Rebecca Pidgeon Movies

David Mamet wrote the screenplay for this adaptation of his play about a man who suddenly stumbles into a new and dangerous life. Edmond Burke (William H. Macy) is on his way home from work one evening when he impulsively stops to have his fortune read by a woman who informs him, "You are not where you belong." When he does arrive home, Edmond soon falls into an argument with his wife (Rebecca Pidgeon), and he storms out into the city, where he stops at a bar for a few drinks. There, Edmond finds himself talking with a man (Joe Mantegna) who freely shares his racist views about the role of African-Americans in society, and suddenly Edmond begins letting go of the sense of self-control that has always governed his actions. After a crawl through the city's underbelly of watering holes, strip clubs, gambling dens, and brothels, Edmond comes face to face with the violence of this world, and unexpectedly finds himself responding in kind. Edmond also stars Julia Stiles, Denise Richards, Mena Suvari, Bai Ling, and Dylan Walsh; it was directed by Stuart Gordon, who worked often with David Mamet during their early days at Chicago's Organic Theater Company. ~ Mark Deming, All Movie Guide

The third film written and directed by playwright David Mamet, this combination of crime drama and character study stars several of Mamet's stock players. Joe Mantegna stars as Bobby Gold, a detective with a gift for negotiation who, along with his partner Tim Sullivan (William H. Macy), accidentally stumbles upon a crime scene -- the murder of an elderly Jewish woman in her corner store. When it turns out that the victim was politically well-connected and Jewish, Bobby's superiors assign him the case because he's also Jewish. The problem is that Bobby isn't very religious and he resents being taken off a higher profile drug investigation involving a dealer, Randolph (Ving Rhames). Bobby's also highly skeptical when the murdered woman's family claims that her death was not a simple robbery but an anti-Semitic hate crime. As he gets deeper into his case, however, Bobby discovers that a larger conspiracy may be afoot, and he begins to question his own ethnic roots. ~ Karl Williams, All Movie Guide

Debuting January 1, 2006 on ABC, the hour-long crime drama In Justice was clearly inspired by recent instances wherein a number of innocent people sentence to death or life imprisonment had been freed with the help of concerned legal advocacy groups and new DNA evidence. Starring in this series was Kyle MacLachlan as David Swayne, a $650-dollar-per-hour corporate attorney who turned his back on his lucrative practice to create the National Justice Project, funded with $5 million of his own money. Swayne's mission in life was to re-examine old jury verdicts and reopen closed cases in order to give those whom he felt to be wrongly imprisoned a chance for freedom. Swayne and his team of investigators uncovered fresh evidence, persuaded the authorities to re-examine their original conclusions, and in some case actually tracked down the actual perpetrators of the crime at hand. Heading Swayne's team was former cop Charles Conti (Jason O'Mara), who was willing to tolerate the lawyer's many idiosyncracies in the case of justice. Conti's associate investigators included Sonya Quintano (Marisol Nichols), whose own brother had been sprung from prison as a result of the National Justice Project; Jon Lemonick (Daniel Cosgrove, the firm's resident know-it-all; and Brianna (Constance Zimmer), the youngest member of the group. In Justice was created by Michelle King and Robert King. ~ Hal Erickson, All Movie Guide

David Mamet directed this screen version of his controversial two-character stage drama. John (William H. Macy) is a self-centered college professor preoccupied with his bid for tenure and negotiations for a house that he and his wife want to buy. Mary (Debra Eisenstadt), one of his students, comes by John's office after class; she's failing his course and is obviously confused by the material. Not really paying attention to her, John discusses his philosophies about education in an abstract manner rather than offering concrete suggestions on how to improve her grades. The discussion becomes confrontational and eventually Mary leaves. Several days later, Mary returns, announcing that on the advice of her "group" that she is filing sexual harassment charges against John based on a broad interpretation of his statements. If Mary's suit is successful, it could cost John his job -- and the house he's always wanted. Mamet's wife, actress and musician Rebecca Pidgeon, composed the film's musical score. ~ Mark Deming, All Movie Guide

Tim Allen and Chiwetel Ejiofor co-star in writer/director David Mamet's martial arts drama Redbelt. Ejiofor plays Mike Terry, a jujitsu master who co-runs a very modest martial arts studio in Los Angeles with his bossy wife, Sondra (Alice Braga). Mike demonstrates an unwavering commitment to his craft and draws a cadre of defiantly loyal pupils including Joe (Max Martini), an LAPD cop. All told, it appears that he has chosen a peaceful and conflict-free path in life. The dedicated martial artist's fate takes an unanticipated turn, however, one evening when a young woman named Laura (Emily Mortimer) bursts into the academy in a state of near hysteria, and reaches for a policeman's gun when he tries to restrain her. One thing leads to another, and before long, Laura is regularly receiving martial arts lessons from Mike. As master begins to teach pupil and his martial arts philosophies emerge, his path also crisscrosses with that of a Hollywood movie star, Chet Frank (Tim Allen), when he saves the fellow from a beating at a local club and gets invited (along with Sondra) to Chet's house for dinner. Chet extends gestures of friendship, and Mike's guard breaks down; he speaks openly and candidly of a special martial arts method he employs that requires one of the participants to "assume a handicap." In time, the association with Chet leads to involvement in the motion-picture industry, and relations with a bevy of characters who aren't exactly what they seem -- including a pay-per-view fight mogul (Ricky Jay) and Chet's slimy and manipulative manager (Joe Mantegna). ~ Jason Buchanan, All Movie Guide

Steve Martin wrote the screenplay and served as co-producer for this screen adaptation of his short novel, which takes a witty but bittersweet look at a young woman and the two men involved with her. Mirabelle Buttersfield (Claire Danes) is an aspiring artist in her mid-twenties who, after graduating from college, moved to Los Angeles, where she works at the glove counter of an upscale department store. Mirabelle's job is simple and not demanding, but it doesn't pay especially well, and she finds herself struggling to get out from under a growing mountain of debt from student loans and credit cards. One night, while doing her laundry, Mirabelle meets Jeremy (Jason Schwartzman), a scruffy but likable would-be musician who makes ends meet selling guitar amps. While Jeremy is obviously infatuated with Mirabelle, she isn't sure how she feels about him, especially after she meets Ray Porter (Steve Martin), a man in his fifties whom she meets at the store. Ray is independently wealthy, intelligent, and charming, and after asking her out on a date he sweeps her off her feet. However, while Mirabelle quickly falls for Ray and he's generous to a fault with her, he refuses to commit exclusively to her and suggests they should both see other people, a prospect that no longer holds much appeal for her. Shopgirl received its world premiere at the 2005 Toronto Film Festival. ~ Mark Deming, All Movie Guide

A young woman in her late teens is caught up in the political unrest of Southern Ireland in the 1920s in this drama that features an excellent cast. Nancy (Rebecca Pidgeon) befriends the pistol packing stranger she dubs Cassius (Anthony Hopkins) while he hides in a beach hut. He talks the naive Nancy into delivering a message to Dublin. There she meets Joe Mulhare (Mark O'Regan) and befriends the recipient of the message. Only when she witnesses the shooting deaths of 12 British officers does she realize the content of the lethal message. After the shootings, Nancy rushes to try and warn Cassius about the military police who are closing in on him. Trevor Howard is the old army officer and grandfather in his last screen role, with Jean Simmons as Aunt Mary. Watch for Hugh Grant as Harry, the stuffed shirt on whom Nancy has a huge crush. ~ Dan Pavlides, All Movie Guide

Writer-director David Mamet crafted this unusual, Hitchcockian thriller in which no one is who they appear to be. Campbell Scott is Joe Ross, who has just created a "process" that stands to make his company and his boss, Klein (Ben Gazzara), millions of dollars. At a clandestine meeting in the Caribbean, Ross discusses the details of the process with company executives. There, purely by chance, or so he believes, he meets the wealthy, enigmatic Jimmy Dell (Steve Martin), and the two strike up an unusual friendship. Dell informs Ross that he's naïve to believe that his company will fairly compensate him for his valuable work. Upon returning home, Ross becomes paranoid that Dell is right, and he takes steps to protect his invention, becoming unsure if he can trust Klein or even his own love-struck assistant (Rebecca Pidgeon). When Ross discovers that Dell has lied to him about his identity, he contacts the FBI -- he then finds himself set up as a murder suspect who learns, almost too late, to trust no one. The title of the film refers not to any of the characters but to a classic con artist's scam. ~ Karl Williams, All Movie Guide

Playwright and filmmaker David Mamet, best known for gritty, emotionally powerful dramas such as American Buffalo, Glengarry Glen Ross and Oleanna, approaches something different with this project, a screen adaptation of Terrence Rattigan's play The Winslow Boy, which was previously filmed in 1948. Set in England in 1912 (and based on an actual court case), the story begins with the Winslow family at a tense and trying moment. Arthur Winslow (Nigel Hawthorne) is making final preparations for a dinner to seal the engagement between his daughter Catherine (Rebecca Pidgeon) and John Watherstone (Aden Gillett). Catherine herself has been a subject of no small tension in the family, given her outspoken support of the controversial cause of women's suffrage. However, the meeting between Arthur and John goes well, and the family and guests are toasting the upcoming marriage when Arthur discovers that his youngest son Ronnie (Guy Edwards) is unexpectedly home from the Naval College at Osbourne. It seems Ronnie was accused of stealing a five shilling postal note from one of his classmates and was expelled as a result. Ronnie proclaims his innocence and his father believes him -- enough so that he demands an apology from the College. When the college refuses to reinstate Ronnie, Arthur decides to take the matter to court. His councilor, Sir Robert Morton (Jeremy Northam), informs him that the Naval College is a representative of the Admiralty and the Crown, and as such British law presumes they are infallible and above question; their judgement can be legally questioned only with the permission of the Attorney General. Arthur insists on taking the matter before Parliament to decide if his suit can be brought forward, and the case begins to split the family's foundations. Catherine is upset with her father for hiring a lawyer who opposes a woman's right to vote, John's father threatens to stop the engagement if Arthur does not drop the matter, and Arthur's wife Grace (Gemma Jones) begins to wonder if the real issue is justice or a father's stubborn and foolish pride. The Winslow Boy was filmed in England with a primarily British cast (the most notable exception being Rebecca Pidgeon, who happens to be Mamet's wife); Neil North, who plays the First Lord of the Admiralty, played Ronnie in the first film version of the story. ~ Mark Deming, All Movie Guide