Vivian Pickles Movies

In this remake of Hitchock's suspense film, a new bride (Jane Curtin) fears that her groom is a ruthless killer and that she may be his next intended victim. ~ Sandra Brennan, Rovi

This dark comedy charts the chaos that results when the panicked staff of a major English hospital attempts to prepare for a visit by the Queen Mother, only to face every problem imaginable. Britannia Hospital clearly attempts to recapture the anarchic bite of director Lindsay Anderson's previous satires If... and O Lucky Man, but fails to achieve the same combination of intelligent political critique, comic lunacy, and skillful filmmaking. (Indeed, the three films are often considered a loosely linked trilogy, largely due to the presence in all three of lead Malcolm McDowell). The film does make a valiant effort, but its commentary on the poor, labor disputes, and the inhumanity of bureaucratic institutions mixes uneasily with the film's broader elements, like the experiments of a cartoonish mad scientist. The result is often quite entertaining on a scene-by-scene basis, but the film never reaches the level of delirious, farcical energy or satirical sharpness to which it clearly aspires. ~ Judd Blaise, Rovi

One man's dreams of success take him on a Byzantine journey through the various stations of the British class system in this politically charged black comedy from director Lindsay Anderson. Mick Travis (Malcolm McDowell) is an ambitious young man who is looking to get his foot on the first rung of the ladder of success by landing a job as a salesman. After the death of Imperial Coffee's leading drummer in the North, Travis' charm and enthusiasm so impresses manager Mr. Duff (Arthur Lowe) that he's given the job, and after some coaching from Gloria Rowe (Rachel Roberts), Travis sets out to find his fortune in the coffee trade. Travis' desire for success quickly sets him on a curious odyssey in which he happens upon a secret sex club for businessmen, finds himself the subject of random seductions by lonely women, is captured and tortured by military intelligence agents, submits to medical experiments at a bizarre private clinic, hitches a ride with a traveling rock band led by former Animals keyboardist Alan Price, falls in love with a beautiful young bohemian named Patricia (Helen Mirren), goes to work for her father (Ralph Richardson), who happens to be a singularly corrupt political figure, and eventually lands in prison after he's implicated in a deal to sell chemical weapons to the Third World. As Mick's strange tale progresses, we periodically visit Price and his band in the recording studio or rehearsal hall, as they work on songs which serve as both mirror and counterpoint for Travis' progress. O Lucky Man! was the second film in which Malcolm McDowell would portray Mick Travis for director Lindsay Anderson, following If..., and preceding Britannia Hospital; the film's surreal undercurrent was reinforced by the casting, in which nearly all of the principal actors play two or three roles. ~ Mark Deming, Rovi

Nicholas and Alexandra covers the rise and fall of the last of the Russian Romanovs. We first meet Czar Nicholas (Michael Jayston) and his German bride Alexandra (Janet Suzman) at their 1894 wedding. Though Nicholas is devoted to Alexandra, the Russian populace is less politely inclined to having a "foreigner" as their Czarina. Alexandra gains favor when she gives birth to the much-loved Prince Alexis (Roderick Noble). Alas, Alexis suffers from hemophilia, a disease which strikes every second generation of Alexandra's family. When all conventional medical ministrations fail, Alexandra puts the fate of her son in the hands of mystical holy man Rasputin (Tom Baker, later famous for his portrayal of Doctor Who). As Rasputin's influence and power grows, the Russian peasantry becomes more restless and disgruntled. They are now willing to listen to the speeches of such rabble-rousers as Lenin (Michael Bryant) and Trotsky (Brian Cox), who sow the seeds of revolution. Even after the murder of Rasputin, the Bolsheviks are unsatisfied: The revolution finally comes to pass in October of 1917. At first, the moderate Kerensky (John McEnery) pleads with his followers to allow the Romanovs safe passage out of Russia. But the radicals seize control, and on July 16, 1918, the royal family is summarily executed. ~ Hal Erickson, Rovi

In this British sex-comedy, a car salesman journeys to France and encounters an apparently lonely woman. He immediately begins to successfully woo her only to learn that she is actually a baron's wife. Fortunately, the baron believes in open marriages and winds up hiring the Englishman to teach his son (from an earlier marriage) everything about automobiles. Meanwhile the car salesman finds himself falling seriously in love with the wife. The baron really doesn't mind as he himself is involved with another. ~ Sandra Brennan, Rovi

In this Cold War espionage-thriller, adapted from the novel of John Le Carre, two veteran British intelligence operatives, Leclerc (Ralph Richardson) and Haldane (Paul Rogers), recruit a young Polish defector (Christopher Jones) to check on some missiles in East Germany. Avery (Anthony Hopkins) is the British agent assigned to help him to cross the East German border. Once behind the Iron Curtain, the recruit meets a sympathetic German girl (Pia Degermark) who tries to help him to evade the East German secret police and to complete his assignment. ~ Yuri German, Rovi

Not to be confused with the lavish 1968 biopic Isadora, the black-and-white Isadora Duncan was produced in 1966 for BBC television. Vivian Pickles stars as the free-spirited British ballet artiste of the post-World War I era, while an anonymous double handles the dance sequences. This 65-minute film was one of a series of irreverent biographies directed for television by enfant terrible Ken Russell. We know we're in Russell territory in the first scene, wherein the strangulation death of Isadora is recreated in loving detail, right down to the blood trickling from her lifeless lips. Russell's Isadora Duncan received its widest American exposure on public television. ~ Hal Erickson, Rovi

The British Ice Cold in Alex was released in the US as Desert Attack. John Mills stars as Captain Anson, a grumbling alcoholic sent on a WW2 mission to Alexandria. Travelling to his destination by ambulance, Anson becomes acquainted with his fellow passengers, nurses Sister Diane Murdoch (Sylvia Syms) and Sister Denise Norton (Mary Clare) and South African officer Captain Van Der Poel (Anthony Quayle). One of these worthies is a German spy-and only two of the passengers will survive until the fade-out. For its American release, Ice Cold in Alex was not only given a new title, but was also trimmed from 132 minutes to 79. ~ Hal Erickson, Rovi