Peaks (1990-91). ~ Karl Williams, Rovi

John Schlesinger directed this fact-based drama - adapted from Robert Lindsay's bestseller of the same title -- about two Californians, friends since boyhood, who are caught selling government secrets to the Soviet Union. Christopher Boyce (Timothy Hutton) is an all-American boy, studying for the priesthood in a seminary. But Boyce decides to drop out of school, and with the help of his father (Pat Hingle), a FBI agent, he gets a job working for the CIA in a message-routing center. While reading the messages, Boyce is shocked to learn that the CIA is involved in fixing Australian elections. Watching the Watergate hearings on television, he feels an ever-mounting sense of outrage at the arrogance of the U.S. government and decides to do something about it. Deciding to supply the CIA messages to the Russians, he enlists his childhood friend Daulton Lee (Sean Penn) to help him. Lee is to deliver the CIA secrets to a Russian operative (David Suchet) at the Soviet Embassy in Mexico City. But Lee is an unreliable drug dealer, and his sloppy spy trail leads the two old friends into more trouble than they bargained for. ~ Paul Brenner, Rovi

Micki (Ann Reinking) is the wife of Rob (Dudley Moore), an airheaded TV talk show host. Maude (Amy Irving) is an attractive musician who is unaware of Micki's existence, and with whom Rob falls in love. Rob is a guy who can't say no, thus when Maude announces that she's pregnant, Rob obligingly marries her. Trouble is, he's still married to Micki who is also pregnant. To make matters worse, Rob's wives are due to give birth on the same day, forcing the double dealer to work doubly hard to keep both demanding women happy. Matters reach their comical climax when the Big Day arrives and Rob is expected to attend both births at the same time. ~ Hal Erickson, Rovi

Based on the popular television series created by Rod Serling, this film of horror and the supernatural tells four separate stories--each by a different director: John Landis, Steven Spielberg, Joe Dante and George Miller. In one, a bigot is taught a lesson when he is transported to experience the lives of three different victims of prejudice and intolerance. Another takes a trip to an old-age home where the arrival of a special man turns some of the residents into youthful people once again. In the third, a woman befriends a timid young child who turns out to be a maniacal brat with bizarre powers. The final segment shows how a man with an aversion to flying has a rough time when he panics and then sees a strange creature on the wing outside his window seat. ~ Kristie Hassen, Rovi

In the first episode of a two-part story (originally telecast as a single, two hour "very special" episode), Quincy (Jack Klugman) and his fiancee Emily (Anita Gillette) are at last prepared to march down the aisle and tie the knot. While Emily is busily discussing details with wedding planner Winslow (Carole Cook), Quincy (Jack Klugman) is sidetracked by the autopsy of an old man (John McIntire) who apparently died of natural causes in a nursing home. Alas, it looks like the wedding will have to be put on hold when the dead man's widow (Jeannette Nolan) comes forward, insisting that she murdered her husband. (Trivia note: guest stars Nolan and McIntire were married in real life). ~ Hal Erickson, Rovi

In this sci-fi adventure, space aliens try to convince a couple of cynical Earthlings to come and help them establish a new colony on a better world. The film is also known as Follow Me If You Dare. ~ Sandra Brennan, Rovi

When her adoptive mother Joan Crawford died in 1977, erstwhile actress/author Christina Crawford and her brother Christopher were left out of Joan Crawford's will, "for reasons which are well known to them." Industryites have suggested that it may have been this posthumous act of rejection rather than an alleged lifetime of parental abuse that inspired Christina Crawford to pen her scathing autobiography Mommie Dearest. The 1981 film version of this tome was evidently meant to be taken seriously, but the operatic direction by Frank Perry and the over-the-top portrayal of Joan Crawford by Faye Dunaway (whose makeup is remarkable) has always seemed to inspire loud laughter whenever and where-ever the film is shown. According to the film (and the book that preceded it), Joan Crawford was a licentious, child-beating behemoth, who stalked and postured through life as though it was one of her own pictures-more Strait-jacket than Mildred Pierce. This is the film with the notorious "wire coat hanger" scene, just in case you need a reminder. Surprisingly, one emerges from Mommie Dearest with more sympathy for the monstrous but intensely vulnerable Crawford than for her whining daughter (played as an adult by Diana Scarwid, and as a child by Mara Hobel). Our favorite scene: Joan Crawford dazedly replacing her ailing daughter in the cast of a daytime TV soap opera. ~ Hal Erickson, Rovi