Kathryn Pogson Movies

Director Danny Boyle revisits a theme from his Shallow Grave and Trainspotting days -- greed -- but focuses on a much younger protagonist with this comedy drama. Millions opens with recent widower Ronnie (James Nesbitt) moving his two precocious pre-pubescent sons to the suburbs. Missing his mother and the comforts of his old neighborhood, the young Damian (Alex Etel) builds a cardboard-box fort on the outskirts of the suburb, where one day his placid introvert existence is literally crushed by a giant gym bag full of thousands of pounds' worth of cash. Less concerned with the origin of the money than with how to spend it, Damian and his older brother, Anthony (Lewis McGibbon), decide to keep it a secret from their father, which becomes an increasingly tricky proposition as the days pass. His conscience getting in the way of his spending, Damian debates the ethics of his ill-gotten gains with a handful of imaginary saints, and begins to try to spend his cash a little more altruistically. But his charitable deeds inadvertently attract the attention of a mysterious, threatening man who's desperate to get his hands on the money. Marking a distinct change of pace for Boyle after the horror film 28 Days Later, Millions world-premiered at the 2004 Toronto Film Festival. ~ Michael Hastings, All Movie Guide

A group of trailblazing female musicians try to take another shot at success in this musical comedy-drama produced for the premium cable network HBO. In the 1940s, the Blonde Bombshells were the finest all-female jazz band in the U.K., playing hot swing music that helped raise England's spirits during the dark days of WWII. Fifty years later, Elizabeth (Judi Dench), one of the band's sax players, is trying to decide what to do with herself after the death of her husband. Pulling her axe out of mothballs, Elizabeth starts playing again, and after meeting Patrick (Ian Holm), the group's former manager (and drummer-in-drag), they decide to put the group back together for a reunion tour. But they soon discover that putting the band back on the road after over fifty years is no easy task. The Last of the Blonde Bombshells also stars Leslie Caron, Olympia Dukakis, and jazz vocalist Cleo Laine. ~ Mark Deming, All Movie Guide

Based on a scandalous South African murder trial of the 1940s, this drama tells the story of a prominent British lord who is accused of murder. When a witness comes forward, she reveals the sordid truth, involving incest, child abuse, adultery and drug abuse. ~ Sandra Brennan, All Movie Guide

Brazil constitutes Terry Gilliam's enormously ambitious follow-up to his 1981 Time Bandits. It also represents the second installment in a trilogy of Gilliam films on imagination versus reality, that began with Bandits and ended in 1989 with The Adventures of Baron Munchausen. To create this wild, visually audacious satire, Gilliam combines dystopian elements from Orwell, Huxley and Kafka (plus a central character who mirrors Walter Mitty) with his own trademark, Monty Python-esque, jet black British humor and his gift for extraordinary visual invention. The results are thoroughly unprecedented in the cinema.

Jonathan Pryce stars as Sam Lowry, a civil servant who chooses to blind himself to the decaying, drone-like world around him. It's a world marred by oppressive automatization and towering bureaucracy, and populated by tyrannical guards who strongarm lawbreakers. And Lowry is stuck in the middle of this nightmare. Whenever real life becomes too oppressive, Sam fantasizes (to the tune of Ary Baroso's 1930s hit "Brazil") about sailing through the clouds as a winged superhero, and rescuing beautiful Jill Layton (Kim Greist) from a giant, Samurai warrior. The omnipresent computer that controls everything in the "real" world malfunctions, causing an innocent citizen to be arrested and tortured to death. When Sam routinely investigates the error, he meets - and pursues Jill , literally the girl of his dreams. But in real life, she's a tough-as-nails truck driver who initially wants nothing to do with him. It turns out that she is suspected of underground activities, in connection with a terrorist network wanted for bombing public places. The price Sam pays for his association with her is a close encounter with the man in charge of torturing troublesome citizens (Michael Palin). He is rescued - at the last minute - by maintenance man Harry Tuttle (Robert de Niro) who moonlights as a terrorist, but that only represents the beginning of his plight, for now the "system" is onto him.

Gilliam ran into enormous problems with Brazil. Universal - which produced the picture - originally slated it for release in 1984, but the studio - intimidated by the film's whopping length of 142 minutes - demanded that Gilliam trim the film to bring it in under two hours and alter the pessimistic ending. Gilliam refused; Universal shelved the picture for a year. In response, the director took out a full page ad in Variety asking studio president Sid Sheinberg when the film would be released. Sensing tremendous pressure, Universal bowed to Gilliam's insistence on fewer cuts but still demanded a happy ending. Gilliam trimmed only eleven minutes and altered the conclusion just slightly (instead of cutting to black, it fades into puffy white clouds on a blue sky, with a reprise of the title tune). It was thus released in early 1985 at 131 minutes, and of course became a seminal work; many critics regarded it at the time as the best film of the eighties. ~ Nathan Southern, All Movie Guide

Created by David Butler, the British drama series We'll Meet Again took place during WWII. The members of the U.S. 8th Air Force, 525th Bomb Group, found themselves billeted in the Suffolk community of Market Wetherby. The locals weren't altogether thrilled by the presence of the "overpaid, oversexed, and over-here" Yanks, but along the way a few of the flyboys managed to make headway with some of the British lasses in the region. Rich with period detail, the series invoked warm nostalgic feelings within most viewers, even though much of the dialogue dealt with rationing, buzz-bombing, and other wartime iniquities. Opening with a 90-minute episode on February 19, 1982, We'll Meet Again quickly settled into a weekly 60-minute slot, proving so popular with British viewers that its story line was serialized in a national newspaper. The 13th and final episode aired on May 14, 1982. ~ Hal Erickson, All Movie Guide