Barbara Pilavin Gelber Movies

The All-American Girls' Professional Baseball League was founded in 1943, when most of the men of baseball-playing age were far away in Europe and Asia fighting World War II. The league flourished until after World War II, when, with the men's return, the league was consigned to oblivion. Director Penny Marshall and screenwriters Lowell Ganz and Babaloo Mandel re-create the wartime era when women's baseball looked to stand a good chance of sweeping the country. The story begins as a candy-bar tycoon enlists agents to scour the country to find women who could play ball. In the backwoods of Oregon, two sisters -- Dottie (Geena Davis) and Kit (Lori Petty) -- are discovered. Dottie can hit and catch, while Kit can throw a mean fastball. The girls come to Chicago to try out for the team with other prospects that include their soon-to-be-teammates Mae Mordabito (Madonna), Doris Murphy (Rosie O'Donnell), and Marla Hooch (Megan Cavanagh). The team's owner, Walter Harvey (Gary Marshall) needs someone to coach his team and he picks one-time home-run champion Jimmy Dugan (Tom Hanks), who is now a broken-down alcoholic. After a few weeks of training, as Dugan sobers up, the team begins to show some promise. By the end of the season, the team has improved to the point where they are competing in the World Series (which is no big deal, since there are only four teams in the league). ~ Paul Brenner, All Movie Guide

Lenny (Tom Sizemore) is the kind of man who simply cannot get through the day without messing up, or suffering some amazing piece of bad luck. As a consequence, he has lost every one of the jobs his uncle has set him up with. That's how he loses his job as a gas station attendant: he leaves the place to ferry Eloise, a particularly good-looking girl, to a job interview. She looks like a good thing for him though, and they move in together, despite a lack of funds. Soon, he even loses his job at a porno flick, when that gets raided by the police. Oddly, he is almost insanely jealous of Eloise's former boyfriends. After the pair of them become homeless, he cooks up a scheme to recoup some money that proves he is completely clueless, once and for all. ~ Clarke Fountain, All Movie Guide

In this odd mystery, based on the play The Astrakhan Coat by Pauline Macaulay, a group of English eccentrics conspires and connives to get a clueless young man to purchase a particularly fine leather jacket which was previously owned by one of them. Claud Thatch (Randy Harrington) sees an advertisement at the neighborhood laundromat offering the aforesaid jacket for very little money. He answers the ad, meets quite a few people in connection with it, and purchases the coat even though its cost is somewhat beyond his means. A series of misadventures follows which gradually reveal why the conspirators were so oddly eager to have Claud buy the coat. ~ Clarke Fountain, All Movie Guide

A cop from Los Angeles travels to Miami to seek revenge against Cuban drug runners who killed his friend. ~ John Bush, All Movie Guide

Charles Bronson at 63 or so, continues his vigilante persona in this run-of-the-mill crime drama about a Richard Speck-style killer who knifes young nurses to death. There is no doubt that the film exploits both the heinous, 1966 Speck murder of eight nurses in Chicago and an audience's willingness to go along with the Bronson character, Leo Kessler, when he uses illegal means to entrap criminals. The captured killer, Warren Stacey (Gene Davis) manages to go free because of red tape and the need to wait for the outcome of his insanity plea. When he returns to his murderous predilection, Kessler takes action to permanently stop him. ~ Eleanor Mannikka, All Movie Guide

When pimp Ramrod (Wings Hauser) is wanted by the police for murder, an undercover detective, Tom Walsh (Gary Swanson), enlists the aid of prostitute Princess (Season Hubley), a loving mother struggling to support her kid, to help capture the fiend. ~ Iotis Erlewine, All Movie Guide

Made for television, the movie concerns a young unmarried girl who must decide whether to have an abortion. With the help of her own mother (Susan Clark), she tries to make the right decision. ~ John Bush, All Movie Guide

In turn-of-the-century Sicily, aristocratic scions Adriana (Sophia Loren) and Cesar (Richard Burton) have loved one another for years, but Adriana accedes to the wishes of Cesar's father and marries his foolish younger brother Antonio (Ian Bannen). When Antonio dies, much to the relief of everyone, it looks as though the coast is now clear for Cesar to marry Adriana after a suitable mourning period. Alas, she has a fatal illness and it is not to be. This romantic melodrama is chiefly distinguished by the fact that it is the last film directed by the legendary Vittorio de Sica, who died shortly afterward. ~ Clarke Fountain, All Movie Guide