Ingrid Bergman

This documentary video covers the life and career of Ingrid Bergman. ~ All Movie Guide

A Woman Called Golda is a made-for-television account of the life and times of Golda Meir, Israel's powerful prime minister during the '60s and '70s. Judy Davis portrays Golda as a young woman, while Ingrid Bergman plays Meir as an older woman; both actresses are excellent, and Bergman won an Emmy for her performance. ~ Stephen Thomas Erlewine, All Movie Guide

Ingrid Bergman, the Swedish expatriate who became one of Hollywood's greatest stars, and Ingmar Bergman, one of the world's most acclaimed filmmakers and Sweden's most honored director, worked together for the first and only time in this intensely personal drama about the troubled relationship between a mother and daughter. Charlotte (Ingrid Bergman) is an acclaimed concert pianist who is visiting her daughter Eva (Liv Ullmann), the wife of a parson in a rural community, for the first time in seven years. While Charlotte and Eva struggle to be civil, there is a deep emotional gulf between them. Eva resents her mother for not caring enough for her as a child, feeling that Charlotte was more interested in her career and her other daughter, Helena (Lena Nyman), who is severely handicapped and can only communicate through inarticulate noises. Charlotte, on the other hand, is uncomfortable with the fact that Helena now lives with Eva, and she is still coming to terms with the emotional devastation of her husband's recent death. Herbstsonate, released in America as Autumn Sonata, earned Ingrid Bergman some of the most enthusiastic acclaim of her career; she received an Oscar nomination for Best Actress, and she won the same honor from the National Board of Review and the New York Film Critics Circle. It was also her last theatrical release; she would appear in only one more project, a TV movie about the life of Golda Meir, before her death in 1982. ~ Mark Deming, All Movie Guide

Hosted by the American Film Institute, this video is a tribute to career of Orson Welles. Included are excerpts from: Citizen Kane, Touch of Evil, and The Magnificent Ambersons and The Third Man. ~ Tana Hobart, All Movie Guide

In this children's movies, a young brother and sister escape from the boredom of their suburban neighborhood and high-tail it to the Metropolitan Museum of Art in New York City. There they wind up hiding within the maze of hallways until the girl finds a beautiful white statue. She is captivated by it and becomes obsessed with trying to discover if it is really a Michaelangelo. This leads her and her brother to the mansion of a 70-year old recluse with whom the girl becomes friends. They begin sharing their secrets and talking about art. ~ Sandra Brennan, All Movie Guide

This documentary follows noted film archivist Henri Langlois as he returns to Paris. Over 60,000 prints exist in his Paris museum, with 15,000 in the United States and 6,000 in Russia. Ingrid Bergman, Lillian Gish, Jeanne Moreau, Simone Signoret, Catherine Denueve, Francois Truffaut, and Viva all give commentaries about Langlois and the importance of his work to the world film community. ~ Dan Pavlides, All Movie Guide

Friedrich Durrenmatt's misanthropic theatrical piece The Visit has never been totally successful in any production, not even in the original Broadway presentation starring Alfred Lunt and Lynn Fontanne. The film version keeps this failure record consistent. Ingrid Bergman plays a fabulously wealthy woman who returns to her impoverished home town. Years earlier, she had been driven from town in disgrace after sleeping with solid citizen Anthony Quinn. She now offers a deal to the city elders: Bergman will alleviate the city's financial difficulties--in exchange for Quinn's life. The original play ended with the lynching of the seducer; the film ends with Bergman halting the execution, proclaiming that by allowing Quinn to live, the townsfolk will be forced to feel the pangs of guilt over what they might have done for the rest of their lives. ~ Hal Erickson, All Movie Guide

Based on the Francoise Sagan novel Aimez vous Brahms?, Goodbye Again stars Ingrid Bergman as Paula Tessier, a successful Parisian interior decorator (with a personal wardrobe by Christian Dior) and Yves Montand as her roving-eye lover, Roger Demarest. Worried that she'll be left in the lurch by the unfaithful Montand, Bergman enters into an affair with the much-younger Philip Van Der Besh (Anthony Perkins). Once he realizes that he's lost Paula to Philip, Roger offers to mend his rakish ways. She takes him back, and they are married; soon afterward, however, Roger goes back to his old skirt-chasing habits. Variety noted that Goodbye Again has "strong appeal for a middle-aged distaff audience"; nowadays, they'd call it a chick flick. ~ Hal Erickson, All Movie Guide

Alan Burgess' novel The Small Woman was the source for the British/American co-production Inn of the Sixth Happiness. Set in the China of the 1930s, the film stars Ingrid Bergman as real-life missionary Gladys Aylward. Against the advice of practically everyone, Gladys heads into the war-ravaged interior to spread the Christian gospel. She finds a powerful ally in the form of an elderly Mandarin (Robert Donat) who, despite his early efforts to rid himself of the troublesome Gladys, eventually converts to Christianity. Gladys' burgeoning romance with Chinese army officer Lin Nan (Curt Jurgens) is interrupted when she is obliged to guide a group of Chinese children to safety over some of the most treacherous of Northern China's mountain regions. Inn of the Sixth Happiness retains its entertainment value some four decades after its production, even allowing for the preponderance of Occidental actors in Oriental roles. The film also served to breathe new life into the old children's nonsense song "This Old Man" (aka "Knick, Knack, Paddywhack"). ~ Hal Erickson, All Movie Guide

Anastasia is adapted from the popular stage play by Marcelle Maurette. The scene is Paris in the early 1920s. Ingrid Bergman plays a would-be suicide who is rescued by Russian expatriate Yul Brynner. Brynner's motives are far from altruistic; together with a group of Russian cohorts, he hopes to pass Bergman off as Princess Anastasia, the daughter of the late Czar Nicholas. If the conspirators are successful, they stand to collect the ten million pounds held in trust for Anastasia in the Bank of England. The biggest obstacle facing Brynner and company is the surviving Romanov empress (Helen Hayes), who must be convinced beyond a shadow of a doubt that Bergman is the genuine article. Anastasia represented Ingrid Bergman's return to Hollywood after several years' exile following her "scandalous" affair with Italian director Roberto Rossellini. ~ Hal Erickson, All Movie Guide