Antonio Pierfederici Movies
- 1988
Nino Manfredi plays Pontius Pilate, the Roman governor who carried out the execution of Jesus. He ignores several signs that proclaim that Jesus is the son of God, including the faith of his wife Claudia (Stefania Sandrelli). Pilate is tormented by his actions and later offers his life to Roman Emperor Tiberius in exchange for an end to the persecution of the Jews. ~ Dan Pavlides, Rovi
- Starring:
- Nino Manfredi, Stefania Sandrelli, (more)
Having previously staged Verdi's 1887 opera Otello at the Met and La Scala, filmmaker Franco Zeffirelli committed his production to film in 1986. Starring as the fatally jealous Moor of Venice is Placido Domingo, who had also headlined Zeffirelli's 1976 La Scala staging (production on the film was briefly interrupted while Domingo participated in the rescue operations following the Mexico City earthquake). While Katia Ricciarelli as Desdemona and Justino Diaz as Iago perform their own singing, Zeffirelli's Cassio--played by real-life European prince Urbano Barberini--is dubbed by Ezio de Cesare. The director made several cuts in the original libretto and score in order to accommodate the film's two-hour time limit, but these excisions are done with taste and discretion. Because of the excessive violence in the third act--two murders, a suicide, a superficial throat-slashing--Otello was released with a PG rating. ~ Hal Erickson, Rovi
- Starring:
- Plácido Domingo, Katia Ricciarelli, (more)
Director Franco Zeffirelli's 1968 version of Shakespeare's Romeo and Juliet was touted at the time of its release (successfully, if the box-office receipts are any indication), as something of a "youth trip" movie. This is because Zeffirelli broke the long-standing tradition of casting over-aged, sometimes grey-haired players in the title roles. Seventeen-year-old Leonard Whiting plays Romeo, with 15-year-old Olivia Hussey as Juliet. The youthfulness and inexperience of the leading players works beautifully in the more passionate sequences (some of these breaking further ground by being played in the nude). Among the younger players are Michael York as Tybalt and John McEnery as Mercutio. The duel between Romeo and Tybalt starts out as a harmless, frat-boy exchange of insults, then escalates into tragedy before any of the participants are fully aware of what has happened. Photographed by Pasqualino DeSantis on various locations in Italy, Romeo and Juliet was one of the most profitable film adaptations of Shakespeare ever produced. Its most lasting legacy is its popular main theme music, composed by Nino Rota. ~ Hal Erickson, Rovi
- Starring:
- Olivia Hussey, Leonard Whiting, (more)
Generally considered to be the foremost example of Italian Gothic horror, this darkly atmospheric black-and-white chiller put director Mario Bava on the international map and made the bewitching Barbara Steele a star. Steele plays Princess Asa, a high priestess of Satan who is gruesomely executed in 1600s Moldavia by having a spiked mask hammered into her face. Before she dies, Asa vows revenge on the family who killed her and returns from the grave two centuries later to keep her promise. In a striking resurrection scene replete with bats, scorpions and fog, Asa rises from the tomb to claim her bloody vengeance. With vampires, bubbling flesh, dank crypts, undead servants and torch-bearing mobs, the plot is a little ripe, but the visuals are Bava's primary consideration. The atmosphere is so heavy and the imagery so dense that the film becomes nearly too rich in texture, but the sheer, ghastly beauty of it all is entrancing. Although this was only the second of Bava's twenty-six films as director, it is undoubtedly his best and the one upon which most of his considerable reputation rests. ~ Robert Firsching, Rovi
- Starring:
- Barbara Steele, John Richardson, (more)
