James Pierce Movies
James Hubert Pierce belongs to that special fraternity of athletes-turned-actors -- exemplified by Johnny Weissmuller, Buster Crabbe, and Bruce Bennett (aka Herman Brix) -- who were very popular with action film audiences in the early- to mid-20th century. He also shared a component of his career with all of the aforementioned actors, as they all portrayed Edgar Rice Burroughs' lord of the jungle, Tarzan. And, along with Herman Brix, he shared the unusual distinction of having gotten the imprimatur of Burroughs himself for the role.Pierce was a former All-American football player at Indiana University and he was working as a coach at Glendale High School in 1926, when he was noticed by Burroughs at a celebration for the author's daughter being given at his home. The author declared Pierce to be the most perfect realization of the Tarzan character that he'd ever encountered and he arranged for a screen test for him at FBO (Film Book Offices Studios, the precursor to RKO), which was planning a new Tarzan movie. Pierce passed his audition and was cast as Tarzan in what proved to be the last silent Tarzan feature film, Tarzan and the Golden Lion. Released in May 1927, it was a modest success, and it logically might have led to a follow-up film but for the fact that two Tarzan serials, Tarzan the Mighty and Tarzan the Tiger, both starring Frank Merrill, went into production at Universal during the closing years of the silent period.
Tarzan and the Golden Lion was also to be Pierce's only leading role, he later played villains in Westerns, as well as police officers, doormen, and other small roles in mysteries and comedies. He also occasionally appeared in major films (Wings, Horse Feathers, Northwest Mounted Police, My Favorite Brunette) well into the sound era. The party that he attended at the Burroughs home, however, was to have a much more important and beneficial effect upon Pierce's life than any agent or producer could have predicted -- a romance blossomed between Pierce and Burroughs' daughter, Joan, and the two later married. He desired to play Tarzan again -- in a talkie -- and his father-in-law had a clause requiring that Pierce be cast as the jungle king in the production agreement that he made with producer Sol Lesser in 1933 for the movie Tarzan the Fearless. By then, Pierce was no longer in as good condition as he had been six years earlier and he was beaten out for the role by Buster Crabbe, a champion swimmer from the 1932 Olympics. Ironically, the biggest role that Pierce ever had in talkies was as Prince Thun, the leader of the Lion Men of Mongo, in the 1936 Universal serial Flash Gordon, Space Soldiers, starring Buster Crabbe. Pierce was a startling figure in that chapterplay, with his six-foot-four frame clad in armor, sporting a thick mane of shoulder-length hair, and leading an army of Lion Men against the palace of the Emperor Ming.
Even more ironic is the fact that Thun, the Prince of the Lion Men, is the only role for which Pierce ended up being remembered. Tarzan and the Golden Lion is essentially a lost film, unaccounted for since the 1940s. Pierce gave up acting after 1947, instead focusing on his family life. He and Joan Burroughs were married for 40 years, until her death in 1972. ~ Bruce Eder, All Movie Guide
- 1941
The taciturn William Elliott stars in this above-average entry in Columbia's "Wild Bill Hickock" B-Western series. Returning to town with Larry Armstrong (Richard Fiske), an old friend he has just saved from a lynch mob, Hickock learns that Mitch Carew (Dick Curtis), a prison parolee, has killed Dan Woodworth (John Dilson), and is now attempting to buy Woodworth's store as a front for his nefarious schemes. Larry, who is embittered about the low wages being paid by the area's ranchers, opts to join Carew's gang of thugs. Wild Bill, meanwhile, is courting Woodworth's Eastern-bred niece Ann (Luana Walters), but the girl scoffs at his old-fashioned western ways. Alarmed that Larry has been involved in a stage robbery, Bill arranges to meet his old friend. Their rendezvous turns hostile and as Wild Bill is about to leave, Stringer (Leroy Mason), one of Mitch's stooges, takes a shot at him. Returning fire, Bill accidentally shoots and kills Larry. Blaming himself for the death of his friend, Bill vows to bring Mitch to justice. But when Ann once again denounces her suitor's western code of ethics, Bill offers to give up his guns and become "a peaceful man." When he learns that Mitch is waiting for him, our hero straps on his guns once again and goes to meet his destiny. A shootout in the street finally ends Mitch's reign of terror. Realizing that he will never be able to forsake the code of the west, Bill bids Ann a fond farewell and leaves town. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Luana Walters
- 1940
After several dismal Westerns, Tex Ritter found a winner in Arizona Frontier, which was filmed in glorious locations near Prescott, Arizona. Ritter played Tex Whitedeer, a white boy reared by the Indian Grey Cloud (real-life native American sports legend Jim Thorpe). Tex's ancestry becomes an issue when as an agent for the government he is charged with deciding where the East and West branches of the railroad shall meet. Joe Lane's (Hal Price) freight company is being raided by what appears to be Indians, but Tex suspects the criminals to be white men in disguise. He is soon falsely accused by a rival army lieutenant (John Merton) of leading the marauders himself. Further investigation, however, discloses that the raiders are indeed a gang of white villains headed by Graham (Tristram Coffin), who is ultimately caught by Ritter and Grey Cloud's Indian braves. Despite his fame as an athlete, Jim Thorpe was sadly misused by Hollywood who usually saw him only in stereotypical terms. Thorpe's personal friendship with Ritter landed him the role of Grey Cloud in Arizona Frontier and he gave what was perhaps his best performance. ~ Hans J. Wollstein, All Movie Guide
- 1934
Originally titled It Ain't No Sin until the censors prevailed, then St. Louis Woman and Belle of New Orleans, until complaints were registered from those two communities, Belle of the Nineties was Mae West's first post-Production Code film. West is cast as cabaret entertainer Ruby Carter, plying her trade along the Mississippi. Having no trouble surviving on her own terms in a man's world, Ruby fends off the unwarranted attentions of a steady stream of libidinous males, reserving her affections for a muscular boxer called The Tiger Kid (Roger Pryor). In keeping with the star's casual liberality, a number of black entertainers and athletes are given ample opportunities in this film, notably Duke Ellington and His Orchestra. The surest sign that the Code had "tamed" West a bit is the fact that she actually marries the hero at film's end. The musical highlights include West's unforgettable rendition of "My Old Flame". ~ Hal Erickson, All Movie Guide
- Starring:
- Mae West, Roger Pryor, (more)
- 1951
With a female protagonist as its only selling point, Cattle Queen trots out a farfetched Western story of Queenie Hart (Maria Hart), a rather glamorous bleached blonde cattle driver in 1866 Wyoming. After conning a potential buyer (Robert Robinson) into believing that Queenie's herd is diseased, nasty would-be empire builder Duke Drake (Robert Gardett) is confronted by the girl's new tough foreman, Bill Foster (Drake Smith). In retaliation, Drake frames Bill for a stage robbery, actually committed by his own henchmen, and arranges a phony trial presided over by the saloon's bartender, Judge Whipple (Douglas Wood). Queenie, however, interrupts the "trial" with the news that the townswomen have all elected Jim marshal. To uphold the decision, Bill has secured the release of three convicted outlaws: Blackie Malone (Joe Bailey), Bad Bill Smith (James Pierce), and Shotgun Thompson (Emile Meyer), two of whom join in the fight against Drake and his gang. With all this muscle -- and the power of prayer! -- Queenie finally bests Drake in a climactic shootout. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Maria Hart, Drake Smith, (more)
- 1940
Henry Fonda plays Chad Hanna, a New York country bumpkin of the mid-nineteenth century who joins a travelling circus. He falls in love with beauteous bareback rider Dorothy Lamour, but she spurns him. Chad Hanna then finds himself attracted to another runaway, country girl Linda Darnell. Though everybody assumes that the boy is slow on the uptake, Chad Hanna manages to save the circus from financial ruin. He also secures the services of a trained elephant; when asked how he acquired such a prize, Chad laconically responds "I gave him half interest in the circus." A lightweight period piece, Chad Hanna is visually impressive, and best viewed in its original pristine Technicolor state. ~ Hal Erickson, All Movie Guide
- Starring:
- Henry Fonda, Dorothy Lamour, (more)
- 1939
Gail Patrick plays a brilliant but naive country lawyer brought to the city to defend gangster Sidney Toler. She is subsidized by pillar of society Otto Kruger, who is actually the "big boy" behind the city's rackets. Ms. Patrick must prove that Toler didn't own a weapon that he is accused of pointing at a terrified states' witness. She believes in her client's innocence, but honest district attorney Robert Preston steers her to the side of Right. Patrick is exonerated of a complicity charge, and bad guys Toler and Kruger are carted off to prison. Ironically, Gail Patrick was later the executive producer of the TV series Perry Mason. ~ Hal Erickson, All Movie Guide
- Starring:
- Gail Patrick, Robert Preston, (more)
This lesser Astaire/Rogers vehicle is one of several screen versions of the venerable Hubert Osborne stage play Shore Leave. For reasons unknown, Fred and Ginger are virtually supporting players here, spending most of their time trying to patch up the romance between Fred's fellow sailor Randolph Scott and Ginger's sister Harriet Hilliard (better known as Harriet Nelson, of Ozzie and Harriet fame). One of the sillier aspects of the plot hinges on raising enough money to renovate a broken-down old ship; to do this, Fred and Ginger stage a lengthy musical number that must have cost five times as much money as they raised! But that number, a languorous dance rendition of Irving Berlin's "Let's Face the Music and Dance", compensates for all the nonsense that has gone before. One fringe benefit of Follow the Fleet is spotting two fresh-faced starlets named Betty Grable and Lucille Ball. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred Astaire, Ginger Rogers, (more)
- 1951
Follow the Sun is the filmed biography of golf champion Ben Hogan. Glenn Ford, no mean duffer himself, stars as Hogan, here depicted as a single-purposed individual to whom golf is everything. Anne Baxter co-stars as Hogan's supportive wife Valerie, who sticks with him through thick and thin. On the brink of his greatest success, Hogan is seriously injured in an auto accident. His recovery and return to the links provides the dramatic momentum of the film's final reels. Co-starring as themselves in Follow the Suns are such golfing legends as Sam Snead, Jimmy Demaret, and Dr. Cary Middlecoff. An uncredited Harold Blake appears as Ben Hogan at the age of 14. ~ Hal Erickson, All Movie Guide
- Starring:
- Glenn Ford, Anne Baxter, (more)
- 1935
Mae West is Goin' to Town in this elegant post-Production Code vehicle. West plays Cleo Borden, a nouveau riche cattle rancher who hopes to crash into high society. Though she is willing to subject herself to "refinement" lessons, she still has a high old time puncturing the pretensions of those around her: when aristocratic Ivan Valadov (Ivan Lebedeff) haughtily announces that he is the backbone of his family, West gives him the once-over and replies "Then your family'd better see a chiropractor." Through the connections of her husband-by-convenience Fletcher Colton (Monroe Owsley), Cleo is able to move freely among the glitterati of Southhampton but is forced to rely on her tried-and-true "street smarts" when she crosses swords with haughty villainess Grace Brittony (Marjorie Gateson) at a Buenos Aires race track. Through it all, aristocratic British engineer Edward Carrington (Paul Cavanaugh) awaits the opportunity to claim Cleo for his own -- as if anyone could ever "own" our fiercely self-reliant heroine. The film's highlight is a society operatic gala, in which Mae West delivers a serious (and most effective) rendition of "My Heart at Thy Still Voice" from Samson and Delilah. In a more characteristic vein, the star gets down and dirty (well, at least semi-dirty) with "He's a Bad Bad Man, But He's Good Enough for Me." ~ Hal Erickson, All Movie Guide
- Starring:
- Mae West, Paul Cavanagh, (more)
- 1924
Producer Philip Golstone took a minor western actor named Carl Ullman, changed his name into the more commercially sound William Fairbanks and launched him in a series of very low-budget oaters that was a credit to no one. In Her Man, Fairbanks plays a cowboy rescuing a debutante (Margaret Landis) from a kidnapper. Despite that heroic gesture, the girl's father still does not approve of a cowboy as a potential son-in-law, until, that is, Fairbanks reveals that he is a member of the social register himself. Not even rural moviegoers, Goldstone's primary target, went for this one. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- William Fairbanks, Tom McGuire, (more)
- 1928
The outcome of a love triangle is once again decided by a "big race" in this lighthearted silent comedy-drama from FBO, the forerunner of RKO. Lifeguard and champion college swimmer Hugh Trevor saves pretty Duane Thompson from drowning and they become engaged. But after a misunderstanding, Duane leaves Hugh in favor of his rival Harold Goodwin, whose fraternity pin she promises to wear if he wins the big swimming race. Naturally, Harold loses the race to Hugh, who clears up his misunderstanding with Duane. Sally Blane, the sister of Loretta Young, appeared as one of Duane Thompson's girlfriends. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Hugh Trevor, Duane Thompson, (more)
- 1932
If ever there was an archetypal Marx Brothers comedy, it was the team's 1932 offering Horse Feathers. Groucho Marx is cast as Professor Quincy Adams Wagstaff, the newest president of Huxley College. As he delivers his introductory speech before the assembled student body ("As I look out among your smiling, eager faces, I can readily understand why this college is flat on its back"), he maps out his plans for the future by singing those deathless hits Whatever It Is, I'm Against It and I Always Get My Man. He then has a powwow with his son Frank (Zeppo Marx), who has been a Huxley student for 12 years. Frank tells his old man that Huxley has had a new president every year since 1888, the year the college won its last football game. The only way to save the establishment is to hire a couple of good football players, Mullen and McHardie (Jim Pierce and Nat Pendleton), who hang out at the local speakeasy. With his usual efficiency, Professor Wagstaff signs up the wrong men for the Huxley team: Baravelli (Chico Marx), the ice man/bootlegger, and Pinky (Harpo Marx) the dog catcher. Meanwhile, gambler Jennings (David Landau), who has all his money bet on Darwin College in the upcoming Thanksgiving Day football game, instructs his girlfriend Connie Bailey (Thelma Todd), the college widow, to get her hands on Huxley's secret football signals. This leads to a frenetic four-way courtship in Connie's apartment, as Wagstaff, Baravelli, Pinky and Frank duck in and out of doors and windows to romance the heroine. Later on, Baravelli and Pinky try to kidnap Mullen and McHardie to keep them out of the Big Game, only to end up kidnapped themselves. Miraculously, all four of our heroes show up at the Huxley-Darwin game in time, achieving victory through some of the most creative cheating in gridiron history. Written by such renowned wits as S. J. Perelman, Will B. Johnstone, Bert Kalmar and Harry Ruby, Horse Feathers is a comedy smorgasbord, offering generous doses of all four Marx Brothers performing some of their best-ever material. Who could not love a film in which, just before Chico Marx launches into his obligatory piano solo, Groucho saunters up to the camera and growls "I've got to stay here, but that's no reason why you folks can't go into the lobby until this thing blows over"? In addition, this is the film that introduced the semi-satirical romantic ballad Everyone Says I Love You, which was used over six decades later as the title of a Woody Allen picture. Unfortunately, current prints of Horse Feathers are incomplete, with nearly five minutes of comedy material missing; the search goes on for a pristine, uncut negative. ~ Hal Erickson, All Movie Guide
- Starring:
- Groucho Marx, Chico Marx, (more)
- 1927
Silent cowboy star Fred Thomson raised quite a bit of controversy by portraying the famous outlaw in a sympathetic vein -- there were still a few oldsters around in those days who remembered the furor raised by the James gang. This role was a surprising turn for Thomson, whose films were generally known for their non-violent, clean-living heroes. Here, he polishes up Jesse James' character, gives him a love interest (Nora Lane), then uses the better part of the film to do what Thomson always did best -- perform elaborate tricks with his horse Silver King. The only difference from his prior films was a higher production value -- this was his first film for Paramount. While Hollywood features, for the most part, have dispensed with history in favor of drama (or the star's or director's whims), Thomson's take on Jesse James was not taken lightly, and this disapproval was quite a turnaround from the widespread esteem the actor was used to receiving. ~ Janiss Garza, All Movie Guide
- Starring:
- Nora Lane, Montagu Love, (more)
- 1940
Tyrone Power plays the college-grad son of jailed-embezzler Edward Arnold. Power tries to find work, only to be turned away because of his father's reputation. When he decides to use a phony name, he is still fired, because his ex-convict boss feels that Power is being unfair to his imprisoned father. If you can't win for losing in a 1940 film, you turn to crime. Power hires on as the right-hand man of personable but deadly gangster Lloyd Nolan. Arnold, who has become a model convict, is disgusted that his son has turned to crime. He even refuses to have anything to do with his son when Power lands in the slammer himself. Through the intervention of Nolan's moll Dorothy Lamour, a nightclub singer who has grown to love Power, Arnold realizes that his son is still a good guy underneath. Power proves as much by preventing a climactic jailbreak engineered by the homicidal Nolan. ~ Hal Erickson, All Movie Guide
- Starring:
- Tyrone Power, Dorothy Lamour, (more)
- 1928
The principal lady in Ladies of the Mob is jazz-baby Clara Bow. After her father is executed, Bow goes to heck in a handbasket, consorting with the riffiest raff of the underworld riff-raff. Upon falling in love with her partner in crime Richard Arlen, Bow vows to set him on the straight and narrow path (where did this plot twist come from?) To dissuade him from a life of crime, Bow shoots Arlen--whereupon he immediately reforms, as does she! Who cared in 1928 if Ladies of the Mob made any sense? It had Clara Bow, and that was enough. ~ Hal Erickson, All Movie Guide
- Starring:
- Clara Bow, Richard Arlen, (more)
- 1924
James Fenimore Cooper's Leatherstocking came to the screen in 1924, courtesy of former cattle rancher C.W. Patton, who produced this ten-chapter serial version for Pathé release. Harold Miller starred in the title role, a white boy growing to manhood as a member of the Delaware Indian tribe. In typical Fenimore Cooper style, Leatherstocking becomes the protector of pretty Judith Hutter (Edna Murphy), her hysterical sister, Hetty (Lillian Hall), and their father (Whitehorse), whose houseboat has come under the attack from the villainous Hurons, a tribe in the employ of the French imperialists. Serial regular Frank Lackteen played the evil Huron chief Briarthorn and David Dunbar portrayed Chingachgook, the Last of the Mohicans. In one of his earliest screen appearances, future B-Western hero Tom Tyler played Lackteen's henchman. ~ Hans J. Wollstein, All Movie Guide
- 1937
The Ritz Brothers play three goofballs working their way through college by putting in time at a tailor shop. The college football team's star player is Nat Pendleton, a wealthy Native American who has donated a large amount of money to the school. As long as Pendleton is able to play, the football coach (Fred Stone) feels safe in putting the Ritz boys in the game at the last minute, when their zany antics can't possibly effect the final score. In Jim Thorpe fashion, the Indian student is disqualified when it is learned he once played professionally. Thus the coach is forced to utilize an untried player(Dick Baldwin) in the Big Game--and when that player is injured, it's the Ritz Brothers to the rescue. Life Begins in College gives plenty of attention to the comedy of the Ritz Brothers, if that's your idea of a good time. ~ Hal Erickson, All Movie Guide
- Starring:
- The Ritz Brothers [Al, Jimmy, Harry], Joan Davis, (more)
- 1941
William Powell and Myrna Loy re-team for this (literally) crazy screwball comedy about a happily married couple who, thanks to a visit from mother, find their marriage on the rocks and the husband committed to a mental institution. Poised to celebrate their fourth wedding anniversary, Steven (William Powell) and Susan Ireland (Myrna Loy) find their domestic bliss shattered by a visit from Susan's mother (Florence Bates). Susan's mother sprains her ankle and extends her visit, just in time to draw the wrong conclusions when her son-in-law pays a friendly visit to his old girlfriend Isobel (Gail Patrick). Susan's mother eavesdrops and reports it all to Susan, who in a jealous rage tries to make Steven jealous. But she winds up being chased through the hallway of her apartment building by half-naked archery enthusiast Ward Willoughby (Jack Carson). The couple agree on a divorce, but Steven then has second thoughts. On the advice of his lawyer, George Renny (Sidney Blackmer), Steven pretends he is insane, since the law prohibits Susan from divorcing him if Steven is mentally ill. Unfortunately, Susan is wise to his charade and has him committed to an asylum. ~ Paul Brenner, All Movie Guide
- Starring:
- William Powell, Myrna Loy, (more)
In Hitchcock's rare foray into comedy (courtesy of a wittily risque script by Norman Krasna), Mr. Smith (Robert Montgomery) makes the mistake of telling Mrs. Smith (Carole Lombard) that if he had it to do all over again, he might not have married her. Shortly thereafter, Mr. Smith discovers that his marriage is invalid. Rather than say goodbye, the newly aroused Mr. Smith attempts to entice Mrs. Smith into the bedroom, thrilled at the prospect of an "illicit" romance. But Mrs. Smith has also been apprised that her marriage is no more--and, remembering Mr. Smith's "second thoughts", she kicks him out of the house. This comedy of misunderstanding rolls merrily along from this point onward, accommodating an uproarious scene at a fancy restaurant, a near-liaison between Mrs. Smith and new beau Gene Raymond on the World's Fair parachute jump, and a farcical denouement at a ski lodge, with Mrs. Smith's conjugally crossed skis symbolizing the carnal pleasures ahead for both Mr. and Mrs. Smith. ~ Hal Erickson, All Movie Guide
- Starring:
- Carole Lombard, Robert Montgomery, (more)
Just as Bob Hope's My Favorite Blonde (1942) was a takeoff on Alfred Hitchcock, Hope's My Favorite Brunette was a lampoon of the noirish "hard-boiled detective" school popularized by Raymond Chandler. Awaiting execution on death row, Hope tells the gathered reporters how he got into his present predicament. It seems that Hope was once a baby photographer, his office adjacent to the one leased by a private detective (played in an amusing unbilled cameo by Alan Ladd). While hanging around the p.i.'s office, Hope is mistaken for the detective by beautiful client Dorothy Lamour. She hires Hope to search for her missing uncle, and also entrusts him with a valuable map. Hope's diligent (if inept) sleuthing takes him to a shady rest sanitarium, where he runs afoul of lamebrained henchman Lon Chaney, Jr. and sinister, knife-throwing Peter Lorre. Both are in the employ of attorney Charles Dingle, who is responsible for the disappearance of Lamour's uncle. Escaping the sanitarium with Lamour in tow, Hope follows the trail of evidence to noted geologist Reginald Denny. The geologist is murdered, and Hope is accused of the crime. ~ Hal Erickson, All Movie Guide
- Starring:
- Bob Hope, Dorothy Lamour, (more)
- 1946
The moody mystery melodrama Nocturne was produced by longtime Alfred Hitchcock associate Joan Harrison. The film wastes no time getting started, with a caddish Hollywood composer (Edward Ashley) dropping dead right after the opening credits. The police think it's a suicide, but maverick lieutenent Joe Warne (George Raft) suspects foul play. Checking around, Warne discovers that the dead man had broken at least ten female hearts in the past few years, providing a motive for murder for all ten. The principal suspect is Frances Ransom (Lynn Bari), who may or may not have been avenging her sister, nightclub thrush Carol Page (Virginia Huston). Pursuing the case with such dogged diligence that he's eventually tossed off the police force, Warne nonetheless refuses to give up, and by film's end he has collared the murderer. It wouldn't be fair to reveal the killer's identity, except to note that the actor in question went on to quite a different career at Universal Pictures. Like the previous RKO George Raft vehicle Johnny Angel, Nocturne was a box-office bonanza, posting a then-impressive profit of $568,000. ~ Hal Erickson, All Movie Guide
- Starring:
- George Raft, Lynn Bari, (more)
- 1940
Cecil B. De Mille directed this lavish all-star spectacular paying tribute to America's neighbors to the North. In 1885, as Louis Riel (Francis J. McDonald) tries to organize Indians and French settlers into a fighting force that will battle against the ruling British, Texas Ranger Dusty Rivers (Gary Cooper) arrives in Canada to arrest Jacques Corbeau (George Bancroft), one of Riel's associates who is wanted for murder in the U.S. Rivers promptly falls for nurse April Logan (Madeleine Carroll), which triggers jealously in the straightlaced Mountie sergeant Jim Brett (Preston S. Foster), who is also in love with April. Meanwhile, April's brother, Ronnie Logan (Robert Preston), also a member of the North West Mounted Police, is in love with Louvette (Paulette Goddard), Corbeau's sister and a fiery "half-breed" who lives among the Indians. When Dusty arrives in Canada, he joins forces with the mounties, who are looking for Corbeau on another murder charge, and soon joins the fight against Riel's rebel factions. De Mille imported 300 pine trees for his "forest" set, believing that a woods created on the controlled environment of a soundstage would look more "real" onscreen than location shooting in Canada. ~ Mark Deming, All Movie Guide
- Starring:
- Gary Cooper, Madeleine Carroll, (more)
- 1936
- NR
Working on the theory that the only thing funnier than Laurel and Hardy is two sets of Laurel and Hardys, Our Relations milks its central mistaken-identity situation for all it's worth. Stan Laurel and Oliver Hardy are two solid citizens, happily married and highly respected in their community. One morning, Hardy receives a letter from his mother, containing an old photo of himself and Laurel with their twin brothers, Alf Laurel and Bert Hardy. Mamma also reveals that Alf and Bert turned out to be "bad lads" and ran off to sea, and that reportedly they'd been hanged for taking part in a mutiny. "Isn't that calamitous!" remarks Hardy, who conspires with Laurel to hide the facts about their no-good brothers from their wives. Meanwhile, in another part of town, the S.S. Periwinkle pulls into port. Among the crew members are the selfsame Alf and Bert, who have decided to entrust their pal Fin (James Finlayson) with their month's salary. Fin has promised to invest the dough so that the boys will become millionaires "before you can say Jack Robinson". Alf and Bert are then summoned to the cabin of their captain (Sidney Toler), who orders them to pick up a valuable package for him, then meet him later at Denker's Beer Garden. While waiting for the captain at Denker's, Alf and Bert are captivated by a pair of waterfront floozies, Alice (Iris Adrian) and Lily (Lona Andre). Talked into buying the girls a huge meal for which they haven't the necessary funds, Alf and Bert decide to go back to Fin and reclaim their money, leaving the contents of the captain's package-a valuable pearl ring-with tough waiter Joe Groagan (Alan Hale) as security. Later, Laurel and Hardy take their wives Betty (Betty Healy) and Daphne (Daphne Pollard) to lunch-and, inevitably, they end up at Denker's Beer Garden, where the equally inevitable mix-ups begin to occur. Things snowball from bad to worse before both sets of twins, an angry captain, a disgruntled Fin, the wives, the floozies, a genial drunk (Arthur Housman) and a brace of smooth gangsters (Ralf Harolde and Noel Madison) all converge at the upscale Pirate Club. Several slapstick complications later, Laurel and Hardy are captured by the gangsters, who threaten to dump the boys in the river with their feet encased in cement if they don't cough up the pearl ring. Alf and Bert come to the rescue, and all is well, at least until the film's boffo punchline. Based on W.W. Jacobs' short story The Money Box, Our Relations is perhaps the most plot-heavy of Laurel and Hardy's features for Hal Roach Studios. It is also one of their funniest, as well as their most lavishly produced. The film was officially listed as "A Stan Laurel Production"-as if Laurel hadn't been the prime creative force behind all of the team's previous films. ~ Hal Erickson, All Movie Guide
- Starring:
- Stan Laurel, Oliver Hardy, (more)
- 1928
Duke Carlton (Tom Tyler), a former ranch-hand-turned-touring-company-actor, finds himself stranded when his manager takes off with the payroll. He manages to obtain a job at the O'Brien ranch and quickly falls for the rancher's pretty daughter Patsy (Duane Thomspon). Patsy's former suitor (James Pierce), does not take kindly to his presence, however, and neither does visiting actress Vera Van Schwank (Marjorie Zier), who falsely claims to be Carlton's wife! Who the phantom of the title is remains a mystery, however. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Tom Tyler, Charles P. McHugh, (more)
- 1938
In this gangster movie set in the Big Apple, a crime lord strong arms teamsters into paying him protection money. One young trucker with a very pregnant wife, stands up to the thug. His partner also refuses to pay in the hopes that they will help the other truck drivers. Naturally this enrages the king-pin and his mob. Simultaneously an idealistic young attorney is chosen by the DA to do all he can to get that crime boss convicted and off the streets for good. Back on the streets, the mobster manages to force the young trucker into paying up; this causes the man to quit and begin selling tomatoes. The lawyer finds him and offers him a chance to help the government and prosecute the gangster. He accepts and together the two do just that. ~ Sandra Brennan, All Movie Guide
- Starring:
- Humphrey Bogart, George Brent, (more)
