Norman Pierce Movies
Hammer Films and director Terence Fisher followed the excellent Horror of Dracula with this well-made, richly-colored sequel which suffers only from the conspicuous lack of Dracula himself -- since Horror's Christopher Lee had declined participation in further Dracula sequels for the time being. In his stead, we have young, blond Baron Meinster (David Peel) providing the requisite vampiric threat. Though imprisoned in the family estate by his mother, Meinster is released from his silver chains by an unsuspecting French teacher (Yvonne Monlaur), through which he gains access to a veritable smorgasbord of nubile wenches at a girls' school. Fortunately, master vampire killer Dr. Van Helsing (Peter Cushing) is on the case. Besides featuring some of the best acting, photography and period detail of the Hammer Dracula series, this is also one of the first to delve into the more sexual aspects of vampirism, with implicit suggestions of incest, sadomasochism and homosexuality. ~ Cavett Binion, All Movie Guide
- Starring:
- Peter Cushing, Martita Hunt, (more)
In this crime drama, two crooked brothers, an embezzler and a gambler, find themselves in deep trouble when the embezzler steals from a steel mill so he can buy his lover fancy clothes. During the theft, he kills a night guard. This spawns an investigation by the slain watchman's son who locates a sightless witness. The son then convinces the killer that the witness saw him and this causes him to confess. ~ Sandra Brennan, All Movie Guide
After spending most of the 1950s in Europe, writer/director Robert Siodmak filmed his only picture in England: The Rough and the Smooth (US title: Portrait of a Sinner). Based on a novel by Robin Maugham, the story concerns a young archaeologist (Tony Britton), engaged to marry the daughter (Natasha Parry) of a wealthy publisher (Donald Wolfit). At the last moment, the archaeologist leaves his bride-to-be for a nymphomaniac (Nadja Tiller) with a masochistic streak. He must wrest her away from an abusive relationship with a no-good lout (William Bendix). Even Robert Siodmak was embarrassed by the lunatic excesses of Rough and the Smooth, dismissing the film with "I've seen worse, but not much worse." ~ Hal Erickson, All Movie Guide
- Starring:
- Nadja Tiller, Tony Britton, (more)
It's Great to Be Young stars John Mills as Dingle an easygoing high school teacher. When autocratic new headmaster Frome (Cecil Parker) begins imposing all sorts of repressive rules, Dingle does his best to stand up for his students, only to be dismissed for his troubles. The kids conspire to not only reinstate their favorite teacher, but to circumvent Frome's refusal to purchase new instruments for an upcoming music festival. Among the fresh new faces in the supporting cast is young Carole Shelley, who later played one of the "coo-coo Pigeon sisters" in The Odd Couple (1968). It's Great to be Young was one of a package of Associated Pathe productions to be given fitful distribution in the US by Allied Artists. ~ Hal Erickson, All Movie Guide
- Starring:
- John Mills, Cecil Parker, (more)
In this crime drama, two WW II veterans become fugitives from the police after one of them kills a man during a fight. A friendly reporter offers them sanctuary aboard her boat, but one of the two is so flighty he is almost psychotic. His erratic actions attract too much attention and during a fight with police he is killed causing his cohort to surrender. ~ Sandra Brennan, All Movie Guide
The second of Disney's British-produced "historicals" (the first was Robin Hood, the last was Rob Roy, the Highland Rogue), The Sword and the Rose eschews historical accuracy in favor of wall-to-wall adventure and eye-filling pageantry. The film takes place in the court of King Henry VIII (James Robertson Justice), whose sister Mary Tudor (Glynis Johns) has fallen in love with soldier of fortune Charles Brandon (Richard Todd). Mary appoints Brandon Captain of the Guards, which rests not at all well with her erstwhile suitor, the Duke of Buckingham (Michael Gough). Rather than foment court intrigue, Brandon decides to move on to America, only to end up in the Tower of London when Mary tags along with him, disguised as a boy. Mary is ordered by Henry to wed the aging King of France (Jean Mercure), who promptly dies, leaving the girl at the mercy of the evil Dauphin (Gerard Oury). When rescued by the Duke of Buckhingham, Mary is informed that Charles is dead, but in fact her true love still lives, as he proves beyond doubt in a climactic battle with the duplicitous Duke. Sword and the Rose was based on Charles Major's novel When Knighthood Was in Flower, previously filmed in 1923 with Marion Davies. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Todd, Glynis Johns, (more)
"Angels One Five" is the cognomen bestowed upon a group of WW II British fighter pilots. The squadron leader is Tiger Small (Jack Hawkins), who is taken out of commission after an accident. Despite the protests from his fellow flyboys, Tiger insists upon taking to the air again, thereby setting the stage for the film's exciting and inspirational finale. Angels One Five differs from other combat films in that the battles generally take place offscreen; the progress of the principal characters is relayed to the audience via radio reports and control-room charts. If this sounds dull and static, it isn't: in fact, Angels One Five is among the best of the "Battle of Britain" war epics. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Hawkins, Michael Denison, (more)
The Magic Box was the English film industry's contribution to the 1951 Festival of Britain. Its all-star cast generously forsook their usual salaries for the privilege of paying tribute to that unsung pioneer of cinema, William Friese-Greene, here played by Robert Donat. Adapted by Eric Ambler from the controversial biography by Ray Allister, Magic Box contends that Friese-Greene was the true father of motion pictures, and not such upstarts as W. K. L. Dickson and Thomas Edison. Told in flashback, the film details Friese-Greene's tireless experiments with the "moving image," leading inexorably to a series of failures and disappoints, as others hog the credit for the protagonist's discoveries. The huge cast includes such British film luminaries as Joyce Grenfell, Miles Malleson, Michael Redgrave, Eric Portman, Emlyn Williams, Richard Attenborough, Peter Ustinov, Cecil Parker, Kay Walsh, and, best of all, Laurence Olivier as the confused bobby who witnesses Friese-Greene's first motion picture demonstration. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Donat, Margaret Johnston, (more)
Filmed on location in a British industrial town, Chance of a Lifetime is a trenchantly amusing satire of labor-management relations. When a group of angry workers protest their wage and working conditions at a plough factory, they are permitted to take over the operation themselves. It isn't long before they realize that you can't run a business on idealism and goodwill. Wisely, no one in the film is depicted as a clear-cut hero or villain; "hateful" company boss Dickinson (Basil Radford) is just as human and likeable as the incensed workers. For reasons that now seem frivolous, Chance of a Lifetime was rejected by three major British distribution firms before it was picked up--at the behest of the government--by British Lion. ~ Hal Erickson, All Movie Guide
- Starring:
- Basil Radford, Niall MacGinnis, (more)
Anticipating The Defiant Ones by nearly ten years, the British My Brother's Keeper concentrates on the exploits of two handcuffed-together escaped convicts. The protagonists are career criminal George Martin (Jack Warner) and terrified "first timer" Willie Stannard (George Cole). The film is one long chase, with a brief respite to establish the relationship between Martin and his girlfriend Nora Lawrence (Jane Hylton). Despite the fact that they're polar opposites, George and Willie develop a grudging friendship and dependence upon one another, broken only by the events in the final scenes. Director Alfred Roome's utilization of actual exterior locations adds a great deal of credibility to the story. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Warner, Jane Hylton, (more)
Originally filmed in 1934 (see entry 84314), R.C. Sheriff's venerable stage comedy Badger's Green was given another screen treatment in 1949. The plot is the same as before: a group of villagers revolt when their precious cricket field is threatened with demolition by a fat-cat business firm. Most of the character names remain the same as well, with one curious exception: the heroine, played by Barbara Murray, is named Jane Morton rather than Molly Butler. Though shorter than the 1934 version, the 1949 Badger's Green enjoys far better production values. Still, the comedy content is rather dated, especially the jokes concerning class consciousness. ~ Hal Erickson, All Movie Guide
Fans of British film star Anna Neagle had a field day with her bravura Technicolor vehicle Elizabeth of Ladymead--though not enough fans showed up back in 1948 to make the film a success. Neagle portrays four different characters from four different historical periods, each named Elizabeth. The first, Beth, lives in 1854 London, as the Crimean War rages thousands of miles away. The second, Elizabeth, lives in 1903, just after the Boer war. The third, Betty, is a girl of 1919, the year after World War I. And the fourth, Liz, is a contemporary lass of post-World War II London. We watch as each of the four Elizabeths emerges as a woman of independence while the menfolk are off to war. Whenever the film becomes too repetitious, Elizabeth of Ladymead scores on the charm of Anna Neagle and her attractive deportment while wearing period costumes. ~ Hal Erickson, All Movie Guide
- Starring:
- Anna Neagle, Hugh Williams, (more)
Blanche Fury combined two elements that were surefire moneymakers in postwar Britain: a brooding, Gothic-novel storyline and the dazzlingly handsome Stewart Granger. Heroine Blanche Fury (Valerie Hobson) is an impoverished governess who marries into wealth and sets herself up as the mistress of a vast estate. Enter Heathcliffe-like stable boy Philip Thorn (Granger), who intends to run the estate and eventually claim Blanche as his own. After a torrid, bodice-ripping romance between Blanche and Philip, the story segues into a no-names-please reenactment of the infamous 19th-century "Rush Murder." To "explain" the motives of the characters, the screenwriters deviate from the original Joseph Shearing novel by imposing all sorts of 20th-century "psychological disturbances" upon hero and heroine, with an abruptness and lack of logic that takes the viewer's breath away. Up until the end, however, Blanche Fury is a prime example of high-budget postwar British melodrama. Oddly, despite its $1.5 million price tag, con brio performances and superb Technicolor cinematography, Blanche Fury was a box-office disappointment, bringing an end to the "Gothic cycle" that had begun so promisingly with 1943's The Man in Grey. ~ Hal Erickson, All Movie Guide
- Starring:
- Valerie Hobson, Stewart Granger, (more)
The popular "William" novels of British author Richmal Crompton were brought to the screen several times in 1930s and 1940s. William Goes to Town one of the better efforts in this off-and-on series. Young William Graham plays the eponymous wise-mouthed little schoolboy who causes all sorts of havoc during a trip to London. He even tries to crash the Prime Minister's headquarters to offer him financial advice! A subplot involving a circus keeps the film on an amiable kiddie-matinee level. ~ Hal Erickson, All Movie Guide
- Starring:
- Garry Marsh, Jane Welsh, (more)
The problem of "enemy" war brides was eloquently addressed in the British drama Frieda. In her English-language film debut, Mai Zetterling plays the title character, the German wife of RAF officer Robert (David Farrar). Though an avowed anti-Nazi, Frieda faces acrimony and prejudice when introduced to Robert's friends and family. The problem is exacerbated by the arrival of her brother Ricky (Albert Levien), ostensibly a conscript in the Polish army but actually an unregenerate disciple of Hitler. A satisfactory ending is reached only when everyone-Ricky included-learns to stop hating and to bury the past. Based on a play by Ronald Miller, Frieda was released in the US by Universal, shorn of but one minute of its original running time. ~ Hal Erickson, All Movie Guide
- Starring:
- Mai Zetterling, Gilbert Davis, (more)
American first lady Eleanor Roosevelt's impending visit to a tiny English country village is the motivation of the Anglo-American coproduction Great Day. As the villagers prepare for their prestigious guest, all sorts of internal squabbles and personal foibles rise to the surface. The story concentrates on embittered WW1 veteran Captain Ellis (Eric Portman), whose insecessant drinking and sponging is a source of embarrassment for his long-suffering family. The Captain's daughter Margaret (Sheila Sim) is on the verge of entering into a wealthy but loveless marriage so that she can rescue her mother (Flora Robson) from her father's excesses. In the Lesley Storm stage play on which this film was based, Captain Ellis comes to a bad but not entirely undeserved end; the film allows him a last-minute reprieve, as well as a chance to change his ways before Mrs. R. shows up. A moderate hit in England, Great Day sank like a stone when released in the US by RKO Radio. ~ Hal Erickson, All Movie Guide
- Starring:
- Eric Portman, Flora Robson, (more)
In this detective drama, Scotland Yard enlists the aide of Paul Temple, novelist and amateur sleuth, to help them solve a puzzling murder committed by diamond thieves. Temple is assisted by a woman reporter. It was her brother who was killed; together they catch the gang leader who turns out to be the person they least expected. ~ Sandra Brennan, All Movie Guide
Though a top-billed British stage star, Feliz Aylmer seldom rose above the supporting cast in films: Mr. Emmanuel is a rare exception. Aylmer plays the title role, an elderly European Jew living in Manchester, England. Honoring a promise to a young refugee, Mr. Emmanuel makes a perilous journey to Nazi Germany to search for the boy's mother. The gentle, even-tempered old man is subject to all manner of persecution by the jack-booted Gestapo thugs, but he is saved from the Concentration Camps through the intervention of Greta Gynt, a British woman who is the mistress of a high-ranking Nazi. While Mr. Emmanuel himself emerges from Germany intact, his mission ends on an unexpectedly melancholy note. ~ Hal Erickson, All Movie Guide
- Starring:
- Felix Aylmer, Greta Gynt, (more)
The Bells Go Down is a dramatization of London firefighting efforts during the 1940 Blitz. In structure, the film is very much like any other smoke-eating melodrama, with perhaps more emphasis on comedy than usual. The omnipresence of the Luftwaffe gives the film an urgency that others in its genre tend to lack. Making it all the more remarkable is the fact that most British studios were just as vulnerable as London's burned-down landmarks--a fact not lost on the actors, who perform with heightened credibility. Many of the better composed shots in The Bells Go Down would find their way into TV documentaries of the 1950s and 1960s as "reality" footage. ~ Hal Erickson, All Movie Guide
- Starring:
- Tommy Trinder, James Mason, (more)

- 1943
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Michael Powell and Emeric Pressburger's much-lauded epic Life and Death of Colonel Blimp, which satirizes British traditionalism, stirred up impassioned hostilities and indignations among the Brits when released in 1943. It so infuriated Winston Churchill, in fact, that he refused to allow its exportation to other countries, particularly the U.S. When Blimp finally did premiere in the States in 1945, it screened in a drastically cut version. The sweeping story covers several decades. It begins at the tail end of the Boer War, when handsome young British officer Clive Candy, recently back from the battlefront, is infuriated by his discovery that Deutschland papers have played up the British atrocities in South Africa, propagandistically. He grows so irate, in fact, that he travels to Germany to address the problem. Once there, he meets an attractive British educator, Edith Hunter (Deborah Kerr) who spends her days teaching English as a second language to German students. They grow close, but Candy so aggravates the local indigenes that he winds up in a duel with a German officer, Theo Kretschmar-Schuldorff (Anton Walbrook). The men wound each other and are sent to the same hospital, where they become friends. Candy - who doesn't yet realize he's fallen in love with Edith -- senses that Theo and Edith are attracted to one another, and encourages the couple's marital union. Candy subsequently returns to England, then falls for and marries Barbara (again played by Kerr), a nurse who bears a strong resemblance to Edith. She later dies, but Candy meets a third woman during WWII, Johnny (Kerr a third time), assigned to drive him from one locale to another during his campaigns. Meanwhile, Theo - disgusted by Nazi atrocities -- absconds to England, where he reencounters his old friend, now a prattering old shuffler rapidly approaching the end of his career and raving continuously about Nazi conduct (or lack thereof) in battle. Powell and Pressberger adapted Colonel Blimp from a comic strip; it became one of the hallmarks of their careers. ~ Sidney Jenkins, All Movie Guide
- Starring:
- Roger Livesey, Deborah Kerr, (more)
Undercover is a British-made WWII picture glorifying the efforts of a small group of Yugoslavian resistance fighters who struggled against the Nazis. In the tradition of Hollywood, virtually all the Slavic characters are played by such doggedly British types as Tom Walls, Michael Wilding and John Clements. As was customary, the Nazi invaders are shown to be the products of an evil totalitarian regime (quite true) while the Yugoslavs are freedom-loving individuals treated with equanimity by their expansive Communist government (not quite true). After the war, it became common knowledge that many supposedly patriotic Yugoslavian partisans, notably those commandeered by General Mihajlovic, were actually pro-Nazi. As a result, films like Undercover and Hollywood's Chetniks were hastily, and without explanation, withdrawn from circulation. ~ Hal Erickson, All Movie Guide
- Starring:
- John Clements, Tom Walls, (more)
In this crime drama, a hotelier provides a gang of street urchins jobs at his hotel. The proprietor wants to use his lovely companion to help con the jewel thieves that are staying there. The children learn about the scam and using their street-smarts manage to foil both the thieves and the proprietor ~ Sandra Brennan, All Movie Guide
Few morale-boosting wartime films have retained their power and entertainment value as emphatically as Noël Coward's In Which We Serve. To witness Coward's sober, no-nonsense direction (in collaboration with his co-director/editor, David Lean) and to watch his straightforward portrayal of navy captain Kinross, one would never suspect that he'd built his theatrical reputation upon sophisticated drawing-room comedies and brittle, witty song lyrics. The real star of In Which We Serve is the British destroyer Torrin. Torpedoed in battle, the Torrin miraculously survives, and is brought back to English shores to be repaired. The paint is barely dry and the nuts and bolts barely in place before the Torrin is pressed into duty during the Dunkirk evacuation. The noble vessel is finally sunk after being dive-bombed in Crete, but many of the crew members survive. As they cling to the wreckage awaiting rescue, Coward and his men flash back to their homes and loved ones, and, in so doing, recall anew just why they're fighting and for whom they're fighting. Next to Coward, the single most important of the film's characters is Shorty Blake, played by John Mills. (Trivia note: Mills' infant daughter Juliet Mills appears as Shorty's baby.) Even so, the emphasis in the film is on teamwork; here as elsewhere, there can be no stars in wartime. For many years, the only prints available to television were from the bowdlerized American version, which crudely cut out all "hells" and "damns." Fortunately, this eviscerated American release has since been shelved in favor of the full, glorious 115-minute version. ~ Hal Erickson, All Movie Guide
- Starring:
- Noël Coward, John Mills, (more)
Released in the US as Forty-Eight Hours, Went the Day Well? is a solidly constructed wartime melodrama. Actually, the film covers 72 hours in the life of the small British village of Bramley Green, which serves as the focal point for an attempted German invasion. Immediately upon parachuting in the community, vicious Nazi officer Ortier (Basil Sydney) makes contact with local Fifth Columnist Oliver Wileford (Leslie Banks), using the film's British title as their password. Fortunately, Democracy is preserved when postmistress-telephone operator Mrs. Collins (Muriel George), picking up on a simple clue inadvertently left behind by the well-disguised Germans, alerts her neighbors of impending danger. The British home guardsmen and German soldiers seen in the film were drawn from the ranks of of the real-life Gloucestershire Regiment, who volunteered their services for this patriotic morale-booster. The episode screenplay of Went the Day Well (based on Graham Greene story) was unified by the direct-to-camera narration of the town gravedigger, a device deftly borrowed from Our Town. ~ Hal Erickson, All Movie Guide
- Starring:
- Leslie Banks, Basil Sydney, (more)
This WWII drama, based on a novel by Oscar E. Millard, takes place in Nazi-occupied Belgium. Andre Delange (Eric Portman) owns a nightclub but is connected with the resistance movement. He used to secretly publish an anti-Nazi paper before the German invasion. Now his underground comrades want to put out the paper again. Delange's assistant publisher is the alluring Julie Lanvin (Phyllis Calvert). But the co-owner of the cabaret, Charles Neels (Peter Glenville), is jealous of Lanvin's relationship with Delange. Neels informs on the publishers, the Nazis raid the newspaper, and the staff is arrested -- but Delange and Lanvin escape. When the two of them manage to put out another issue of the paper, the Nazis believe that they have arrested the wrong people, and they release the staff. Veteran British director Anthony Asquith was at the helm. ~ Michael Betzold, All Movie Guide
- Starring:
- Eric Portman, Phyllis Calvert, (more)















