Tony Plana Movies
The slightly gritty and wizened Cuban-American actor Tony Plana boasts a resumé that is no less than extraordinary. Whatever the limitations of Hispanic typecasting, Plana soared high above them from the time of his debut in the early '80s, seeking out roles in several of Hollywood's most respected and venerable films -- ethnically themed and otherwise. He first culled attention as Rudy in Luis Valdez's stylized, theatrical period piece Zoot Suit (1981), starring a then-unknown Edward James Olmos. Plana's subsequent efforts read like a best-of early-'80s cinema; he tackled An Officer and a Gentleman (1982), Love and Money (1982), Valley Girl (1983), and El Norte (1983), all within a few years of one another. Plana was particularly effective as Fr. Manuel Morantes in John Duigan's wondrous, overlooked biopic Romero (1989, about archbishop and activist Oscar Romero) and as Carlos Bringuier in Oliver Stone's JFK (1991). In the 2000s, Plana unveiled a heightened interest in television, gracing the casts of such series as Ally McBeal and The Drew Carey Show as an occasional guest performer. Plana is best known to younger viewers, however, for two small-screen portrayals: that of cutthroat terrorist Omar in 24, and -- on a very different note, Ignacio -- the widower dad of the title character -- on the comedy drama Ugly Betty.Educationally, Plana trained in the drama programs at Loyola Marymount University and London's Royal Academy of Dramatic Art. He made the leap from acting to directing with two projects: A Million to Juan (1994, co-helmed with Paul Rodriguez) and The Princess and the Barrio Boy (2000). The latter constitutes Plana's directorial debut. It tells of a young well-to-do Hispanic woman (Marisol Nichols) who bucks convention by falling for a working-class boy, and simultaneously attempts to stand in the way of her father's marriage to a wicked lover. ~ Nathan Southern, All Movie Guide
Also known as Mystique, Brainwash and The Naked Weekend, Circle of Power is not recommended viewing for any aspiring executive about to undergo leadership classes. Yvette Mimieux plays the head of an organization called Executive Development Training, or EDT for short. Her grueling technique requires that both the male trainees and their wives participate. Few of the participants seem psychologally suited for the EST-like excesses of EDT: one man is a closeted homosexual, another an alcoholic, a third a transvestite. Nor is Yvette about to cater to the more sensitive of her charges: at one point, an obese trainee is forced to eat garbage. It's hard to tell if we're supposed to take all this seriously or not. ~ Hal Erickson, All Movie Guide
- Starring:
- Yvette Mimieux, Christopher Allport, (more)
Based on a 1940s Los Angeles murder trial, this film follows the case of members of a Mexican-American gang, led by Henry Reyna (Daniel Valdez), as they are tried and sentenced to San Quentin for a murder they may not have committed. ~ Iotis Erlewine, All Movie Guide
- Starring:
- Daniel Valdez, Edward James Olmos, (more)
The 1981 TV version of Madame X was the seventh filmization of the old war-horse play by Alexandre Bisson. This time around, Tuesday Weld (replacing Susan Blakely) plays the poor woman (an airline stewardess in this version) who marries "outside her class" (hubby is a Presidential candidate). She is disgraced, gives up her baby to her wealthy in-laws, and sinks into a life of degradation. 25 years later the woman is accused of murder, and is defended in court by her own grown-up offspring. Adaptor Edward Anhalt makes a few feeble stabs at updating the story, adding drug abuse to the woman's descent into prostitution. Also, her child is now a girl instead of a boy, rabbeting a tentative feminist angle in the proceedings. Other than that, the 1981 Madame X has even less to offer than the lavish but empty 1966 Lana Turner version--except for an offbeat appearance by comedian Jerry Stiller as a slimy blackmailer. ~ Hal Erickson, All Movie Guide
Two unwed youths head for New York tenements with their child after they are driven from their homes. ~ Kristie Hassen, All Movie Guide
In this made-for-television drama, an older woman (Joanne Woodward), who fights to get by in her new career as a real estate agent, gets quiet revenge upon the street punks who slashed the tires of her car. ~ Sandra Brennan, All Movie Guide
Quincy (Jack Klugman) is outraged to discover that an accident victim had died when he was refused admittance to the hospital run by Dr. Chet Rawlins (James Karen). Investigating, Quincy finds out that Rawlins' hospital regularly turns away emergency cases if they are unable to pay for treatment--and that this isn't the first time that someone has died unnecessarily because of this discriminatory policy. It now falls to Quincy to prevent Rawlins from purchasing another hospital and causing future tragedies with his greed and callousness. ~ Hal Erickson, All Movie Guide












