Wendell Pierce Movies

A college student is torn between his friends' active-protest, anti-establishment mentality and the conservative values of his parents in this slow-moving drama. The film is leavened somewhat by a great soundtrack (Pixies, Throwing Muses, Minutemen) and appearances by Fred Schneider from the B-52's and X's John Doe. ~ John Bush, All Movie Guide

Reminiscent of David Lynch's acclaimed The Straight Story, this drama focuses on forgiveness, redemption, and a rider lawnmower. Ernest Borgnine stars as aging war veteran Hotis Brown, who learns that his brother -- to whom he has not talked in 50 years -- is dying. Too proud to accept a police escort from well-meaning local sheriff Bernie (James Morrison), Hotis points his lawnmower West and starts driving. In spite of the veteran's grumpy rebuffs, Bernie checks up on him and brings him food. Slowly Hotis begins to accept the sheriff's kindness, and the two develop an odd sort of friendship. Hotis confides in Bernie the terrible secret that ended his relationship with his brother, allowing the ornery old man to heal his wounds. Meanwhile, sister-in-law Emmeline (Kim Hunter) dutifully watches over her husband. Abilene was screened at the 1999 San Sebastian Film Festival. ~ Jonathan Crow, All Movie Guide

Warren Beatty directed, co-produced (with Pieter Jan Brugge), co-scripted (with Jeremy Pikser), and stars in this political satire, a comedy-drama about a U.S. senator who decides to start speaking the truth. Despondent California Sen. Jay Bulworth (Beatty), up for re-election, is disillusioned by the usual campaign banalities; his marriage to Constance (Christine Baranski) seems equally hollow. In the midst of a nervous breakdown, Bulworth goes without sleep or food for three days and takes out a $10 million insurance policy on himself while arranging his own assassination. Drinking during a return to Los Angeles, Bulworth is scheduled to speak at an African-American church in South Central L.A. Once there, he tosses aside his prepared speech, startling both the audience and his campaign manager Murphy (Oliver Platt) by improvising truthful remarks instead of the familiar rhetoric. These loose-cannon salvos gain the attention of an attractive young woman, Nina (Halle Berry). Bulworth finds an exhilaration with this new freestyle approach, and after shocking a gathering in Beverly Hills with further fulminations, Bulworth invites Nina and her girlfriends into his limo. During a spaced-out sojourn at one of South Central's more frenzied after-hours clubs, Bulworth gains respect for hiphop culture. Still reeling from insights gained by this nightlife, he arrives the next day for a fund-raising function at the Beverly Wilshire, startling everyone with a diatribe delivered in the intonations of a rap artist. His interest in Nina and his new optimistic outlook on life give Bulworth a sense of elation and a will to live. He phones to call off the hit, but gears have been set in motion. After an assumed hitman turns up during a church appearance, Bulworth flees, and Nina offers him a safe-house hideout at the home of her family, veterans of the Civil Rights movement. Here Bulworth goes through the final steps in his transformation -- making a Kennedy-styled connection with the disenfranchised as he tunes into forgotten memories of the '60s. Outfitted in homeboy clothing, the born again Bulworth heads for a TV station to unleash even more caustic comments on the American political scene. Language and drug use brought this film an R rating. ~ Bhob Stewart, All Movie Guide

Casualties of War was based on a New Yorker article by Daniel Lang. This, in turn, was inspired by a true incident which illustrated the dehumanizing aspects of the Vietnam experience. Michael J. Fox plays Eriksson, a member of an American squadron stationed in the deepest jungles of Southeast Asia. Sean Penn co-stars as Meserve, the squadron sergeant, who vows revenge after his best friend is killed. He orders his men to invade a village and "requisition" a young Vietnamese girl (Thuy Thu Lee), who is repeatedly tied, gagged and gang-raped. The horrified Eriksson refuses to participate in these atrocities, and he does his best to console the girl and to attempt to free her. Before this can happen, however, Meserve orders another man to kill the girl. Once he returns to camp, Eriksson attempts to file a report on the tragedy and to bring Meserve and the others to justice, but he is stonewalled by the brass and threatened with death by his fellow soldiers. Eventually Meserve and his co-conspirators are jailed for their crimes, but Eriksson can never forget his "compliance" in the incident by failing to save the girl. The script is by well-known playwright David Rabe. ~ Hal Erickson, All Movie Guide

Released one year to the day after the 1995 Million Man March, in which a million African-American men marched peacefully in Washington, D.C. in a bid for greater unity and understanding, Spike Lee's Get On the Bus follows a group of black men who take a charter bus from Los Angeles to the rally in the nation's capital and watches as they interact and air their personal issues and concerns. George (Charles S. Dutton) is the organizer of the trip and de facto leader of the group. Evan Thomas (Thomas Jefferson Byrd) is a truck driver who travels to the march with his son (De'Aundre Bonds) chained to his belt by court order after the boy was arrested for petty theft. Kyle (Isaiah Washington) and Randall (Harry Lennix) are gay lovers who take no small amount of abuse from their fellow passengers. Gary (Roger Guenveur Smith) is the product of a mixed-race marriage who could pass for white but sees himself as black; he's also a cop, which does little to endear him to his peers. Flip (Andre Braugher) is an actor who seems more concerned with getting his next film role than the larger issues of the march. Jamal (Gabriel Casseus) is a good-natured young Muslim trying to lead a righteous life to make up for his violent past as a gang member. A film student (Hill Harper) is capturing the trip on videotape, and Jeremiah (Ossie Davis) sits in the back, reflecting on the struggles of African-Americans in the past and present. Financed by a private group of 15 black American men (among them Will Smith and Wesley Snipes), Get On the Bus speaks less of a single political goal than of the need for black men to set aside their differences to work for their common good. While the film falls short of openly criticizing Million Man March organizer Louis Farrakhan, it does present debate about Farrakhan's ideals and statements, ultimately coming to the conclusion that whoever brought this group together is less important than the fact that they came together in peace and brotherhood. ~ Mark Deming, All Movie Guide

Actor/comedian Chris Rock directs and stars in this American remake of Eric Rohmer' s classic French comedy Chloe in the Afternoon. Richard Cooper (Rock) is a high-powered investment banker with a beautiful wife and two wonderful children. Though on the surface it would appear that Richard could want nothing more out of life, his thoughts always seem to drift toward sex. Whether it's during his daily commute into the city, his endless barrage of meetings, or even his downtime changing diapers at home, Richard's mind is constantly preoccupied by fantasies about the women he sees on the commuter train, on the city streets, and in the boardroom. Richard's daily life has gradually devolved into a blur of mind-numbing banality, and these days sexual fantasy has become his sole means of escaping the constant pressures of work and fatherhood. Though Richard never had any real intention of cheating on his faithful but preoccupied wife Brenda (Gina Torres), a chance run-in with his old friend Nikki (Kerry Washington) -- a drop-dead gorgeous stunner who appears at his office door one day seeking career advice from the successful banker -- finds his steely resolve fast turning flimsy. It's not long before the smitten Richard and the smoldering Nikki are meeting for clandestine lunches, and temptation begins to turn Richard's once-predictable life upside down. As his uncontrollable fantasies begin to lead him down the dangerous path of infidelity, the man who once kept his libido safely in check finds it increasingly difficult to refrain from acting on his impulses. ~ Jason Buchanan, All Movie Guide

Wim Wenders drama Land of Plenty stars John Diehl and Michelle Williams as two very different people who are brought together for an unconventional road trip. The film takes place after September 11, 2001, and the main characters are dealing with their grief in very different ways. Paul (Diehl) keeps his paranoid eye on the lookout for terrorists wherever he goes. His niece Lana, Williams) does charity work for the indigent. After a young Muslim is shot dead, the uncle and niece travel together - her to bring the body back to the family, he to wipe out the terrorists he is convinced the young man worked with. ~ Perry Seibert, All Movie Guide

A teenager is found dead in a hospital ER. The subsequent investigation leads to a bizarre religious ritual, "dictated by a saint." Once the D.A.'s office takes over the case, they must deal with a self-styled prophet with a powerful gift for mass persuasion -- which may prove problematic once the fanatical defendant faces a jury of peers. ~ Hal Erickson, All Movie Guide

Produced by Jamie Foxx for HBO, this drama stars Queen Latifah as Ana a woman struggling to maintain a happy life despite being HIV-positive. Though her home-life seems happy with a loving husband and young daughter, Ana remains haunted by a past that produced Kelly (Rachel Nicks), a resentful estranged older daughter who now lives with Ana's mother. Juxtaposed with Ana's healthy approach to life with HIV is Amare (Evan Ross), a friend of Kelly's who uses narcotics to deal with the disease. Life Support screened at the 2007 Sundance Film Festival. ~ Matthew Tobey, All Movie Guide

There's a real murder and a real mystery in Woody Allen's Manhattan Murder Mystery, but these plot pegs are used mainly to allow Allen to explore modern urban relationships. Allen plays a N.Y.C. book editor, Larry Lipton, married to Carol (Diane Keaton, who replaced Mia Farrow at the last minute, for reasons well publicized at the time). Carol is a free spirit, ever willing to try new experiences, but Larry is a wet blanket. When it begins to look like a neighbor has killed his wife, Carol is eager to investigate the mystery, but Larry thinks her suspicions are nonsensical and doesn't want to leave his apartment. Undaunted, Carol finds another "Nick Charles" in the form of family friend Ted (Alan Alda), who joins the investigation, and feels attracted to Carol and isn't afraid to let her know. Meanwhile, a writer under Larry's aegis (Anjelica Huston), who feels romantically drawn to him, also decides to join in the fun. Slightly jealous of Carol in the face of her budding relationship with Ted, Larry reluctantly agrees to go along on her clue-hunting expedition -- and it is he who discovers the corpse, who as it turns out was killed after Carol started poking around the apartment building. ~ Hal Erickson, All Movie Guide

A teenage girl struggles with her sexuality and her identity in this short coming-of-age drama from filmmaker Dee Rees. Alike (Adepero Oduye) is a seventeen-year-old African-American woman growing up in the Bronx. Alike's parents are devout Christians, and around them she's well mannered and behaves in a soft and feminine fashion. However, one night Alike sneaks out to a nightclub and we're given a glimpse of her other life as she displays the harder, more masculine attitude she can reveal when she's out among her friends. However, as Alike's curfew approaches, the two sides of her personality begin to meld, as she has to become her parents' little girl on the way home from the dance club where she can reveal her secret self. Produced as a preview of an upcoming feature film, Pariah was voted Best Narrative Short at 2007's NewFest: The New York Lesbian, Gay, Bisexual and Transgendered Film Festival. ~ Mark Deming, All Movie Guide