Wendell Pierce Movies

For the fifth and final season of this groundbreaking urban drama, series creator David Simon returns to his old stomping grounds at the Baltimore Sun, where he worked for many years as a crime reporter, to examine the media's role in modern society. This fictionalized version of what was once a newspaper of record is experiencing tough economic times, precipitating layoffs and a hollow mantra from management to "do more with less." These marching orders are met with derision by Gus Haynes (Clark Johnson), an old-school City Desk editor who encourages eager young journalists such as Alma Gutierrez (Michelle Paress) to hone their craft. The cutbacks at the Sun mirror those at City Hall, where Mayor Carcetti (Aidan Gillen) -- who's too busy angling for a gubernatorial run and convicting corrupt politico Clay Davis (Isiah Whitlock Jr.) to care-slashes the police budget to save money. But the decimation of the department's morale and matériel is too much for Jimmy McNulty (Dominic West). The maverick detective, who is not only back in Homicide but regressing to his tomcatting ways, fabricates a grisly crime that catches the eye of self-serving Sun reporter Scott Templeton (Tom McCarthy). And although his sensational articles about a rampaging serial killer are met with skepticism by Haynes, they're championed by his prize-hungry bosses. McNulty's scheme doesn't sit well with his partner Bunk (Wendell Pierce), but is embraced by Det. Freamon (Clarke Peters) if the means justify the restoration of funding to pursue drug lord Marlo Stanfield (Jamie Hector). Free of law-enforcement scrutiny, Marlo shields himself with onetime Barksdale attorney Maurice Levy (Michael Kostroff) on a quest to rule the entire city's drug trade, and tempts fate by luring stickup artist Omar (Michael K. Williams) back to town to settle an old score. Meanwhile, former addict Bubbles (Andre Royo) struggles to stay clean, but finds it hard to face his demons at Narcotics Anonymous meetings. ~ Joe Friedrich, All Movie Guide

David Simon's masterful social commentary went back to school, quite literally, in the fourth season, which focuses on Baltimore's crumbling education system. A relevant link to its first three seasons is supplied by Roland "Prez" Pryzbylewski (Jim True-Frost), who left the police department to become a teacher at Edward Tilghman Middle School, a hardscrabble institution on life support that services a low-income, drug-infested neighborhood. (Incidentally, Prez's career path is similar to one of the series' producers, Ed Burns). His eighth-grade math class includes a close-knit quartet of friends -- Randy Wagstaff (Maestro Harrell), Michael Lee (Tristan Wilds), Duquan "Dukie" Weems (Jermaine Crawford) and Namond Brice (Julito McCullum). The wisecracking Brice is ignominiously selected to be part of a university experiment studying at-risk kids, which counts a former police commander, Bunny Colvin (Robert Wisdom), as a consultant. Out on the corners, Marlo Stanfield (Jamie Hector) strengthens his grip on the city's West Side narcotics trade once dominated by the Barksdale gang, and with his cold-blooded lieutenants, Chris (Gbenga Akinnagbe) and Snoop (Felicia Pearson), devises an ingenious method to hide the collateral damage of his ascent from the law. This sleight-of-hand bedevils detectives Freamon (Clarke Peters), Greggs (Sonja Sohn) and Bunk (Wendell Pierce). The trio are flummoxed by the lack of victims that would surely coincide with Marlo's ever-widening domain, a savage power grab that also threatens the relative peace of the New Day Co-Op under East Side pooh-bah Proposition Joe (Robert F. Chew). Meanwhile, the Democratic primary in the city's mayoral campaign pits the entrenched African-American incumbent, Clarence Royce (Glynn Turman), against Councilman Tommy Carcetti (Aidan Gillen), a scrappy politico with a savvy campaign manager in Norman Wilson (Reg E. Cathey), but a long shot to become Charm City's first white chief executive in years. ~ Joe Friedrich, All Movie Guide

Wim Wenders drama Land of Plenty stars John Diehl and Michelle Williams as two very different people who are brought together for an unconventional road trip. The film takes place after September 11, 2001, and the main characters are dealing with their grief in very different ways. Paul (Diehl) keeps his paranoid eye on the lookout for terrorists wherever he goes. His niece Lana, Williams) does charity work for the indigent. After a young Muslim is shot dead, the uncle and niece travel together - her to bring the body back to the family, he to wipe out the terrorists he is convinced the young man worked with. ~ Perry Seibert, All Movie Guide

Season three of The Wire continues the series' even-handed dissection of the Baltimore "drug wars," as seen through the eyes of both the police investigators and the drug lords. With charismatic hoodlum Stringer Bell (Idris Elba) emerging as the unofficial leader of the Barksdale drug empire, and with narcotics detective James McNulty (Dominic West) allowing his personal demons to catch up with him vis-à-vis an ever-increasing dependence upon booze, a curious dichotomy is established whereby Stringer often comes off as the more mentally stable and morally responsible of the two men. Even so, Stringer and McNulty are but two of the series' 40-plus recurring characters, meaning that their individual travails are never permitted to overwhelm the series' overall narrative thrust. Dictating the direction in which the 12 episodes of season three will follow is a burgeoning political-reform movement in Baltimore, with the ongoing drug investigation becoming a volatile campaign tool. Before long, "body counts" on both sides are being publicly tallied in a manner that dredges up grim memories of Vietnam. And though the story arcs have become more complex and multi-layered, there is still plenty of time to develop such quirky vignettes as the "trading" of drug-free urine from Baltimore's daycare centers. The season's final episode is titled "Mission Accomplished" -- as grotesquely ironic as when those same two words were prematurely applied to war in Iraq. The most startling development of the season-three finale is the sudden demise of one of the series' main players...with his greatest enemy becoming his biggest mourner. ~ All Movie Guide

The Baltimore "drug wars" enter a new phase (with a few diversions along the way) as The Wire launches its second season of 12 hour-long episodes. Although he was instrumental in weakening the Barksdale drug empire during the previous season, narcotics-division detective James McNulty (Dominic West) ruffled too many high-ranking feathers in the process, and has been demoted and reassigned to the Baltimore Police Harbor Unit. Swallowing his pride, McNulty is able to unearth a hotbed of corruption and duplicity within the Dockworker's Union, his investigation sparked by the recovery of a woman's body floating in the harbor -- which in turn leads to the recovery of 13 other corpses, all female. This season, the fly in the ointment vis-à-vis the "negotiations" between the good guys and the bad guys is Ziggy Sobotka (James Ransome), the loose-cannon son of the Union's secretary treasurer, Frank Sobotka (Chris Bauer). These new plot developments do not in any way eclipse the Baltimore PD's ongoing campaign to bring the drug-dealing Barksdale family to its knees. In fact, one of the predominant subplots involves the willingness of the Barksdales' main rival, Omar Little (Michael K. Williams), to testify in court...if he lives that long. The season's final episode is titled "Port in a Storm" -- and be assured that this port will be tragically elusive to several of the main characters. ~ All Movie Guide

A teenager is found dead in a hospital ER. The subsequent investigation leads to a bizarre religious ritual, "dictated by a saint." Once the D.A.'s office takes over the case, they must deal with a self-styled prophet with a powerful gift for mass persuasion -- which may prove problematic once the fanatical defendant faces a jury of peers. ~ Hal Erickson, All Movie Guide

When popular San Francisco Condors basketball star Joe Campbell (Holt McCallany) is accused of rape, nobody--not the public, not his teammates--can bring themselves to believe that the sweet, babyfaced "White Knight" is guilty of the crime. Still, the case against Joe seems pretty solid, thanks to the emotional testimony of alleged victim Jennifer Darling (Jessica Tuck). Enter attorney Abe Ringel (Ken Olin), who has lost several high-profile cases of late and who needs a strong win to get back on top. Sincerely believing in Joe Campbell's innocence--or at least telling himself that he does--Ringel manages to get his client off by thoroughly discrediting and defaming the unfortunate Jennifer. Normally, that would be the end of the story...but in the months following Joe's acquittal, Abe begins picking up disturbing evidence indicating that his client was guilty as hell--and worse, that he is a dangerous serial rapist who uses the internet to stalk his previous victims. In an act of judicial attrition, Abe publicly turns against his former client. And this is when things really get ugly, as Joe orchestrates a vicious plan of vengeance--beginning with the seduction of Abe's own teenaged daughter Emma (Gina Phillips). Based on a novel by famed defense attorney Alan Dershowitz, the made-for-TV The Advocate's Devil debuted October 5, 1997 on ABC. ~ Hal Erickson, All Movie Guide

Courtney B. Vance guest stars as Benjamin "Bud" Greer, a highly successful African-American Wall Street broker. The detectives and the D.A.'s office swoop down on Greer when he is suspected of murdering his white mentor. The Defense argues that Greer should be acquitted, using the controversial (and sometimes extremely effective) argument of "black rage." ~ Hal Erickson, All Movie Guide

Seven mobsters make a nighttime heist on New York City's Kennedy Airport, in this retelling of the true story of the shocking Lufthansa robbery. This cash robbery--the largest in American history--unfolds in 1978, the scheme plotted by gangster Jimmy "The Gent" Burke. The film follows them as the characters move deeper and deeper into the violence of their crime, ~ All Movie Guide

Actor/comedian Chris Rock directs and stars in this American remake of Eric Rohmer' s classic French comedy Chloe in the Afternoon. Richard Cooper (Rock) is a high-powered investment banker with a beautiful wife and two wonderful children. Though on the surface it would appear that Richard could want nothing more out of life, his thoughts always seem to drift toward sex. Whether it's during his daily commute into the city, his endless barrage of meetings, or even his downtime changing diapers at home, Richard's mind is constantly preoccupied by fantasies about the women he sees on the commuter train, on the city streets, and in the boardroom. Richard's daily life has gradually devolved into a blur of mind-numbing banality, and these days sexual fantasy has become his sole means of escaping the constant pressures of work and fatherhood. Though Richard never had any real intention of cheating on his faithful but preoccupied wife Brenda (Gina Torres), a chance run-in with his old friend Nikki (Kerry Washington) -- a drop-dead gorgeous stunner who appears at his office door one day seeking career advice from the successful banker -- finds his steely resolve fast turning flimsy. It's not long before the smitten Richard and the smoldering Nikki are meeting for clandestine lunches, and temptation begins to turn Richard's once-predictable life upside down. As his uncontrollable fantasies begin to lead him down the dangerous path of infidelity, the man who once kept his libido safely in check finds it increasingly difficult to refrain from acting on his impulses. ~ Jason Buchanan, All Movie Guide

Warren Beatty directed, co-produced (with Pieter Jan Brugge), co-scripted (with Jeremy Pikser), and stars in this political satire, a comedy-drama about a U.S. senator who decides to start speaking the truth. Despondent California Sen. Jay Bulworth (Beatty), up for re-election, is disillusioned by the usual campaign banalities; his marriage to Constance (Christine Baranski) seems equally hollow. In the midst of a nervous breakdown, Bulworth goes without sleep or food for three days and takes out a $10 million insurance policy on himself while arranging his own assassination. Drinking during a return to Los Angeles, Bulworth is scheduled to speak at an African-American church in South Central L.A. Once there, he tosses aside his prepared speech, startling both the audience and his campaign manager Murphy (Oliver Platt) by improvising truthful remarks instead of the familiar rhetoric. These loose-cannon salvos gain the attention of an attractive young woman, Nina (Halle Berry). Bulworth finds an exhilaration with this new freestyle approach, and after shocking a gathering in Beverly Hills with further fulminations, Bulworth invites Nina and her girlfriends into his limo. During a spaced-out sojourn at one of South Central's more frenzied after-hours clubs, Bulworth gains respect for hiphop culture. Still reeling from insights gained by this nightlife, he arrives the next day for a fund-raising function at the Beverly Wilshire, startling everyone with a diatribe delivered in the intonations of a rap artist. His interest in Nina and his new optimistic outlook on life give Bulworth a sense of elation and a will to live. He phones to call off the hit, but gears have been set in motion. After an assumed hitman turns up during a church appearance, Bulworth flees, and Nina offers him a safe-house hideout at the home of her family, veterans of the Civil Rights movement. Here Bulworth goes through the final steps in his transformation -- making a Kennedy-styled connection with the disenfranchised as he tunes into forgotten memories of the '60s. Outfitted in homeboy clothing, the born again Bulworth heads for a TV station to unleash even more caustic comments on the American political scene. Language and drug use brought this film an R rating. ~ Bhob Stewart, All Movie Guide