Rebecca Pidgeon

Tim Allen and Chiwetel Ejiofor co-star in writer/director David Mamet's martial arts drama Redbelt. Ejiofor plays Mike Terry, a jujitsu master who co-runs a very modest martial arts studio in Los Angeles with his bossy wife, Sondra (Alice Braga). Mike demonstrates an unwavering commitment to his craft and draws a cadre of defiantly loyal pupils including Joe (Max Martini), an LAPD cop. All told, it appears that he has chosen a peaceful and conflict-free path in life. The dedicated martial artist's fate takes an unanticipated turn, however, one evening when a young woman named Laura (Emily Mortimer) bursts into the academy, reaches for a gun, and accidentally shatters the front window. One thing leads to another, and before long, Laura is regularly receiving martial arts lessons from Mike. As master begins to teach pupil and his martial arts philosophies emerge, his path also crisscrosses with that of a Hollywood movie star, Chet Frank (Tim Allen), when he saves the fellow from a beating at a local club and gets invited (along with Sondra) to Chet's house for dinner. Chet extends gestures of friendship, and Mike's guard breaks town; he speaks openly and candidly of a special martial arts method he employs that requires one of the participants to "assume a handicap." In time, the association with Chet leads to involvement in the motion-picture industry, and relations with a bevy of characters who aren't exactly what they seem -- including a pay-per-view fight mogul (Ricky Jay) and Chet's slimy and manipulative manager (Joe Mantegna). ~ Jason Buchanan, All Movie Guide

The fourth installment of the Jesse Stone series finds restless New England police chief Stone (Tom Selleck) fighting boredom by attempting to solve a twelve year-old cold case involving a murdered bank teller. Jesse Stone is a transplanted L.A. cop who thrived on big city adrenaline, but ultimately buckled under the pressure. Exiled to Paradise after suffering though a nasty divorce and being busted for drinking on the job, Stone now leads a quiet life of writing parking tickets and trying to suppress the urge to cut loose with the booze and babes. When one of his officers out on maternity leave and the other recovering from a recent gunshot wound, Stone turns to some old cold cases to keep himself occupied. Twelve years ago, a local bank teller was killed in broad daylight. Though the gunman responsible for the crime was never brought to justice, Stone soon uncovers a crucial piece of evidence that went overlooked during the original investigation. Now, as this once-cold case gradually begins to heat up again, Stone continues his investigation into an alleged rape that tool place aboard a yacht during Race Week. ~ Jason Buchanan, All Movie Guide

Debuting January 1, 2006 on ABC, the hour-long crime drama In Justice was clearly inspired by recent instances wherein a number of innocent people sentence to death or life imprisonment had been freed with the help of concerned legal advocacy groups and new DNA evidence. Starring in this series was Kyle MacLachlan as David Swayne, a $650-dollar-per-hour corporate attorney who turned his back on his lucrative practice to create the National Justice Project, funded with $5 million of his own money. Swayne's mission in life was to re-examine old jury verdicts and reopen closed cases in order to give those whom he felt to be wrongly imprisoned a chance for freedom. Swayne and his team of investigators uncovered fresh evidence, persuaded the authorities to re-examine their original conclusions, and in some case actually tracked down the actual perpetrators of the crime at hand. Heading Swayne's team was former cop Charles Conti (Jason O'Mara), who was willing to tolerate the lawyer's many idiosyncracies in the case of justice. Conti's associate investigators included Sonya Quintano (Marisol Nichols), whose own brother had been sprung from prison as a result of the National Justice Project; Jon Lemonick (Daniel Cosgrove, the firm's resident know-it-all; and Brianna (Constance Zimmer), the youngest member of the group. In Justice was created by Michelle King and Robert King. ~ Hal Erickson, All Movie Guide

Steve Martin wrote the screenplay and served as co-producer for this screen adaptation of his short novel, which takes a witty but bittersweet look at a young woman and the two men involved with her. Mirabelle Buttersfield (Claire Danes) is an aspiring artist in her mid-twenties who, after graduating from college, moved to Los Angeles, where she works at the glove counter of an upscale department store. Mirabelle's job is simple and not demanding, but it doesn't pay especially well, and she finds herself struggling to get out from under a growing mountain of debt from student loans and credit cards. One night, while doing her laundry, Mirabelle meets Jeremy (Jason Schwartzman), a scruffy but likable would-be musician who makes ends meet selling guitar amps. While Jeremy is obviously infatuated with Mirabelle, she isn't sure how she feels about him, especially after she meets Ray Porter (Steve Martin), a man in his fifties whom she meets at the store. Ray is independently wealthy, intelligent, and charming, and after asking her out on a date he sweeps her off her feet. However, while Mirabelle quickly falls for Ray and he's generous to a fault with her, he refuses to commit exclusively to her and suggests they should both see other people, a prospect that no longer holds much appeal for her. Shopgirl received its world premiere at the 2005 Toronto Film Festival. ~ Mark Deming, All Movie Guide

Echoing the themes of Living in Oblivion and Irma Vep, David Mamet's seventh feature centers on the havoc wrought on the inhabitants of a small town by a troubled film production. After its leading man's propensity for teenage girls gets them banished from their New Hampshire location, a film crew relocates to the small town of Waterford, VT, to finish shooting "The Old Mill." As its title suggests, the film depends on the presence of a genuine mill, something the town is reported to possess. Unfortunately, with only days before principal photography begins, it becomes apparent that the mill in fact burned down decades ago. Unfazed, the film's director, Walt Price (William H. Macy), places his faith in the ability of first-time screenwriter Joseph Turner White (Philip Seymour Hoffman) to alter the script; what he doesn't count on is White's apparently bottomless reserve of angst-fueled writer's block. The film's leading lady (Sarah Jessica Parker) refuses to do her contracted nude scene unless she's give an ungodly sum of cash, while a foreign cinematographer offends the locals by messing with an historic firehouse, and the leading man, Bob Barrenger (Alec Baldwin), dallies with Carla (Julia Stiles), a crafty local teen. Everything comes to a head after Barrenger and Carla are injured in a car accident, which leads White to another emotional quandary and into the arms of Ann Black (Rebecca Pidgeon). ~ Rebecca Flint Marx, All Movie Guide

Playwright and filmmaker David Mamet, best known for gritty, emotionally powerful dramas such as American Buffalo, Glengarry Glen Ross and Oleanna, approaches something different with this project, a screen adaptation of Terrence Rattigan's play The Winslow Boy, which was previously filmed in 1948. Set in England in 1912 (and based on an actual court case), the story begins with the Winslow family at a tense and trying moment. Arthur Winslow (Nigel Hawthorne) is making final preparations for a dinner to seal the engagement between his daughter Catherine (Rebecca Pidgeon) and John Watherstone (Aden Gillett). Catherine herself has been a subject of no small tension in the family, given her outspoken support of the controversial cause of women's suffrage. However, the meeting between Arthur and John goes well, and the family and guests are toasting the upcoming marriage when Arthur discovers that his youngest son Ronnie (Guy Edwards) is unexpectedly home from the Naval College at Osbourne. It seems Ronnie was accused of stealing a five shilling postal note from one of his classmates and was expelled as a result. Ronnie proclaims his innocence and his father believes him -- enough so that he demands an apology from the College. When the college refuses to reinstate Ronnie, Arthur decides to take the matter to court. His councilor, Sir Robert Morton (Jeremy Northam), informs him that the Naval College is a representative of the Admiralty and the Crown, and as such British law presumes they are infallible and above question; their judgement can be legally questioned only with the permission of the Attorney General. Arthur insists on taking the matter before Parliament to decide if his suit can be brought forward, and the case begins to split the family's foundations. Catherine is upset with her father for hiring a lawyer who opposes a woman's right to vote, John's father threatens to stop the engagement if Arthur does not drop the matter, and Arthur's wife Grace (Gemma Jones) begins to wonder if the real issue is justice or a father's stubborn and foolish pride. The Winslow Boy was filmed in England with a primarily British cast (the most notable exception being Rebecca Pidgeon, who happens to be Mamet's wife); Neil North, who plays the First Lord of the Admiralty, played Ronnie in the first film version of the story. ~ Mark Deming, All Movie Guide

David Mamet directed this screen version of his controversial two-character stage drama. John (William H. Macy) is a self-centered college professor preoccupied with his bid for tenure and negotiations for a house that he and his wife want to buy. Mary (Debra Eisenstadt), one of his students, comes by John's office after class; she's failing his course and is obviously confused by the material. Not really paying attention to her, John discusses his philosophies about education in an abstract manner rather than offering concrete suggestions on how to improve her grades. The discussion becomes confrontational and eventually Mary leaves. Several days later, Mary returns, announcing that on the advice of her "group" that she is filing sexual harassment charges against John based on a broad interpretation of his statements. If Mary's suit is successful, it could cost John his job -- and the house he's always wanted. Mamet's wife, actress and musician Rebecca Pidgeon, composed the film's musical score. ~ Mark Deming, All Movie Guide

In her final film, celebrated British actress Peggy Ashcroft portrays one Lillian Huckle. Released from a mental institution after 60 years, Lillian is taken in her nephew (James Fox) and his somewhat trepidatious family. As they (and we) get to know Lillian better, the many social and emotional pressures that can drive a woman to insanity come to surface; worse, Lillian has always felt that she deserved her fate. Filmed in 1989, She's Been Away was telecast in the US on December 1, 1991 as a PBS Masterpiece Theatre presentation. At the end of this telecast, a tribute was offered to Peggy Ashcroft, who had died earlier that year at the age of 83. ~ Hal Erickson, All Movie Guide