Larry Pine Movies

Spike Lee directed this comedy-drama about a woman who falls into a career in phone sex. An African-American woman (Theresa Randle) who aspires to a career as an actress endures a number of dispiriting jobs (handing out leaflets and working as a coat check girl) before reaching the end of her rope at an audition with Q.T. (Quentin Tarantino), a sleazy movie director. Q.T. claims that he wants to offer her a role in his next film -- but since the role requires nudity, she will have to show him her breasts first. After firing her agent, the actress is strapped for cash and is offered a job enacting sexual fantasies for men over the phone. Dubbed "Girl 6" by her employers, the actress is treated with respect by her boss (Jennifer Lewis) and is well-liked by her co-workers. However, she has a hard time emotionally distancing herself from her work, and she finds herself becoming infatuated with Bob (Peter Berg), one of her regular callers, going so far as to set up a meeting with him. As she deals in other people's fantasies for a living, Girl 6 begins retreating into her own world of make-believe, where she can be a sexy screen siren or a butt-kicking blaxploitation star. Meanwhile, her former fiancé (Isaiah Washington), who scrapes by as a shoplifter, desperately wants her to give him another chance, and her next door neighbor, a baseball card collector named Jimmy (Spike Lee), keeps pestering her that she ought to be doing something more positive with her life. Girl 6's supporting cast includes Madonna as one of Girl 6's supervisors, John Turturro as her agent, and Debi Mazar as one of the other phone-sex girls; the film also features an original song score by Prince. ~ Mark Deming, All Movie Guide

In the late 1980s, noted theatrical director Andre Gregory assembled a group of friends and actors and began rehearsing a new translation of Anton Chekhov's Uncle Vanya by David Mamet, not with any specific performance in mind but as a way of exploring the beauty and precise construction of Chekhov's play. Louis Malle, a friend of Gregory's, became interested in the project and spent two weeks filming Gregory's actors as they performed Uncle Vanya without an audience in a run-down theater near New York's Times Square. In these performances, the line between theater and real life is blurred as conversations between actors -- juggling take-out cups of coffee and wearing street clothes -- slowly grow into a superb performance of Chekhov's classic, with Wallace Shawn as Vanya, Julianne Moore as Yelena, Brooke Smith as Sonya, and Larry Pine as Dr. Astrov. With a certain sad irony, this marvelously realized adaptation of a play about people wondering what they've done with their lives proved to be Louis Malle's final film; he died of cancer in 1995. ~ Mark Deming, All Movie Guide

A divorced, thirtysomething private investigator has an early mid-life crisis and goes looking for love. As a detective, Ryan specializes in providing evidence of infidelity for spouses seeking grounds for divorce. He is assisted by his partners Vernon, a genius with technical gadgetry and Dean, his free-wheeling cameraman. Dean frequently gives Ryan a hard time about having no discernible love life. This constant razzing wears on the over-analytical Ryan and he employs a computer dating service and through them meets the lovely Tura an independent-minded girl who is as emotional as Ryan is rational. Still the detective falls deeply in love with her. Unfortunately, he is afraid to commit and she dumps him. She begins seeing others and this makes Ryan so jealous that he begins using his equipment to surveil her. This infuriates Tura and only makes matters worse in the long run. ~ Sandra Brennan, All Movie Guide

The eponymous team consists of four residents of a New Jersey psychiatric hospital: ex-postal worker Henry Sikorsky (Christopher Lloyd), who fancies himself a doctor; one-time ad agency exec Jack McDermott (Peter Boyle), suffering from a Messiah/martyr complex; writer Billy Caulfield (Michael Keaton), who cannot abide the "idiots" in the world (namely, everyone but himself); and TV-obsessed Albert Ianuzzi (Stephen Furst). Permitted a field trip to a baseball game, the four unfortunates wander off when psychiatrist Dr. Weitzman (Dennis Boutsikaris) is waylaid by two corrupt police officers after he witnesses them killing a third cop. The innocent inmates are accused of attacking Dr. Weitzman, but it is they who team up to bring the actual culprits to justice. ~ Hal Erickson, All Movie Guide

Anna's early scenes concentrate upon Czech refugee Krystyna (Paulina Porizkova), who arrives in New York in search of her idol, famed actress Anna (Sally Kirkland), who was denied reentry to her native country after the 1968 communist invasion. Unable to recapture her celebrity in New York, Anna is forced to go through a series of humiliating auditions conducted by insensitive directors who have no inkling who she is. She must also endure marriage to a self-involved music video director (Robert Fields). When Krystyna and Anna finally meet, each draws strength from the other, enabling both women to survive whatever indignities life has to offer. ~ Hal Erickson, All Movie Guide

Genre pioneer Larry Cohen, who broke new horror ground with the killer-baby hit It's Alive!, takes a stab at the giant-monster scenario with this enjoyable low-budget exercise. The title refers to the winged Aztec god Quetzalcoatl, represented here as a dragon-like flying lizard (thanks to some quaint but amusing stop-motion animation from David Allen), who decides to take up residence in the art-deco spire of the Chrysler Building, taking frequent jaunts in the midday sun to nip the heads off various hapless New Yorkers. The resulting bloody mess confounds detectives Shepard (David Carradine) and Powell (Richard Roundtree), who are already scratching their heads over a series of bizarre ritual murders linked to a secret Aztec cult. Into the picture comes the film's protagonist -- neurotic, sweaty, paranoid crook Jimmy Quinn (Michael Moriarty, in a tour-de-force performance), a two-bit wheel-man with aspirations of becoming a jazz pianist. After a botched diamond heist leads Quinn to Q's lair, his attempts to go straight take a side-turn as he decides to extort from the city an enormous sum in exchange for directions to the monster's nest. A few sneaky deals later, the location falls into Shepard's hands, and he leads a paramilitary assault on the Chrysler Building, where the creature's humongous egg is about to hatch. Rude, edgy, fast-paced, and peppered with witty dialogue (most of which can't be repeated here), Cohen's script retains the spirit of classic monster movies like The Beast from 20,000 Fathoms, injecting it with tough, gangster-movie moxie. Moriarty's unbelievable performance -- one of three collaborations with Cohen -- finds him chewing acres of scenery as a contemptible, loud-mouthed goon who's too funny to hate; Moriarty also composed and performed two schizophrenic piano numbers for the film. ~ Cavett Binion, All Movie Guide

Gene Wilder stars as Michael Jordon, an architect on the run from false murder charges, who hooks up with Kate Hellman (Gilda Radner), the sister of a recent suicide victim. ~ Jason Ankeny, All Movie Guide